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Which microphone is the best for me? How do I choose which microphone to buy? These are a few common questions we’ve been getting for a while now, and to help we’ve decided to compile the ultimate list of all types of mics out there and who they’re best suited for. We’ll also provide our best picks for each of the different mic types to give you our recommendations. Before we delve into the types and picks however, let’s try to constrain our search and eliminate some of the factors that we feel are important depending on each reader today.

Table of Contents

Microphone specifications explained

Let’s get into some technical mic terms you may see thrown around when different microphones are explained by different brands. It will also help you narrow down the search of what mic will be best for you and how to achieve the sound you’re craving.

• Sensitivity: The electrical response at the microphone’s output to a given acoustic input. It is measured using open-circuit output voltage (the output a mic will deliver with a particular sound pressure level). A mic with higher sensitivity doesn’t necessarily mean it is better. Different mics for different applications call for different amounts of sensitivity (is that broad enough for you?). For example, condenser mics have higher sensitivity than others (especially compared to dynamic mics) because it’s helpful in lower sound-pressure level applications, like recording vocals and acoustic instruments. Dynamic mics on the other hand with low sensitivity are great for higher sound-pressure level applications to avoid distortion.
• Sound Pressure Level (SPL): This indicates the highest amount of sound pressure a microphone’s electronic internal build can withstand before distortion begins to ocurr. Some mics even have an attenuation switch which helps increase the volume a mic can handle before it begins to distort. Others do not, so if you’re looking for a mic that can basically handle loud noises (think louder vocals, high-pitched and strong drums such as snares, etc.), look for those types and particular mics that have a higher SPL.
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  What do all these technical specs and terms mean? (Source: TeachMeAudio.com)

  Frequency response: Microphones will be different in ways they respond to the different levels of frequencies. Their “range” (or “response”) is what constitutes which levels they can pick up between. Some may boost certain frequencies (like high treble notes) while others reduce (taking away the lower frequencies for clearer upper-range sound). Some don’t even alter the response (making them “flat” to give us an extremely accurate recording). It all depends on the microphone and what that mic is specialized for. If you’re unsure, looking for a “flat mic” is always best since you’ll get no embellishments and an accurate sound of what you’re trying to get down. The photo provided on the right gives us an example of two different frequency ranges. Notice the top can go a bit lower as well as higher before the bottom drops off for each.

• Transient response: This describes the mics ability to respond to short duration, high level peaks (think of hand claps, snare hits, etc.). For example, condenser mics provide fast and accurate transient responses due to the low weight of the diaphragm. Dynamic mics on the other hand are a bit more heavy (and rugged) to give us less of a transient response since it takes longer for the sound wave to reach the diaphragm and collect that higher peak level sound. There are pros and cons to both.
• Dynamic range: The difference in the maximum sound pressure level to “noise floor” a mic can withstand.
• Signal-to-Noise Ratio (SNR): The ratio of a reference signal to the noise level of the output of the microphone. In other words, the measurement of how much sound you desire to be present in your recording as opposed to any unwanted noise or sound.
• Total Harmonic Distortion (THD): The percentage of the level of distortion on the signal’s out for a given pure tone signal’s input. It essentially compares the input and output audio signals. This is important because once you see the THD increase past a certain threshold, the “accuracy” of the sound will start to compromise, such as with unwanted frequencies, although many people claim that THD is not perceived by most human ears. It’s still a term you’ll see thrown around in a lot of electronics that involve audio.

What are microphone polar patterns?

The microphone polar pattern describes the sensitivity of sound a particular microphone has proportionate to the angle which the sound arrives. It is essentially “how” a mic can “hear” sound from the many different directions that are in front of it (or behind and the side for some) using a 360 circular foundation as the basis for measurement. You can see what we mean in the photo below. Here are the most popular types of polar patterns you’ll see throw around during your mic search.

• Cardioid: This pattern has the most sensitivity at the front of the microphone and least sensitivity at the back-end. They isolate unwanted sound and are a lot more resistant to feedback than other patterns out there, particularly omnidirectional, however supercardioid (up next) is definitely most resistant of the bunch. Cardioid mics are superb in live performances to allow some of that rear sound in (like monitors), but also studio recordings for various uses (vocals, drums, guitars, etc.).
• Supercardiod: These patterns have a very narrow pickup as opposed to cardioids. They also reject even more unwanted sound than it’s little brother (hence the “super” in that name there), however they also have some more pickup right at the rear of the microphone. They’re best for when you need to capture a sound source in super loud environments and are by far the most resistant to feedback. Just make sure what you’re recording is pointed at directly. They’re frequently used in lectures, workshops, conferences, as well as instruments like cellos, mandolins and violins.
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  A visual of microphone polar patterns and their sensitivity (Source: Garnish New York).

• Hypercardioid: Also known as “Unidirectional”, these are a bit more similar to supercardioid mics, but are even more fine-tuned to the sensitivity in front, even less at the sides, but also have slightly more pick up directly behind. Most common uses of this pattern is in shotgun microphones since they’re great for pointing at sources but from larger distances than it’s two predecessors.
• Omnidirectional: As opposed to cardioids and supercardoids focusing on the front of the pattern, these microphones pick up sound and have sensitivity equally in all angles and  all directions possible (the photo shows every space of that 360 circle shaded in). You won’t need to “aim” the mic (like you do with cardioids and supercardioids), so you can have some advantages there, but also be careful because this makes it susceptible to feedback, especially in front of PA speakers and what not. They’re used for grabbing sound in larger rooms, like orchestras and choirs.
• Bidirectional: Also known as “Figure-8 or Figure-of-Eight patterns”, these focus on sound sensitivity in the front as well as rear equally, while eliminating the sides (90 degrees). The lack of side pick-up is ideal for vocalists or instrumentalists at the side of each other on stage. They’re used for this in terms of application, and you’ll see all ribbon microphones have this pattern.

Additional gear needed

There’s always some extra gear you can grab to make (or mandatory to even start using your) microphone get going. Keep this in mind not only for your budget but foreseeing when and where you’ll need to use this additional gear. Some questions we like to ask our readers include, “Do you already have your software?” “How about a stand to hold it?” Where will you be placing this mic?”, etc. The most popular types include the following:

• Mic preamps
• Audio interfaces
• Phantom power supplies
• Mic stands
• Shock mounts
• Pop filters
• Carrying cases
• Soundproofing
• Recording, chat, and broadcast software
• Computer and other musical gear

The different microphone types

The following is each and every microphone type available today explained in detail. We’ll also provide you with some of our favorite guides we’ve written, how each of the mics work, recommended use for each, and of course, our #1 preferred picks for each category. If we didn’t highlight a specific type you were interested in or need a different recommendation, feel free to let us know in the comments!

Condenser Microphones

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Condenser microphones (also known as capacitor mics by some) are considered the “go-to” of recording mics in studios and one of the most popular types in the world today. They’re preferred for studio use for not only their versatility in recording uses of various types regarding voices and instruments, but also their build and longevity, heightened sensitivity to sounds, ability to deliver a high volume of output, large frequency response, and wide transient responses to pick up all of the sound waves you’re intending on capturing as well as the actual “speed” of it all. This helps with sound isolation as well as the accuracy and clarity (an essential for studios, right?) of the sound source you’re intending on capturing.

Technically speaking, the actual “condenser capsule” (hence the name) that’s built into these things is quite intricate. The design of these microphones also make them relatively lighter as compared to some of their counterparts (although they definitely aren’t the lightest of this bunch, depending which condenser type you grab), which is due to the overall construction consisting of two plates in close proximity to the inner diaphragm. Once you have some sound waves coming in to hit this particular diaphragm, it’ll begin to move back and forth and ultimately change the actual distance of these two plates from each other. The diaphragm is what receives the sound waves and distributes them outward to capture the sound. At the end of the day, this converted sound into electrical signal is what gives us our recording. A bit technical here, but we hope that overview helps. On top of it all, many condensers can differ in their size of diaphragm (which we list in a few below) to help customize the sound and feel depending on your applications.

It should also be noted that condenser microphones require an external source of power, since this capsule signal we spoke of is extremely sensitive and cannot be connected to other pieces of equipment. The output voltage is very high, which calls for some help in terms of the external power game, typically from items such as a sound board or audio interface, as we had explained previously known as “phantom power”. We’re talking traditional studio-grade, XLR connected condenser microphones (not UBS mics which we’ll highlight later on, which actually are powered by your computer).

Condenser microphones are easily accessible and can be purchased at various costs. They’re huge. There’s pretty much at least a few condenser mics in each price point you can think of. However, as with most items in the world, the higher the investment, the better the product, which is important to keep in mind when considering your purchase. Recommended uses of condenser microphones include vocals of all types (singing, rapping, etc.), acoustic guitar, electric guitar, bass guitar, pianos, and various percussion (can you tell they’re versatile?).

If we had to pick just one condenser microphone as a recommendation? We’d go with the amazing, highly reputable and very well-constructed Rode NTK.

Large Diaphragm Condenser Microphones

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Building on that knowledge of condenser microphones and the sound quality that they emit, you then have to start thinking about the particular sound you are looking to capture, and explained previously, that typically comes down to one essential component — the size of the diaphragm. Large diaphragm condenser mics are a lot more popular than it’s counterpart. Actually, most condenser mics you’ll see around the net or in music equipment stores are technically a “large diaphragm condenser”. Even the previously pictured and chosen model for the broader term “condenser microphone” is a “large”.

As mentioned earlier, the diaphragm in any condenser (or capacitor) mic resides at the center of the microphone and uses the vibrations of the sound output to work in congruence with its back-plate, thus creating a larger sound that is typically needed in studio recordings. When you’re talking about a large diaphragm model, you’re looking at a type of microphone that is able to pick up on all of the acoustics and frequencies of vocals and instruments to deliver a deeper quality of sound. Large diaphragm microphones can pick up on all the various vocals and instruments at a high frequency that makes them easy to mix and refine later in post-production for that “bigger picture” sound, making them an adaptable all-purpose microphone. Don’t get us wrong — at times, and although quite more rare, a small diaphragm is actually better in certain applications (which we’ll explain next). However, you most likely want a condenser mic with a large diaphragm.

If you want some numbers to understand it a little better, “large” diaphragms entail a capsule that measures 1″ or more, while “small” diaphragms at 1/2″ or less, most of the time. The biggest advantage (or really, use) of having a “large” diaphragm as opposed to a “small” diaphragm is lower self-noise and higher sensitivity for a more clear and accurate recording (vocals, definitely). The frequency range is also a bit narrower than small diaphragms, which backs up our vocal claim since we aren’t as concerned with the human voice’s range as compared to other versatile and broad frequency instruments. We’d go with its counterpart, listed below, if you’re recording louder instruments, such as drums.

Our favorite large diaphragm mic, and although quite expensive is the luxurious, crystal clear and warm Neumann TLM 105.

Small Diaphragm Condenser Microphones

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To repeat, bigger isn’t necessarily “better”. There’s a reason why small diaphragm condenser mics exist. My mom has always been a big fan of jazz music, so it’s something I grew up listening to quite frequently. I got used to the relaxing-paced rhythms, the various solos to make one instrument stand out from the others, and the diverse levels of piano and forte volumes to deliver a certain impact. However, the biggest impact in jazz comes from those notes that are sometimes so high or so minute that you have strain to hear them. The tap of a hi-top on a drum, the blare from a trumpet, or a high note that only a saxophone can make. It’s in cases like these where a small diaphragm microphone becomes essential.

These particular condenser mics are typically super skinny and slim like a “pencil” (some actually call them “pencil mics”) used to merely describe the entire build altogether. They operate on the end, meaning you speak or point your source at the tip (large diaphragms are typically side-address, meaning they’re faced upwards and you do the same to the side of the entire capsule).

Small diaphragms differ from their counterpart in the most obvious way — their center diaphragm is smaller in size. However, it’s because of that size difference that they are able to deliver those momentary notes. These microphones are highly responsive in the sounds that they pick up on, and because they are both smaller in size and in weight, they are easy to set up and arrange around the instrumentals they are designed to capture. These features make this type of microphone a highly valued asset in home recording studios, and are considered one of the best microphones in their category. They’re excellent for use with the needs of a generally smaller microphone for positioning versatility, higher sound pressure level, lower sensitivity, wider frequency range, higher dynamic range, and lower sensitivity — think acoustic guitars, drum overheads (many use two or more for drum sets altogether), brass, and percussion.

Our pick for the best small diaphragm mic has to be the Shure KSM 137 when it comes to overall build and quality.

Dynamic Microphones

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As we steer away from the few types of condenser microphones out there, let’s talk about another one of the most popular types of mics out there in the world with a little different spin on capturing sound — the dynamic microphone. These are the most versatile microphone solutions in the world (hence the word dynamic), especially if you’re one to rock a stage or two when it comes to sound needs.

To overview the tech specs, the dynamic microphone’s internal build includes a super thin diaphragm that’s attached to a coil of very fine wire. This particular coil is actually suspended in a field of magnetism and once sound hits the diaphragm, it begins to vibrate to create a super small current of electricity. This electrical signal produced by that suspended coil is then given voltage by a transformer that’s also inside of the dynamic mic, and lastly sent to that output jack for us to broadcast into the world (this is actually the same internal build and technology passive speakers use). Since there aren’t many moving parts in there aside from the coil (people actually call them “moving coil mics” here and there), you get a more general-purpose, across-the-board and broad microphone with a more rugged build than condensers.

For those of you who tend to have accidents when dealing with your technology (hence their popular use for performances), these microphones are designed with the klutz in mind (just in case, at least). The more compact and sturdy internal build also gives us some freedom in terms of rugged and rough handling. They’re also ideal for performance purposes due to this as well as moisture resistance and the fact they don’t necessarily need power from an external source (simple to use — just plug it into your speaker and off you go, you can however use phantom power if you wish). The polar pick-up pattern is also ideal for stages because it’ll only be capturing what’s pointed right at it, as opposed to some other patterns that grab all directions (including the audience).

They aren’t necessarily as sensitive or accurate as condensers; however, for many this isn’t a complete must, especially if performing live, keeping them in the dynamic mic direction (you can sacrifice accuracy for durability and versatility). And although we’ll always see the condenser vs. dynamic mic debate until the end of time, the recommended uses of dynamic microphones are again for those who need to use this for more than one or two applications or with the need for sturdiness in their hands, such as for performers, public, speakers, karaoke, interviews, or really, anything that has to do with “live sound”. We’ve also seen them used for brass and lastly drums, specifically heads with high sound pressure levels (SPL) — kick drums, snares, closed-miked drums, or even amplifiers and guitar cabs. There are definitely a few models out there that many use to record with; however, to keep it simple, we’ll stick to live uses with dynamics.

Our favorite dynamic microphone is by far the ever-popular, beloved, and cherished Shure SM-57, although we’ll probably get heavily debated on this one (which is fine, we’re all ears). There are a lot of great models out there.

Ribbon Microphones

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While this next microphone lies underneath the category of a dynamic microphone (technically), its overall output of sound and design are comparable to that of a condenser microphone which can be a bit confusing for some. Even though we’re now into the less common types of microphones out there, and in particularly this type since some may call it “old school”, it continues to have some popularity with a lot of vocalists and brass instrumentalists out there. It looks a bit vintage, doesn’t it? Of course it does — they were most popular type of microphone in the 1950’s!

Known as the ribbon microphone, this device operates off of a similar design to a dynamic mic, only instead of having a coil connected to the diaphragm there is a ribbon made of metal. Using a ribbon design allows these mics to be more sensitive in the frequency they are creating, permitting them to have a sound comparable to that of a small diaphragm condenser mic. Like a dynamic microphone, they do require “phantom power” in order to have an operational capacity, but they are far more durable in their design, and have many parts that are inexpensive to purchase if a replacement is needed. Even with their lack of accessibility and relatively low-cost, ribbon mics are known to produce high quality sound, making it one of the best mics for recordings and even some stage-use (although many of the ribbon mics figure-8 pickup pattern will be hard to work with and position for a band performing live, and if you used it for a vocalist it would also be positioned to pickup some of the noise of the audience which is difficult).

In terms of uses, they work very well with overheads, guitar cabs, and brass instruments, especially trumpets. They’ve been known to give a big proximity effect and are often described as “smooth”, “natural”, and even “resembling the warm 50’s and 60’s tone” — if you’re into vintage “sound”, which may not even be a thing for some (just keep in mind to make sure you have a preamp with a lot of clean gain).

Sound on Sound has a lot of ribbon mic choices, if you want some more information and picks. However, our favorite ribbon mic ever would probably be the Golden Age Project R1 MK3.

USB Microphones

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There are few things I never leave my house without — wallet, phone, keys, and most of the time, my laptop. In today’s world, a laptop, tablet or computer eventually becomes another extension of who you are, as it has become so necessary for most jobs and activities to have one accessible. That’s what makes a USB microphone such a convenient and ever-growing popular choice — take a USB cable, connect it to both your computer and your microphone, and away you go (plug-and-play with no source of phantom power — it uses your computer to do that). Yes, this can be used if you are in need of a portable recording studio, but this type of microphone is best suited for other avenues, such as podcasts, voice-overs, and even interviews. If you do choose to use this for recording music and sounds, it’s best to keep in mind that this type of microphone works best for vocals and acoustic instruments, such as a guitar, a piano, or vocals. A comparable microphone to others included on this list, a USB microphone is great for an on-the-go lifestyle, but not a pro studio by all means.

This particular “type of microphone” is listed relatively high since it’s becoming extremely popular among the more consumer-based mic users; however, a lot of home studios are starting to use USB microphones due to their budget-friendly price points as well as growing quality as technology evolves. We’ve listed it due to the popularity and to give you some insight into why you may see this term thrown around here and there when you’re searching through stores and websites for a mic. Most USB mics technical “type” is condenser, using an internal build with the slightly larger diaphragm and capacitor mechanism we had explained previously. The biggest determinant of what this type is is the way it is connected — USB cable, plug-and-play, right out of the box.

As stated previously, these are recommended for more non-studio use, such as podcasting, Skype calls, gaming, group chats, voice-overs, or really, anything you can think of when it comes to needing a computer microphone that doesn’t involve recording music (unless you’re a home studio and are going to record vocals or perhaps, although not highly recommended, piano or acoustic guitar). What’s great about USB mics is that they’re starting to come in all shapes and sizes. For one, the picture we have up there looks like a traditional mic (almost like a ribbon mic, right?) whereas many others come in compact sizes for those who travel and need an easy and small audio source solution.

Our favorite USB microphone of all time however is the Blue Yeti.

Lavalier Microphones

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Have you ever attended a public speaking event, sermon, lecture, or even watched a TED talk and seen a panelist struggling with a microphone? The answer is probably no, since most people who are giving presentations need to focus on their material and not on a microphone that they have to carry everywhere they go. This is where a clip-on mic, lapel mic, and most commonly known as a Lavalier microphone, helps to provide a hands-free option for recording and sound projection. Using designs similar to that of a condenser microphone, a lavalier can attach to a collar or pocket, and connects to a transmitter pack that connect directly onto the user as a power source.

Internally, these mics technically boost a lot of high frequencies (a peak of about 6dB at around 6 to 8 kHz has been studied to be the best for chest-mounted mics so you don’t lose clarity). They have super small electret capsules with a FET transistor that makes them ideal for those higher frequencies and small sizes. In terms of connectivity, you have a few choices. For one, you can grab a wireless lav mic that syncs up to a receiver away from the speaker. You later sync the audio captured by the recorder with the video in post-production. Next, you can have a wired lav mic straight to the device you’re recording with (such as DSLR camera or portable audio recorder). Lastly, you can have a wired lav mic that doesn’t stem all the way to back stage or another individual recording it all — there are clip-on receivers that’ll usually go on the speaker’s belt that records the audio for later use.

Lav mics are best for stage performances, such as theater, performances where vocals and dance are combined, lectures, and other public speaking events to help to project high-frequency sounds for an audience to hear. We’ve also seen them used around interviews, especially in a studio, as well as news broadcasting (as they go right in the speaker’s coat or collar — look closely and you’ll see that small lav mic snuggled in there).

Our pick for the best lavalier mic ended up being the Rode smartLav+, although there are some cheaper alternatives out there if it doesn’t fit your budget.

Smart Device Microphones

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Would it surprise you if we told  you that some people are starting to make music with their phones, iPads, and other smart devices out there? As apps continue to become more advanced and smart devices internal builds providing us with better overall speed to handle more processes at once, it shouldn’t sound too far-fetched now. We’re starting to see a big trend is smart device microphones for quite a few reasons, and the main factor in our opinion is because those little built-in microphones are flat-out bad. When we say bad, we don’t mean just for music, either — many are beginning to purchase these nifty, and rather high quality, small condenser (most are, at least) microphones to up the ante on their smart device audio quality for normal calls, work meetings, recording podcasts or voice memos, and more.

What’s also cool about these is the fact that some even come with an app that you can use to sync it with. With the app, and although it varies who it’s with, you can tweak certain EQ settings like gain, reverb and more. As we said earlier, many have a condenser build since most are using this thing to record (more specifically vocals and voices, but guitar can work, too). Other uses we’ve seen for a smart device mic include recording performances, band practices, lectures at school, workshops, and more.

It’s only been a few years since these started to really take off, but since then we’ve noticed many become intrigued at grabbing one of these for their phones or other smart devices. They work, as you can see in the photo on the bottom, by plugging the mic straight into your device (for iOS, the lightning connector) and viola — you now have better quality for whatever use it may be. Lucky for us, the cost is pretty affordable and the size is versatile to carry with us in our pockets or in back pack if we aren’t using it.

One of our favorites, if you’re using an iPad or iPhone, is the Shure MV88.

Shotgun Microphones

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The geek that I am, I love to watch panels for Comic Con and learn information about my favorite movies from interviews of those who were personally involved. With these types of interviews, you always see that the people who are talking are seated with a microphone placed directly in front of them. If they’re not speaking in the immediate vicinity of the microphone, you really can’t hear what they are saying, which is the entire design of a shotgun microphone. Its name comes from the design of the mic since it looks similar to the barrel of a shotgun, simple as that. Aside from interviews, we’ve seen shotgun mics best used for video camera audio and others in the video category. As long as the vocals of the person are directed to the microphone, a shotgun mic is able to send out a beam of frequency that concentrates in on its subject to emit or record its sound. Remember that hypercardioid pattern we explained? This is it. Knowing that, shotgun microphones are great at projecting the sound of someone who plans to stay in one place without movement, making it one of the best mics for this category, although a rather fine-tuned application.

These are considered to be “highly directional”, meaning that it’s going to pin-point and record exactly (or as best as it can) what it’s pointing at. This can give us some excellent use for those who need a very high amount of concentration to avoid any side noise from getting into the recording. It does this using the specific polar pattern and slim design — the highest gain in this particular pattern is specifically at 0 degrees, which means it’ll start to decrease as other sound comes at it from different angles, helping us keep our fine concentration of recording.

Common uses for shotgun mics include talks and speeches at meetings, lectures and conferences, interviews, video camera mounting, and more — really, any use you can think of where you’re only concerned with what is exactly in front of that little diaphragm it has, especially at a distance.

Our favorite shotgun microphone recommendation would have to be the Rode Video Mic GO.

Boundary Microphones

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We’re almost at the end of our microphone type list, and as we continue on down, we get into the rarer mics you may have never heard of before. If you are in need a microphone that can record at normal and high frequencies for a cost-effective price, then a boundary mic might be just the ticket. These mics are a type of condenser mics that need a surface to rest on. They’re different in that you don’t need to hold them or make sure the speaker is directly near them to pick up on the vocals. Instead, you could have a group of people within a room and the microphone will pick up on all of the sounds within that boundary (hence the name). You can even think of it as like a game of racquetball — the mic can sit on any surface within a room and, like a ball in racquetball, it picks up on anything that reverberates off the other surfaces.

This type of mic is best for conference rooms or interviews, but it can be placed on higher frequency instruments (pianos, for example) to record their sound efficiently. We’ve also seen them used in sports for some sound effect picks up on larger surfaces, like courts or hockey boards (body check sounds!). The internal build consists of a small diaphragm condenser capsule mountain in housing to direct its pickup to whatever surface it is parallel to. This “parallel setup” allows the mic to pick up whatever hits the surface it is mounted to.

Most commonly however is being able to record an entire room at once, and their size especially comes in handy since they be mounted on ceilings or walls. If you do end up using it for something like a live music performance (of a soloist, typically, and of a small stature), it can help prevent phase interference to make it sound more natural with a flatter frequency response.

Our pick for a boundary microphone is the famous Audio-Technica PRO 44.

Tube Microphones

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The name of this microphone should give you a clear image of what it looks like — a mic shaped like a cylindrical tube. But what’s the point? Aside from their rarity and slight out-dated build of the mic, for one, these are good at picking up various ranges of tones, considering at heart they’re a condenser mic. However, as opposed to a traditional condenser mic, they have a few key differences and still give us reasons to not only list this at the end of microphone type guide but also recommend it to a few readers, depending on their exact needs.

Tube mics over solid-state is always a debate, and unfortunately to not be as clear as you may want, it really “depends” on what you’re looking for (in regards to sound, that is). The main difference being that instead of a transistor (typically FET with solid-state mics) being used to accomplish and pre-amplify sound, there’s a valve (or “tube”) inside of that mic to do so. The subjective difference and why people think it’s worth grabbing a tube mic over others is their “warmth”, addition of “coloration”, and stronger signal. Some tube mics are able to get a great sound, particularly with vocals, being able to dial a large amount of tube saturation without sacrificing the signal and it becoming too noisy.

With that being said, they are considered to be best for vocal recordings, rather than using them to capture the sound of types of instruments. Many will use a tube mic only on the vocals and combine it with another mic provided on this list to customize the vocals and instrumentals for an overall warm and richer sound. Tube mics come in various sizes and prices, providing a strong diversity in choice. Although they’re continuing to be quite rare today and some say not to waste your time, check out the sounds for yourself and see if your ear can tell a difference — it may help you decide that much quicker.

One of the famous tube mics is the Avantone CV-12.

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Tube microphones are a considered by some an ancient artifact, while others (including us) say they’re just the right solution if you’re aiming for a particular sound and feel of your recordings. Whether you’re recording vocals, playing string instruments such as violin, piano or acoustic guitar, or even some for drums, the best tube microphones are going to give you that extra edge and “feel” many of us are all in love with when it comes to specific microphone personalities. Since we think tube mics still have a use today in today’s “advanced” and “electronic” movement, we wanted to compile a list for those who are still searching for their timeless solution. Let’s get into today’s picks.

What is a tube microphone?

A tube microphone is a condenser microphone that has a literal tube (or valve amplifier, if you will) inside of their body that were around before “transistors” were placed inside of microphones, which is now the more modern-approach to creating mics. Back in the day, they had to make preamps built around small tubes in order to amplify the signal it was sending out (it was their only option) before these “transititors, solid-state electronics and FET pre-amps” were created that allowed a stronger signal with larger internal organs.

We’ve seen the popular FET vs. Tube debate for decades and will probably continue to do so for years to come. So what gives? What’s the point of being concerned with what your condenser microphone is made of? Why regress to how mics used to be made? For one, and most importantly, the sound. They’re said to have a natural compression and tonal response, as well as be “warmer” (you’ll see this term thrown around a lot in our guide as well around the net in tube mic articles and forum posts, so how that’s defined is up to you), “bright”, “airy”, and “crisp”.

We’ve learned in our microphone types guide that mics come in different shapes, sizes, internal builds, personalities, specificity when it comes to particular instruments and overall mic applications, and of course, sounds. Although this next statement might not help much, we can’t give you complete and forth-coming advice when it comes to which mic is best for you — it depends on your subjective ear, style preferences and how you want your recordings to sound. At the same time, we know some who own both a FET condenser as well as tube to have some options around the studio, depending on not only the, but perhaps the particular vocalist or even instrument. What we’re trying to say is, don’t think you have to go one way or the other. Many own both.

Hopefully we haven’t confused you further (or perhaps we’ve helped which is our main goal). Regardless, grabbing a tube microphone is for a special type of sound and feel (many describe them as ‘vintage’ or ‘old-school’ for a reason) that you’re aiming for in your recordings. We think these are going to be around forever because the latest technology and electronic-based VST and software sounds may sound great, but still don’t give us the exact, real feeling a true tube mic can give us.

The top 10 best tube microphones

Rode K2

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Clik here to view.To kick off our guide and get things going, the Rode K2 is in our opinion one of the best tube microphones to date. It’s known by many as equipped with a wide dynamic range enabling listeners to obtain low noise and low distortion along with great SPL (sound-pressure level). The K2 is incredibly quiet and versatile, delivering incredibly low self-noise (10 dBA) while still having high max SPL (162 dBA). The microphone features a sound quality that is tough to beat, although this is where the subjectivity comes in and how tube mics actually “sound”. This particular model is known to be very “warm” and “rich”. It’s preferred the vocalists, guitarists (acoustic mainly), violins, and more strings out there. The high SPL is also useful for recording drums if you’re in need of a solution for percussion as well — this one is very versatile. It isn’t necessarily “cheap” as compared to the microphone game in general, however with tube microphones, this one does sit in the middle price-range. If your budget allows and you’re able to afford it, adding this large condenser tube mic into your studio setup is surely going to elevate it. We all know how amazing Rode mics are.

See pricing\reviews of the K2: US | UK

Avantone Pro CV-12

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Clik here to view.Old school is back! Look no further when searching for yet another one our picks as the best tube mic on the market. The Avantone Pro CV-12 is a new and improved classical style tube mic that brings your modern sound to life, while sustaining a price that does not require you to break the bank. The beauty of Avantone’s Pro CV-12 is that is very dynamic and also equipped to support a various range sounds. Whether you are a singer, a pianist, or a heavy metal drummer, this microphone will flex and adapt to your particular sound. The talent is in the artist, but a good mic can take your sound and subsequently turn it into something next level. This tube mic comes with 9 polar patterns allowing your sound to be recorded with optimal quality. In addition, the mic’s dual 32mm gold-sputtered Mylar capsules have a great response to transients in order to absorb the true sound of whatever recording that is offered. It’s also known to have a decent proximity effect, so if you want to tweak or customize the tone shifts you can move the mic a few inches closer or further from your vocalist or instrument. It’s known to have an “open presence”, meaning the midrange won’t need to any EQ post-production and your highs are going to “shine” and sound “bright”.

Check prices\reviews of the CV-12: US | UK

Neumann M 147

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Clik here to view.Next on our list we have the Neumann M 147. Here we have a high-end, luxurious cardioid condenser tube microphone that brings a warm and clear sound that amplifies your passion and beautiful music. This state of the art model is by far the best tube microphone for artists and musicians of all sorts if money isn’t exactly an issue and you’re willing to place more cash into your mic investment. The M 147 brings a high quality, low self-noise solution while sustaining a high dynamic range that many have become infatuated with. At its core, the true beauty of this mic is the K 47 capsule that it contains. This might be familiar to you regular Neumann users as it has used this in prior editions like the U 47 and the U 47 FET. It’s latest 147 editions, however, features a frequency response of 20Hz to 20kHZ  and an overall balanced and solid bass response (great for male vocalists or even those females who love the tenor range). For those of you looking to cultivate the best quality sound, Neumann M 147 is a phenomenal choice if your cash flow allows.

Read reviews\price of the M 147: US | UK

MXL Genesis

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Clik here to view.The MXL Genesis brings us back down to earth in terms of price-points for the best tube microphones but here we have a top of the line sound that is well-loved by MXL fans like us. With that said, it’s the mic’s versatility and dynamic approach that truly makes it the best tube mic on the market. If you are a hip hop and R&B singer, or just like to sing in the church choir, this tube mic offers a sound quality that can be universally enjoyed, no matter what the music genre might be. The MXL Genesis has a relatively standard 140dB Max SPL, known to have a slightly brighter tone to the K2, natural-sounding balance for vocals, and some low-end warmth that’s known to help with its overall clarity. When you combine the sound quality with the reasonable price, this tube mic screams steal of a deal, not to mention the feel-good factor that comes with it.

Check pricing\reviews of the Genesis: US | UK

Mojave Audio MA-200

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Clik here to view.Next up, we have the beastly Mojave Audio MA-200. Although considered high-end but not necessarily on Neumann’s level (especially when it comes to price), for those with about a grand or more to spend on theirs, this will not disappoint. This is a tube mic that is engineered with 3 micron capsules, as well as Jensen audio transformers, creating a beautiful sound that is going to bring you back to the golden age sound of music. The MA-200 has been battle tested in various venues and by artists worldwide. When you consider the mic’s internal military-grade JAN 5840 vacuum tube as well it’s exceptionally clean signal path, it’s hard to deny that the MA-200 is the best of the best with it comes to tube mics. Even if you are not an electronic, or even a mic guru, just by listening to MA-200 you will quickly take note of the difference between this mic’s sound from the rest (which we recommend doing so before your buy). Whether you are a classical singer or a rock band artist, this is a mic that is equipped with all of the necessities to make your recording professional and clear.

See price\reviews of the MA-200: US | UK

Nady TCM-1150

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Clik here to view.The Nady TCM-1150 is Nady’s best tube microphone that is yet again another cost-controlled mic in this list with enhanced sound quality. This one is definitely our favorite for those who didn’t want to spend an arm and a leg on their tube mic yet still grab a powerful solution to bring some warmth into their recordings. The TCM-1150 is equipped with a state of the art 6072 vacuum tube creating high quality warmth and analog saturation. This mic contains selectable different polar patterns, which can be selected on-the-fly creating not only better quality depending on the application but an increase in the mic’s overall versatility. Whether you are a vocal artist, playing instruments in a band, or just need a microphone for general use, Nady’s new TCM is a versatile option for a wide array of applications. The microphone is truly unique in that it contains its own customized output transformer creating a powerful transparency, and a genuinely smooth reproduction sound. This is one of the best tube microphones being sold today in the low-end and is a picture-perfect fit for most rigorous applications, whether you are playing on an instrument or singing a song.

View prices\reviews of the TCM-1150: US | UK

M-Audio Sputnik

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Clik here to view.Next on our list, we have the M-Audio Sputnik, a rare solution in our guide that if found for a solid price, can provide some excellent and unique sounds to your music. Sputnik is a high-performance microphone that uses a switchable 10dB pad and an 80Hz high-pass filter and is delivered with a built-in military-grade 6205M vacuum tube. As opposed to a lot of tube mics, Sputnik comes with three selectable polar patterns and a tuned brass back plate allowing it to provide a better sound, regardless of the application being used. M-Audio’s Sputnik is arguably a classic and makes its way into our best tube mic guide for a reason — although more scarce, still a classic in today’s electronic-dominated game. It’s known to be great for not only vocals, but harmonica, bass, and grand piano. It’s sound is described as “crisp”, “full” and “deep”. The lower ends are a bit dark and the higher ranges with that “bright” and “airy” sound we’ve seen in a few previous mic choices as well. This mic also features a dedicated power supply, a seven-pin cable, shock mount, soft bag and also your very own flight case, so you’re good to go right out of  the box.

Read reviews\price of the Sputnik: US | UK

MXL 9000

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Clik here to view.Next we have the MXL 9000 tube condenser microphone, another MXL mic which is regarded by many as one of the best tube microphones in today’s day in age. This large diaphragm condenser tube mic contains a 12AT7 tube which is a bit more circular than most, yet still gives us such a vintage sound that we often might forget what decade of music we are enjoying. The benefit of this particular tube is a warm yet transparent mid-range response. What makes the 9000 so highly reviewed is the smooth response in which the tube displays, as it’s so easy to differentiate the voices and instruments that are being played. The mic features XLR connectivity, a max SPL of 122dB, and cardioid polar pattern all housed in a metal silver-finished shell. There are a lot of options out there and it’s always important to choose a microphone that will best create that sound you desire, however, we are pretty confident that the MXL 9000 is your one stop spot if the previous picks were a bit too expensive for you and a budget-friendly tube mic was in your vision. Not to mention it also comes with a preamp for phantom power and shock mount so you can get going right when it gets to your studio.

Check pricing\reviews of the MXL-9000: US | UK

Studio Project T3

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Clik here to view.The Studio Project T3 is one you’ll see mentioned by those who are microphone enthusiasts and pay attention to the fine details. With a classical design that can be used with  much adaptability and can adjust to any sound that is thrown its way, the T3 is still a viable option despite being out for years. This mic is based from the 1950’s era and is designed with more of a modern touch. The T3 has upgraded to a 1.35-inch precision dual membrane capsule integrated with a tube circuit designed around the 12AY7 triode, as well as a balanced transformer output. This is an incredibly versatile mic that can be utilized best by a vocalist (it’s been said to use EQ for each different singer to make sure it’s fine-tuned to their personality), but is often used for instrument play as well, such as other instruments we’ve mentioned with other picks, such as acoustic guitar and piano. The T3 also features 6072 dual triode vacuum tube for optimal low noise and added reliability. This is an all-purpose mic that simply can amplify your sound no matter what the purpose is. Although it is most common to see this as one of the best tube mics for musical purposes, this is a microphone that simply can create your perfect sound in any manner necessary. We get excited just talking about it, and it’s pretty affordable in the middle price-point if you have a few extra bucks to spare.

See prices\reviews of the T3: US | UK

AKG P820

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Clik here to view.Lastly, but certainly not least, we have AKG’s P820. This is a highly rated tube mic equipped like a few others we’ve mentioned with multiple polar patterns enabling it to have staggering versatility if you foresee yourself recording different types of instruments aside from just vocals. You have a unique choice of cardioid, figure-8 or even omnidirectional polar patterns, as well as a low-cut filter with a 20dB pad. Simply put, there isn’t much to complain about in terms of the P820’s creativity. This mic offers so much to its design that it is also incredibly durable and will sustain decently high sound pressure levels (up to 155 dB SPL) so you can get away with using this one for drums as well. Like many others, it’s perfect for vocalists, instruments, as well as electric guitar cabs. The P820 is designed as one of the best performing tube mics on the market, and is also being sold at an OK price for now. This caps off our best tube microphone guide for a purpose, especially if you like to tweak your sound here and there when it comes to polar patterns and the low-cut filter. We’re big fans of AKG.

View price\reviews of the P820: US | UK

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Clik here to view.Buying the best boundary microphone will benefit your audio capturing in many ways, especially if you’re in need of some certain applications, such as conferences, churches, meetings, desktops, specific instruments and more. They’re not necessarily the most “popular” type of mic (although the internal build is since it’s technically a condenser microphone, more particularly small-diaphragm); however, if you feel a boundary mic is something you’ll benefit from, you’ve come to the right place. There are some amazing models out there to look at, so we compiled a list below to give you the options of the best boundary microphones in the market today.

What are boundary microphones?

To review for a little bit before we get int our picks, a boundary microphone is a small diaphragm condenser microphone with a twist — it’s capsule and internal circuits are mounted into a housing to lay on or be attached to a flat surface. They typically fit in the palm of your hand and can record great distances, usually with a cardioid or super-cardioid polar pattern. So why would anybody need to have a microphone solution such as this? What are the benefits of laying on a surface flat?

As seen in our best microphone guide that also explained the many types of mics out there in the world today, these particular boundary mics are used for picking up rooms with multiple audio sources. The flat surface (as in wall, table, or ceiling) is ideal because the boundary mic is made specifically to pick up sound that is reflected off the surface it’s on. Think of any time you need to pick up sound from an entire room, such as business meetings, but we’ve also seen them in various other applications such as pianos, sports (like hockey boards for body check sound effects), small musical ensembles with room acoustics, and more.

The best boundary microphones

Audio-Technica Pro 44

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Clik here to view.Let us start this list with a multifaceted condenser microphone that is perfect for applications with low required visibility. Coming from one of our favorite brands ever, the Audio-Technica Pro 44 provides a rocky design and construction, creating a more durable microphone which will also enable it to have longevity as a long-term investment. The Pro 44 notably comes with a 25’ detachable cable that gives the artist a little bit more breathing room and ability to move around. This is a microphone with so many great features, but what truly makes it one of the best boundary mics available is the combination of audio quality as well its ability to be positioned it whatever manner you desire. This creates various specific advantages, including the enhancement of its signal-to-noise ratio, as well as an increased suppression of ambient noise. There is little reason to question the price tag of this mic (it sits in the middle price-point), as it features so many high-quality elements. It’s safe to say that Audio-Technica has once again created another superb product in the Pro 44.

Check price\reviews of the Pro 44: US | UK

Audix ADX60

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Clik here to view.This higher-end model is for those wanted something a bit better in overall build and quality, and if you have the cash this one is without a doubt one of the best boundary microphones for various reasons. To start, how can we not mention the microphones high sensitivity, and ability to handle large amounts of distance. The Audix ADX60 is going to amplify your sound so well that people will be able to hear your voice and instruments at a highly increased range. This is a great boundary mic choice if you are in the music industry, speaking on a large stage, or even speaking in a business conference. The mic itself requires a 9-52V phantom power for its operational use and it also comes with a 25’ cable and phantom power adapter. The ADX60 is an optimally designed condenser microphone that is going to without a doubt be easy to position, and also durable enough to withstand an increased amount of usage. The build includes a nice 12 mm capsule, grill made of steel mesh, as well as a little mini-XLR connector. Do not miss out on Audix’s latest creation, because they’re moving fast — we recommend this as the best boundary mic if your budget is high.

See pricing\reviews of the ADX60: US | UK

CAD U7

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Clik here to view.The CAD U7 is the next boundary mic on our list and is another great little condenser microphone that is engineered to help articulate your speech in the way that you desire. The true beauty in the U7 is it’s ability to capture speech, which is so often important in conferences or business meetings. The microphones frequency response is more than adequately designed to capture and deliver your voice so that others know exactly what it is you’re saying, so we don’t recommend this one for any instruments if that’s what you were planning on using your boundary mic for. There is not much to complain about with CAD’s U7 as it comes with all the necessities, including a 10’ USB cable, an omnidirectional pickup pattern so that you can absorb frequencies from all directions. It’s quite budget-friendly (lower than both of the previous models listed), so if you’re looking for an affordable boundary mic to deliver your speech, CAD has got you covered.

Read reviews\prices of the U7: US | UK

Shure MX391/0

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Clik here to view.The Shure MX391 is truly one of the boundary microphones hidden gems, and it isn’t because of how much we love the brand. This flat frequency responsive mic comes with an abundant number of intriguing features that make it a pick as one of the best boundary microphones on the market. When thinking about your boundary microphone a feature that is often overlooked, yet incredibly underrated is the range, or lack thereof when it comes to the sound. Many would settle for just about any “quality” since as long as you can hear it it’s fine; however, we know others who are concerned with wanting as much clarity as possible. Shure’s MX391 comes with high quality silent membrane switches as well as LED indicators that are going to give you the ability to reach long distances when voicing your words. In addition, the mic comes with features such as your choice of condenser cartridges as well as a 4-meter cable that contains a 4-pin mini connector. To top off this beautifully crafted microphone, let us not forget about the reasonable price, although it’s up there in comparison to a lot others (you’ll be getting what you pay for).

Check pricing\reviews of the MX391: US | UK

Crown PCC-160

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Clik here to view.Let’s talk even more high-end here. The Crown PCC-160 is next on our list of some of the best expensive boundary microphones for you to consider. This mic contains a bass-tilt switch that enables the user to adjust its low-end response to whatever application that aligns with it, allowing for more custom tweaking depending on your mood or particular application that day. PCC standing for Phrase Coherent Cardioid, (it’s actually made by AKG, a brand you may be familiar with) which is an enhanced technology that uses tiny diaphragms creating a frequency quite smooth so you will be free of any issues that deal with phase interference. The mic’s polar pattern is a super cardioid which is optimal for picking up a specific source in front of it. The beauty of the supercardiod is that it is essentially going to eliminate all displeasing noise from its surroundings. The best way to describe the PCC-160 is “multitalented.” When it comes to adaptability, while sustaining the same polished sound, the PCC-160 fits each and every need. There is a lot to be excited about if you’re considering Crown’s PCC-160 so don’t be afraid to let this year’s edition be the continuation of your next boundary microphone journey if you have some extra cash at hand.

View price\reviews of the PCC-160: US | UK

MXL AC404

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Clik here to view.MXL has yet again come out with another superb mic in one of our guides with the MXL AC-404. This is hand down one of the best boundary microphones around the middle price-point, and is fully equipped with 3 capsules specifically designed for a 180-degree arc that contains a high voice recognition system to better capture whatever noise that is presented. This mic is perfect for speeches or on-stage theater as it is designed with pristine intelligibility allowing your words to come out crystal clear. A popular use for this boundary microphone is typically within churches, business web conferences, or even in the court of law. It conveniently comes with an easy to use plug and play USB connectivity, as well as it’s ideal compatibility with both Mac and PC computers. So, if you’re looking for a boundary microphone to use to better articulate your speech to larger audiences, you have a safe bet in the AC-404.

Read reviews\prices of the AC404: US | UK

Movo MC1000

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Clik here to view.The Movo MC1000 is another one of our favorite cheap and budget-friendly picks, and it’s a directional conference microphone that is ideal for webinars, class conferences, or business calls as it is equipped with three audio capsules and a super cardioid polar pattern. This boundary microphone is going to make your life and work a whole lot easier especially if you are trying to reach decent-sized crowds. The sound provided from the mic can capture everything in a 20’ radius as well as 180-degree coverage, making this one of the best boundary microphones for the workplace. This is a model that is picture-perfect for video conferences and large meetings due simply to the fact that it can pick up all voices and sound within its large range. The boundary mic comes with little bundle that’s floating around with headphones if you can find it. We love the speaker monitoring jack for your live audio monitoring and instant plug-and-play capabilities. If you’re looking into creating a more successful business meeting, the MC1000 is certainly going to enhance that mission.

View pricing\reviews of the MC1000: US | UK

Shure CVB-B/O

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Clik here to view.Here we have a boundary mic that is designed to be utilized with desktop-installed sound. The Shure CBV-B comes with top-of-the line commshield technology that is going to protect you from unwanted RF interferences from outside devices. When you add up the CVB-B/O’s reliability and its technological features, it’s hard to find a reason to complain if you’re OK with using RF connectivity. This is one of the best boundary microphones for corporate environments who don’t want to hassle with the possibility of interruption as it is heavily used for business meetings, as well as churches and courthouses. The mic itself features cardioid or omnidirectional polar patterns enabling it to pick up the exact clear sound you are searching for. There shouldn’t be a fear in terms of clarity of your speech when it comes to debating this purchase, as the frequency response is battle tested and ideal for any harsh conditions in which it is presented with. The features as well as the price tag provide little doubt that this is one of the best boundary mics on the market.

See price\reviews of the CVB-B: US | UK

Audio-Technica Pro 42

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Clik here to view.Audio-Technica has provided us with another one of its latest masterpiece when it comes to boundary microphones. The Audio-Technica Pro 42 is just a few numbers below our previous #1 pick; however, is yet another one of the best boundary microphones available, more specifically for houses of worship as well as large business conferences as it comes with a wide-range condenser element as well as a low-mass diaphragm for a higher quality sound performance. The microphone is a miniature cardioid condenser boundary microphone that is not going to come across as too flashy or too obvious when it comes to its appearance in the room. Its low-profile design creates a minimal amount of visibility, so for those of you who want to amplify your sound without causing a large visibly distraction, this boundary microphone might be your optimal choice. The Pro 42’s rugged design and construction enables this to create incredible durability and strength which will disallow you from having to repurchase a new microphone every year. The price of the Pro-42 is relatively standard, so if you want an upgraded quality at a low-quality price, Audio-Technica’s other popular solution is a great choice for you.

Check pricing\reviews of the Pro 42: US | UK

Crown PCC170SW

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Clik here to view.Lastly, Crown’s PCC170SW boundary microphone is a smart, durable, and versatile pick that is exceptionally designed for a crystal-clear sound. Before you allow the price to steer you away, let’s see what this one is about. This super cardioid microphone is appropriate for virtually any use when it comes to attempting to boost your noise at an increased rate. The mic can be used in basically any setting you can think (regardless of what you’re trying to record, distance or size), churches, office meeting rooms, as well as in a government courtroom. This is one is great for reproducing your voice in not only an identifiable manner, but also with enhanced reach for expected listeners of an extended range. The mic capsule is not the largest of capsules and is therefore going to make sure your frequency response is smoothly delivered without worrying about phase interference. It also comes with intensified LED lights that reduce to a rate of 70dB when it is turned off for an enhanced power system. This highly equipped boundary mic, as well as its reasonable price, allow this guy to be considered one of the best boundary microphone choices out there if you’re in a professional setting and have the budget to spare.

Read reviews\price of the PCC170SW: US | UK

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Clik here to view.Although we typically provide guides to our readers on finding the best microphones out there, today we wanted to kick off our series of “How To’s” to help you actually use those nice mics you’ve purchased! Today, we understand miking a drumset can be tricky, and the setting in which you are miking the drums plays heavily into the proper mic setup. Whether you’re miking drums in a live setting, a garage, or a home studio, this guide should provide some useful tips for getting the best sound possible. There are hundreds of ways to mic drums, here are the ways I have found to get the optimal sound, organized by drum type. If you have any further questions, feel free to comment below, otherwise, happy drumming!

The best ways to mic a drumset

Live Sound

Miking drums live can be quite difficult. Without microphones, the only thing that is going to be heard clearly is usually the snare drum. Even when microphones are available, there might not be enough mics or channels to get everything. Here are methods for miking individual parts of the drumset in a live setting ordered by priority. With all of these mics, be very careful with your gain.

Drums are loud and subject to lots of bleeding over. This can lead to unintended levels as well as phasing. Use nice noise-canceling headphones when checking the EQ of the drums and only as much gain as you need to get the tone you’re looking for.

Bass Drum

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Source: Drum Chat.

If you have one mic available for the drumset, use it on the bass drum. I’ve seen a surprisingly decent live sound with an SM57 condenser mic used on the bass drum, but typically you want to use a large diaphragm dynamic microphone. Most companies make microphones specifically designed for the bass drum and these are ideal because they mount directly onto a mic stand at a 90 degree angle, so there is no need for a mic clip. I would recommend the Shure Beta 52A dynamic kick mic, or check our best kick drum mic guide for more options.

If there is no hole in the front bass head, you’ll want to position the mic about 3-4” away from the drum and off-center towards about 5 o’clock.

If there is a hole in the bass drum, you’ll want to position the mic so that the diaphragm of the microphone is completely inside the drum, with the mic pointed slightly toward the shell of the drum. Be careful to not let the mic, mic stand, or cable make contact with the drum head, and remember that the front head can move up to an inch in or out when the bass drum is played depending on the tension of the head.

Hi Hats

Some people may disagree with me that the hi-hats should be second on the list, but drummers spend a lot of time on this pair of cymbals and they often get lost in the sound of the guitar. You can use any small-diaphragm cardioid condenser microphone. I recommend the Audio Technica AT2021.

Position the microphone about 4-5” away from the hi-hat on the side furthest from the drummer. Make sure the microphone is pointed directly down towards the hi-hat and not angled towards the rest of the drumset.

Snare Drum

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Source: DPA Microphones.

Miking the snare drum is more about bringing out a drummer’s ghosted notes and making sure the entire tone of the drum can be heard. The biggest thing to consider here is space.

Some microphones designed specifically for the snare drum can be a bit bulky, especially when a wire is connected. I have seen convenient clip on microphones that have the XLR jack directly off the back of the microphone, so unless you’re using a 90 degree XLR cable, this might end up getting in the drummer’s way.

If a boom stand is available, the Shure Beta 56A dynamic instrument microphone is a good way to go. This microphone has its XLR jack directly above where is connects to the boom mic, so you can have your cable far out of the way if you position the boom stand to come from the drummer’s left, between the hi hat stand and the first rack tom. Make sure you position the microphone no more than 1.5” off the drumhead about 1” inside the shell. Aim the microphone almost directly perpendicular to the drumhead, tilted slightly towards the center of the drum.

Toms

Unless your drummer has lots of low hanging cymbals all over the place, the toms should be fairly easy to mic. Sennheiser makes a pretty nice mic, the Evolution E604, that clips on nicely to the rim of each drum. Position these mics just like the snare drum mic.

One thing to avoid is having the rack tom microphones angled towards one another. If possible, mount each clip at 12 o’clock on each drum, angled directly towards the center of the tom. This minimizes the possibility of picking up other toms. You’re going to get a little snare drum and kick drum in all of these mics no matter what, especially if the toms are mounted to the bass drum.

Cymbals & Overhead mics

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Source: Audix YouTube.

This can be the trickiest part of miking a drum set and certainly is the least necessary in live settings. Overhead mics are going to pick up everything, and I mean everything. They’ll pick up the bass, the guitar, the monitors. By the time you’ve adjusted the gain to get all of that stuff out, you’re going to be left with almost nothing.

If you’re recording drums in a studio or a room where only the drums are being played, overhead mics can be the most important part of the overall mix. You’d be surprised what you can achieve with one overhead mic and one bass drum mic.

You can spend thousands of dollars on large diaphragm overhead drum mics. Overall, I have had the most success using a matched pair of small-diaphragm cardioid condenser microphones arranged in an X with the microphones crossed and pointing away from one another. The microphones should be at least one foot above the highest cymbal on the drum set and well clear of the drummer’s body while playing. A decent affordable option is the Samson C02 matched pair of mics.

Use these tips and you should be able to get a fairly decent sound without spending a fortune.

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As we continue our research and compile our tips and tricks guides on how to properly mic specific instruments, let’s take a look at one of the most beautiful sounding instruments in the world. Firstly, digital pianos or even MIDI keyboards with realistic-sounding VST instruments have come quite a long way, especially in the last ten years or so as technology continues to evolve. Now more than ever, a quality digital piano or emulated virtual instrument sounds and feels exceptionally close to the real thing. That being said, audiophiles and musicians alike can still immediately tell the difference between digital and acoustic pianos. Even in a controlled environment, pianos can be especially tricky to mic and EQ. Here are some tips to consider to try and attain the best audio quality when recording an acoustic piano.

How to mic a piano

Grand or Baby Grand Pianos

Microphones by design try to interpret vibrations the same way our human ears do. There are several factors however that play into the tone of the piano once it reaches our ears. Think about a piano you’ve heard in a grand concert hall with tall ceilings on a large stage, and now think of a baby grand piano you’ve played in someone’s living room. Regardless of the quality of the instrument, a piano is going to sound radically different depending on the environment in which it is played. This is our first factor to keep in mind when you’re beginning to look into using a mic with a piano — where you’ll actually be playing it!

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The mics should be placed perpendicular to the lid of the piano with the top mic angled towards the bottom strings and the bottom mic angled towards the action of the higher strings.

When recording a piano, typically multiple microphones are placed about 8” above the strings over different areas of the piano. If you have an accessible baby grand, trying having someone play it while you position your head over the strings and under the piano’s lid. This probably isn’t the tone quality you’re used to hearing when you listen to the piano.

If you’re in a controlled environment, the best option for recreating the most natural sound of the piano is the “Blumlein Pair”. To highlight at least a little history background, Blumlein is named after Alan Blumlein, an English electronics engineer, who invented this stereo recording technique that best recreates the spatial characteristics of the original instrument. It’s one of the most common ways to mic a piano and will be for quite some time, as many other musicians we’ve talked to will agree. The technique is based on using two bi-directional microphones positioned 90 degrees from one another as close to one another as possible, as shown in the photo.

This mic placement should give you a 360 degree image of the sound coming from the piano and the room. Before you start to record, double-check to make sure your microphones are picking up sound from both directions as some bidirectional microphones have a switch that toggles between one directional and bi-directional. Once you have the mics positioned correctly, you should wind up with a very natural sound. Feel free to experiment with the actual positioning before you get going on actually recording — it will all depend on your personal preferences and musical ear.

One of our favorite condensers to pair up for recording a grand or baby grand piano, specifically as a Blumlein Pair is the Rode NTK. You can also read our best condenser microphones guide for some options if you still need to purchase yours to begin recording or performing your piano.

Upright Pianos

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To properly mic an upright piano, it’s important to understand how these instruments are constructed and how they differ from a grand or baby grand piano.

Miking an upright piano on the other hand can be a little more difficult. Due to the construction of this instrument, you are not afforded the same amount of access to the strings and the source of the piano’s sound. The more compact size is typically seen as a benefit for storage and other personal preferences, however when miking it can call for some extra creativity.

The action (the point where the hammers strike the strings) on an upright piano is towards the top of the instrument. The soundboard is the back wall of the instrument and amplifies the strings the same way the top and bottom panels amplify an acoustic guitar.  To save space, the high and low strings on a piano are layered diagonally across one another.

For the absolute best sound quality, you’ll need to undress the piano a bit. Remove the front cover of the piano, exposing the hammers and the tops of the strings. Place two large diaphragm condenser microphones about 8 inches off the instrument. Each microphone should be about one-third of the way in from each edge.

If disassembling the piano is not an option there are other ways to get a decent sound. Try placing your large diaphragm condenser mics about 10” off the back of the piano and halfway down the instrument. Remember, the strings cross each other in the middle of the instrument, so putting your microphones on the edges of the instrument will not make too much sense here. Place the microphones slightly more than a third of the way in from each edge. Also consider that the higher strings are much shorter than the longer and mid strings so you might want to place the microphone on the left side (when looking at the back of the piano) slightly higher than the microphone on the right side.

Employ these strategies and you should wind up with a decent sounding recording of your piano. If you have any further tips and tricks you feel we should include in this guide, please feel free to let us know in the comments. Additionally, any other questions you may have when it comes to using a microphone with a piano, please ask away!

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Clik here to view.The best microphone under $500 is going to give us a great balance of affordability and overall mic quality. As many of our guides thus far have covered a variety of different types of microphones, we’ve seen truly how many shapes, sizes, sounds and personalities are out there in the mic game today. For our guide in particular you’re reading, we wanted to make sure we had a specific price-point as our backbone of the decision for the “best”, considering budget is typically the number one priority in selecting a mic to buy.

Before we provide our list, are you able to decide what type of microphone you are looking for? This will also combine with our other factor to be aware of — the intended use of your mic. For example, grabbing a condenser microphone is recommended for those recording in a studio — particularly vocals, piano, acoustic guitar, and a few other “softer” instruments. Dynamic microphones on the other hand provide us great versatility for louder voice or instruments such as drums in the studio. They’re also the perfect mic for performing in live venues, big or small.

For smaller studios such as home studios or non-musical applications such as podcasting, voice overs, gaming, YouTube videos and more — grab a USB microphone. They’re ideal due to their plug-and-play ability straight into your laptop, Mac or PC to get you going as soon as your mic arrives in the mail. We tried to find a few of each type in here to give you some options.

The best microphones for under $500

AKG C214

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Clik here to view.First we will dive into the AKG C214, one of our absolute favorites as a pick for the best microphones under $500 for people who are in need of something for recording lead vocals or solo instruments. The C214 is a professional large-diaphragm condenser microphone that is both cost-effective and regarded as one of the better microphones for catching close-up recording. It offers a solid one-inch capsule on an integrated suspension to reduce any mechanical noise and also features a 20 dB attenuation pad that allows recording louder voices or instruments of up to 156 db SPL. A switchable bass-cut filter helps the mic catch close-up recording with little-to-no proximity effect. The C214 sets itself apart from the other mics in this guide by combining one capsule of the high-end C414 dual-capsule system and the patented AKG “Back-Plate” technology, which results in a very similar performance to its’ far more expensive competitors. This microphone sits on the middle price-point of our guide, and if you are in need of the standard diaphragm-condensed model and intend to record some vocals or instruments, this may fit you just right.

Check prices\reviews of the C214: US | UK

Rode NT1-A

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Clik here to view.Next on our guide, we have another one of our favorite mics ever, the Rode NT1-A. It is a 1” cardioid condenser microphone that serves as one of the best microphones under 500 bucks for people looking to record their vocals, guitars, or percussion instruments. This Rode model is constructed with active electronics like a JFET impedance converter with bipolar output buffer to deliver the warmth, extended dynamic range, clarity and high SPL capability − all of which are the reason for being one of the first to be listed in here. The NT1-A contains a self-noise level of only 5 dBA, which is widely regarded as one of the quietest studio microphones − key if you’re recording vocals. Constructed with the “Complete Vocal Recording Solution,” this microphone includes everything you’ll need to get a true professional vocal recording, making this ideal for the home studio setting. The Rode NT1-A is very affordably-priced, and considering all it comes with, this might be the biggest steal in our guide.

Read reviews\price of the NT1-A: US | UK

Sennheiser MD 421-II

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Clik here to view.Here we feel one of our more versatile models, the Sennheiser MD 421-II. The cardioid pattern offers very solid feedback rejection, which makes it an ideal choice for live situations or recording environments where bleed, or crowd ambience, can be a hassling issue. It features a 5-position bass control setting which helps manage proximity effect, so you are able to use the Sennheiser in any miking situation and still get clean, clear response without an unnatural bass boost. The MD 421-II has a glass composite body and a hardened stainless steel basket for durable and long-lasting performance on stage or in the studio. It also has a sound inlet basket which is refined for capsule protection. The versatility the Sennheiser MD 421-II has to offer is the reason why it is one of the best mics under $500, and you will be pleased to know that is lays on the middle price-point. It is a full-bodied cardioid pattern microphone that is great for just about anything − instruments, group vocals, or even radio broadcast announcing.

See pricing\reviews of the MD 421-II: US | UK

Blue Yeti Pro

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Clik here to view.Now to the jack-of-all-trades, the Blue Yeti Pro! The Yeti serves as one of the best microphones for $500 or less for anyone who needs a hi-definition USB microphone. The Yeti pro is a dual-system, high resolution mic that is ideal for your desktop as it captures a very solid 24-bit / 192 kHz for digital recordings, while still being able to be connected to professional recording equipment in the studio. It features 3 custom condenser capsules and 4 different pattern settings − cardioid, omni-directional, stereo, bi-directional − the Yeti Pro is like having multiple hi-definition mics all in one. This will also allow you to record multiple sources or settings and fine-tune the pick up patterns accordingly. The proprietary capsule is designed to deliver rich, detailed sound, while the A-D converter enables the high-resolution 24-bit / 192 kHz audio recording to go directly to your laptop or computer. The Blue Yeti Pro is also one of the only USB mics that offers a dual XLR breakout cable so you may connect to mixers, preamps, and other professional studio gear. Grab the Blue Yeti Pro if you’re in the market for one of the more solid USB microphones.

View price\reviews of the Yeti Pro: US | UK

Avantone Pro CV-12

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Clik here to view.The Avantone Pro CV-12 brings us into a bit more of a rare ‘type’, a tube microphone. As some others may call this a “pencil mic”, this large diaphragm mic is equipped with 9 polar patterns to handle a variety of sound sources including the human voice, strings, acoustic guitars, and drum overheads to name a few. The CV-12’s rugged body and capsule assembly are precision machined of durable brass − ideal for an onstage mic. The ruby-red finish combined with the polished nickel trim and grill gives the mic an aesthetically-pleasing-to-the-eye look. It also comes with dual 32mm gold-sputtered Mylar capsules to respond quickly to transients to capture the true, natural sound of vocals, or any instruments. The PS-12 power supply provides access not only to the omni, cardioid, and figure 8 patterns, but also 6 “in-between” settings if you need a combination of sounds when recording. The Avantone Pro CV-12 is for people who have a little more of a budget, but when putting into perspective the features and how the CV-12 fares against many of its more expensive competitors, it should not be hard to drop the money on this bad boy. It is one of the best microphones under $500 that offers the classic tube-type condenser design.

See price\reviews of the CV-12: US | UK

Apogee MiC 96k

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Clik here to view.The Apogee MiC 96k is another model that is one of the best microphones under $500 for people looking for a small yet highly capable USB microphone. It is a professional studio quality cardioid condenser microphone that can be directly connected to your Mac, iPhone, iPad, or Windows computer. It is also tiny − about the size of an iPhone! With the “PureDIGITAL” USB connection, the Mic 96k is able to easily capture your best takes with great quality, and you can take it anywhere − studio, beach, you name it. The Apogee’s cardioid polar pattern design is ideally designed for vocal and acoustic instrument recording. It has a steel mesh housing on the microphone capsule, as a well as a die-cast zinc body to give it a durable finish. You can also use the MiC for voiceovers, podcasts, and interviews due to its portability! The Apogee Mic 96k offers a reliable sound and compact design that can be obtained at a very friendly price. This one has been in countless “best” guides around the internet, not only for those seeking a USB mic but an overall high-quality laptop or PC small studio setting solution.

Read reviews\prices of the MiC 96k: US | UK

Shure SM7B

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Clik here to view.Here we have one of the best microphones under $500 for broadcasting and recording. The Shure SM7B mic has a smooth, flat, wide-range frequency response which is appropriate for music and speech in any professional audio applications. It has a natural bass rolloff and mid-range emphasis bass controls with a graphic display setting. The Shure SM7B also has an improved rejection of electromagnetic hum, which is optimized for shielding against any broadband interference when recording. The internal air suspension shock helps the mic eliminate any mechanical noise transmission − key when recording in a broadcast environment. The SM7B has an effective pop filter to help reduce the need for any add-on protection against heavy breath sounds. This mic also has a cardioid polar pattern, uniform with frequency and symmetrical with axis, to provide maximum rejection and minimum coloration of off-axis sound. Overall, the Shure SM7B is moderately-priced, and offers a rugged constructed mic with features that can be best suited for radio and TV broadcasting.

Check pricing\reviews of the SM7B: US | UK

Audio-Technica AT4033

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Clik here to view.The Audio-Technica AT4033 is another large diaphragm condenser model, similar to a few of the mics we talked about earlier, which is known to be ideal for everything from brass instruments, vocals, acoustic guitars, stringed instruments, loud electric guitar amps, and anything else you can think of. The AT4033’s symmetrical and transformerless circuit not only give it a fast transient response, but helps keep the mic quiet by reducing any low-frequency distortion. The mic is composed of a nickel-plated brass element baffle to provide stability and sensitivity while recording. It also has a 2-micron-thick gold diaphragm to give you consistent performance. Its quick response, low noise, and wide frequency range make it one of the most versatile choices on this guide. Audio-Technica offers industry standard studio equipment and is in our opinion one of the best out there, and the AT4033 specifically offers a moderately-priced versatile mic for any recording application. This is one of the best microphones under 500 dollars for someone in the market for a traditional studio mic

View prices\reviews of the AT4033: US | UK

Sennheiser MK 4

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Clik here to view.Coming to the end of our guide, we look at another Sennheiser, this time the MK 4. The Sennheiser MK 4 is a large-diaphragm true condenser model that is also one of the best microphones under $500 for professional studio recordings. The 24-carat gold-plated diaphragm provides fine resolution and very clear and warm quality for the price you are paying. The MK 4 is also easy to handle and fairly good value for the money − making this a great fit for home recordists or professional project studios alike. It features a 1” true condenser capsule based on the acoustics of the e 965 high-end vocal mic, which is optimal for recording. The Sennheiser offers a durable and compact design, as it is composed of full metal housing. Its capsule shock is mounted internally to help minimize structure-borne noise or vibrations. Finding quality studio equipment that doesn’t break your wallet is often tough, but you will be happy to know the Sennheiser MK4’s price is a bargain for what it supplies.

See price\reviews of the MK 4: US | UK

Electro Voice RE-20

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Clik here to view.Last but not least, here is the Electro Voice RE-20. This true cardioid voice-over mic is smooth across a wide spectrum of frequencies, and with its “Continuously Variable-D” mic, it is free of bass boosting proximity effect when used close. The RE-20 is a large-diaphragm dynamic microphone that offers greatest rejection at 180 degrees off-axis − directly rear of the microphone. During recording session or on stage, singers can “close talk” the microphone, singing with their lips almost touching the grill without having to worry about “P-pops” and unwanted sibilance. The Electro Voice RE-20 also has an easy “bass tilt down” switch to correct spectrum balance for use in long reach situations or other bass attenuation applications − perfect for acoustic and electric bass, as well as kick drum. Although the RE-20 is a little more pricey, it is widely regarded around the microphone game, and is one of the best microphones under $500 for both studio and broadcasting.

View reviews\price of the RE-20: US | UK

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The best USB microphone nowadays can begin to rival even some studio-quality mics. They’re skyrocketing in popularity and overall quality and are amazing microphones for quite a few reasons — not only are they easy to use with their simple plug-and-play abilities for PC’s, Macs or Laptops, but they’re also extremely versatile to span across several different ‘uses’ and ‘applications’. We remember first delving into USB mics quite a few years ago (a decade or so we believe) and were skeptical to say the least — a mic you merely stick into a USB port and can immediately begin using and recording or streaming audio? Without an external power source! Unheard of. Let alone being so versatile to stem across uses such as gaming, live calls, streaming, YouTube videos, home studios, and more. How wrong we were, as we sit here writing about them today. Let’s get down to it.

Choosing the best USB microphone

Your budget will be important when first deciding which route to go in picking the best USB microphone. We’ve some great, cost-effective and affordable USB mics for under $100 or even $50. Others can get into the few hundred dollar range, but will start to give you what you may be looking for — overall better quality builds to help with the longevity of the mic, as well as audio resolution (literally higher in resolution than other, cheaper USB mics). It all depends on what you’re willing to sacrifice — money or quality?

Although the best USB microphones are versatile and can be suited for many types of uses out there since all you do is merely plug-and-play into a Universal Serial Bus port, we do like to ask our readers as with any type of microphone the next question: what’s your intended application? Podcasts, YouTube videos, home studio recording (vocals, guitars, other instruments), gaming — or perhaps all of the above? USB mics will fit in all of these categories, but your specific use can entail where you’ll be using the microphone. Need it to fit on your desk on the side? Or perhaps you’re traveling and need something more compact that folds (we found a few for this) for even more versatility?

Your use will also give you some lenience when it comes to audio latency (the few split seconds it takes for your source to be transferred into your computer) as well as audio quality. For those recording singing or instruments in a home studio (although we usually recommend going the true condenser microphone with some phantom power or an audio interface route), quality will be your number one priority — look into the audio resolution of the USB mic (we don’t recommend going lower than 16-bit / 48 kHz audio resolution if you’re recording music). Otherwise, if you’re streaming or using the mic for calls, you can technically go lower in resolution or at least sacrifice this factor if you want to save a few more bucks — as long as the other person can hear you, right?

If you are indeed looking for a mic to use with your smart devices, we wouldn’t go the USB route. Instead read our iOS microphones guide for some more info there. Otherwise, let’s get down to business.

The top 10 best USB microphones

Rode NT-USB

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First we will talk about the Rode NT-USB, which is one our favorites as the best USB microphones for those who need something versatile, as this model is suitable for recording singing and other instruments such as guitars and keys in home studios (16-bit / 48 kHz resolution here), podcasts, gaming, Skype calls, business meetings, and voice-overs to name a few. The NT-USB is a studio-quality USB mic that is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the iPad using the “Rode Rec” software, GarageBand or any other recording app that accepts an external mic. The NT-USB features a zero-latency stereo headphones monitoring (3.5 mm) jack, which allows you to monitor the microphone input in real-time, as well as adjust the monitoring level and mix between your computer/iPad audio and the mic input. It also comes equipped with a nifty little stand as seen in the photo to fit neatly on your desk or table-top as well as a pop-filter which fits onto the base of the mic, positioning the filter the most efficient way from the capsule to minimize plosives during speech or singing. The Rode NT-USB is price-friendly, and in the box comes with the mount, tripod stand, and storage pouch for a solid all-around package to allow you to get going as soon as it arrives on your doorstep.

Apogee MiC 96k

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Up next, the Apogee MiC 96k is another one of the best USB microphones that is both small and low-profile with some of the best recording quality out there in the USB world (up to 24-bit / 96kHz hence that 96k name). It is a professional studio quality cardioid condenser microphone that can be directly connected to your Mac, iPhone, iPad, or Windows computer. It is also tiny  — about the size of an iPhone. With the “PureDIGITAL” USB connection, the Mic 96k is able to easily capture your best takes with solid quality, and you can take it anywhere – studio, outdoors, concerts to name a few. The Apogee’s cardioid polar pattern design is designed for, but not limited to, vocal and acoustic instrument recording. It has a steel mesh housing on the microphone capsule, as a well as a die-cast zinc body to give it a durable finish. You can also use the MiC for voiceovers, podcasts, and interviews due to its combination of small size and portability. You also have a gain control knob on the side in case you need to adjust your levels on the fly. The Apogee Mic 96k offers the best sound quality you can buy when it comes to USB mics and compact design that can be obtained at a relatively higher price if you can afford it.

Razer Seiren Elite

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Here we have another multipurpose USB model, the Razer Seiren Elite. This particular USB mic is a cost-effective, multi-pattern mic that is suitable for all different sorts of recording applications like instruments, vocals, podcasts, conference calls, interviews, and more — making this one of the best USB microphones for people who need a mic for multiple recording environments, but don’t want the most high-end model. Even though Razer is a gaming model (and yes this is a great solution for those needing an external model for games), the Siren Elite allows you to switch between 4 polar recording patterns (cardioid, stereo, omnidirectional, bidirectional) by just rotating the main control knob, further helping the argument for this microphone’s versatility function. This model also comes with a built-in headphone amplifier that is compatible with any monitoring headphones with a 3.5 mm jack. It also has a zero-latency output plugged directly into the mic which allows for accurate monitoring on real-time recordings. The mic is rather easy to use as it has 5 main controls: the polar recording pattern selector, mic gain control, OLED display, master headphone volume, and the mute button. The Razer Seiren Elite also comes with a shock mount for minimal noise, a pop filter for little-to-no hissing, and a nifty carrying case for storing. It’s definitely a beauty.

Audio-Technica AT2020USB+

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Next we have the Audio-Technica AT2020USB+, one of the best microphones with a USB connection specifically designed for digitally capturing music or any acoustic source using recording software of your choice. The AT2020 is famous at this point, and is a USB rendition of their famous AT2020 condenser mic that’s been around for years. It’s for more music-focused recording due to its cardioid condenser design and technology. Although this model is ideal for recording music, it can also suffice for stuff like podcasts, voice-overs, field recordings, and even home studio recording. This Audio-Technica in particular features a built-in headphone jack with volume control to allow you to directly monitor mic with no delay. It also comes with a mix control which lets you blend your microphone signal with pre-recorded audio. The mic’s cardioid pickup pattern delivers a pretty good off-axis rejection, while it’s A/D converter with a 16-bit, 44.1 1/48 kHz sample rate provides solid sound reproduction to meet nearly all of our requirements. The Audio-Technica AT2020USB+ mic is also budget-friendly, so if you’re searching for a music-focused USB mic, this may be your pick as the best USB microphone.

Blue Yeti

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This is by far one of the most popular USB microphones ever at this point. The Yeti serves as one of the best microphones with USB connectivity for anyone who needs a multi-pattern model for recording or streaming. The Blue Yeti is also suitable for any application, as it captures a our needed 16-bit/48 kHz for professional music recordings, gaming, and even audio for video. It features tri-capsule technology and 4 different pattern settings — cardioid, omnidirectional, stereo, bi-directional –all of which can be switched to, at just the click of a button. The proprietary 3-capsule technology is designed to deliver rich, detailed sound, while coming with studio controls like headphone volume, instant mute and microphone gain – you are in charge of the recording process. The Yeti is equipped with a 3.5 mm headphone jack that allows you to monitoring and listen without any latency delays and is also rather easy to use, simply plug the mic into your computer’s USB port with the USB cable included, calibrate it with your operating system, and boom — you’re ready to record. The Blue Yeti is compatible with Windows 10, 8, 7, Vista, XP, and Mac OS X 10.4.11 or higher. It’s famous for a reason, making appearances in countless best USB mic guides around the net, typically listed first.

Samson Go Mic

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A little past the halfway point of our guide, we are onto the very affordable Samson Go Mic and one of our favorites for travelers and laptop audio connoisseurs. The Go Mic is one of the best USB mics for someone in need of a portable computer-based mic that goes where you go, as it is very small and can “clip” onto your laptop. The Samson has a plug-and-play operation, in which it is compatible with both the Mac and Windows operating systems, no drivers required. The Go Mic is ideal for recording podcasts, or field recording, as well as voice-recognition software, iChat, web casting, and even Voice over IP (VoIP). We honestly wouldn’t recommend this one for recording music of any kind, even though the resolution is decent we just feel there are better models out there for it — it’s more for uses that entail lower audio recording and less quality overall, such as online meetings or voice calls. It also has two pattern settings: cardioid and omnidirectional  — allowing you to pick whichever pattern is more appropriate in a certain setting. Although the mic is super compact, it still spits out a solid frequency response of 20 Hz – 18 kHz and a resolution of 16-bit, 44.1kHz – both of which are good for the money you are spending. Again, the Samson Go Mic is perfect if you need something low-profile and inexpensive and travel a lot since it folds into a wallet-size for easy storage.

Shure MV5

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The Shure MV5 is by one of our favorite mic brands to exist, and this one is another economical and compact model that serves as one of the best USB mics for people looking for a simple plug-n-play device. The MV5 offers flexibility with both the 2-in-1 iOS and USB connectivity which allow it to be setup at home or on-the-go. It has a low-profile and quite appealing, nearly vintage-like design that comes with an angle-adjustable desktop stand integrated 1/4″ threat mount for your computer. It also features 3 DSP preset modes, headphone monitoring capabilities, and 2 color options so you may find the setting that fits the situation best. The Shure MV5 is tuned to capture human voice with clarity and tone – ideal for music, video voice-overs and podcast recording. You can also enhance the MV5 experience by downloading the “ShurePlus MOTIV” iOS app which lets you record, edit, and share recordings on the fly. The Shure MV5 is also very reasonably priced, and while it’s not the most high-end mic, it will definitely get the job done for the price you are paying. You can also read our Shure MV5 review for some more information.

CAD U37

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The next model we will talk about poises to be one of the best USB microphones for people who need something extremity low-priced to record vocals or instruments. Although we do insist you save up a little more if you’re recording music and want to go the USB mic route, this can get the job done if you do have to keep it easy on the wallet. The CAD U37 is a large condenser, cardioid patterned microphone that can bring the recordings directly to your PC or laptop. It has a side-address design which is popular among broadcasting, TV, and home recording studios. The cardioid pattern on the U37 minimizes background noise and isolates the main source sound – ideal for home recording or podcasting. Its smooth, extended frequency response allow it to capture singing, speech, and instruments, while the -10dB overload protection switch minimizes distortion from loud sources. The U37 also includes a tripod stand and a 10’ foot cable to get you going as soon as you open the box. The CAD’s combination of the simple plug-n-play, inexpensiveness, and compatibility with Windows and Mac make the CAD U37 a good choice for those trying to begin their musical or podcasting career. We have been skeptical at this one before due to the price, but those user reviews don’t lie when it comes to the U37’s combination of decent quality and affordability, especially for beginners.

MXL Tempo

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Almost to the end of our guide, we have the pocket-rocket MXL Tempo. MXL was a little late to the USB game but they made up for it with a nice little sleek solution here. The Tempo is one of the of best USB microphones used for mobile vocal recording, so things like voice memos, on-the-fly recording, dictation or legal dispositions can be done easier with better quality. It features a lightweight, condenser design which makes it very portable so users can record vocals and other sounds on-the-go via a USB 1.1 or 2.0 connect. For being such a small size, the Tempo still provides a solid frequency response of 40 Hz – 48 kHz – perfect for vocals, podcasts, and video chats. The MXL Tempo also comes with a built-in high fidelity headphone jack to give the user the ability to monitor and assess their recordings. This mic is compatible with a number of computer music programs, as well as over-the-internet communication systems like ooVoo, Skype, iChat, and Google Talk. The MXL Tempo offers a very manageable price, making this one of the better bargains on a USB mic by a legendary microphone brand.

Blue Snowball iCE

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Last but not least, we look at another Blue model, the Snowball iCE. This one isn’t listed for a particular reason and is ideal for both experienced and inexperienced individuals, as it economically priced and contains easy-to-use features. Recommended for smaller desk applications, the Blue Snowball is one of the USB microphone for people looking for a mic for their computer or laptops. The cardioid polar pattern on this mic allow it to be a little more flexible, as the pattern helps it capture vocals, music, podcasts, and even gaming. It also features a custom condenser capsule that delivers clear audio quality with a solid frequency response of 40 – 18 kHz – both of which are pretty good for the price you are paying. The iCE is compatible with virtually all Windows and Mac software – just plug-in and begin recording your favorite sounds! The Blue Snowball iCE is a pretty good all-around package for the price, coming with a tripod desktop stand, unique look and a USB cable for your convenience to plug-and-play as soon as you’re ready to go.

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If you’re just starting out and are looking for the best beginner’s microphone to get your recording or performing adventures off to an optimal start, you’ve come to the right place. As we continue to survey the many different microphones in the world today, we’re met with a more directed and specific search for a mic, particularly for those beginning, to offer a budget-friendly yet high-quality solution to recording and performing what it may be in front of you. Whether you’re into vocals, drums, strings, keys in a home-studio or performing on stage for the first time, we’ve got you covered. First, we want to give you a checklist to keep in mind while you read our roundup to ultimately find the perfect solution as the best microphone for beginners. Let’s get started.

Choosing the best beginner’s microphone

• Your budget – As we’ve seen many of the best microphones in the world come at a huge range of different price-points, we wanted to make sure you were aware of just how low or high you can go with yours. For beginners, we do recommend sticking at a relatively affordable price, since over-the-top and pricey mics just won’t be necessary for your use at the moment. Of course, if you do want to go super high to take care of the future and be set for life, be our guest. We did however make sure to choose mics from different price-points to give you options, and the cheaper mics we went through ensure you at least have a learning curve while we’re at it. If you do have a specific price-point in mind, we link below to some of our budget-friendly guides just in case.
  • Microphones Under $50
  • Microphones Under $100
  • Microphones Under $500
• Intended microphone use – The next question we will ask is: will you be recording in a studio? Performing? Stage shows and gigs? Brand practices? Or other uses on your computer, such as Skype calls, chats, podcasts, gaming, and more? Perhaps both or all of the above? There are some super versatile microphones out there that appease to more than just one use, even when it comes to music vs. non-music settings. Others on the other hand are strictly just for recording, and in particular certain sources, in a studio or performing on stage. If you’re unsure as of now, we recommend sticking to a USB mic since they’re so versatile. Otherwise, continue to our next factor and we’ll spell it out a bit more.
• What type of mic? As we find out what you’ll actually be using your microphone for, we’ll be met with a decision based on this as well as your own personal preferences. We’ll describe the most common mic types below and what we recommend them for.
  • Condenser Microphones: Coming in as one of the most common types of microphones in the market today, condensers can be simply described as the best microphone for recording. Vocalists especially should stick to a condenser, as well as multi-instrumentalists in studios, spanning from pianos all the way to recording drums (some, at least — read that guide if you’re planning on miking drums since they’re a bit tricky) and guitars. Simple put: if you’re recording music, grab a condenser microphone.
  • Dynamic Microphones: Recommended for those performing vocals and instruments on stage, dynamics are what their title states — dynamic, versatile, rugged, and spanning across many uses. We’ve seen many dynamic mics also used to record in studios (in particular vocals as well as louder instruments, such as snare drums), but for beginners sake today, we still say stay with a condenser mic for recording, and grab a dynamic mic if you’re performing.
  • USB Microphones: As stated earlier, USB mics are extremely versatile and can be used for a wide array of uses — recording vocals or instruments in home studios (only home studios, we however still recommend going with condensers even if you’re in a budget-friendly studio but it’s up to you), as well as other uses for microphones that don’t entail anything musical. For performing, stick with a dynamic.
• Extra mic gear needed – Before we continue, we have a big recommendation: Look for bundles! We’re talking mic stands, shock mounts (aids in noise impact reduction), pop filters (screens those pesky P’s and S’s), carrying cases for traveling, sound proofing in case you want to build a little area for recording, cables to connect it all, phantom power or audio interfaces (a small, external device to provide power for your microphone — only recommended or needed for condenser microphones since they’re so powerful), and more. For those just beginning, we’ll assume you don’t have any of this gear yet. If you do or are able to grab some from a friend or fellow mic user, you’re one step ahead of the game. If not, never fear — just keep in mind (especially when it comes to budget planning) that only grabbing the microphone itself may not be the only thing to worry about today. We made sure to link you to our favorite bundles of the microphones if we were able to find some. Do keep in mind however that the mic you buy may already come with the necessary gear to get you going right out of the box (especially with USB microphones and their plug-and-play capabilities and built-in stands).

The best microphones for beginners

Audio-Technica AT2020

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Check reviews\prices: US | UK

With all of our factors now laid out, let’s begin finding the best beginner microphone for you. First, we have the Audio-Technica AT2020, which is one of our favorite mics ever. As a side-address studio condenser microphone known to great for project and home-studio applications, it’s a great for those starting out their home-studio recording endeavors, regardless of source — vocals, guitar, keys and more. The cardioid polar-pattern has a low-mass diaphragm that is engineered for extended frequency response (20 Hz – 20 kHz) and solid transient response to bring us versatility and effectiveness in our recordings. To explain a little more detailed, the cardioid “polar pattern” of the AT2020 helps reduce pickup of sounds from the side and rear, ultimately improving isolation from the desired sound source that’s directly in front of it – very important when recording vocals. The microphone also combines its rugged construction with a wide dynamic range to be able to handle high SPLs (sound pressure level — higher-pitched and volume sounds) fairly easy. It also comes with a pivoting, threaded stand mount for easy, secure attachment and placement of the microphone — you’ll just have to buy a stand unless you already have something to attach it to. All in all, AT2020 has more reviews than we can count to back up our confidence when making this a solid pick to start recording with — it offers an extended response, solid durability, and good quality sound for the price you are paying. If you are money-conscious, the Audio-Technica AT2020 serves as a reasonable option for beginners and comes in as #1 for a reason in this guide.

Rode NT1A

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Next, we have the Rode NT1A, a legendary microphone at this point for all recording needs. This mic is a 1” cardioid condenser microphone that serves as one of the best microphones for beginners looking to record their vocals, guitars, or percussion instruments in the studio. This microphone is listed next even though it’s recommended for the same uses as the previous AT2020 pick — it’s about double the price, however you’re getting even better sound quality and build, so if you were interested in a beginner’s solution that’s higher in quality, you can’t go wrong here. Although technical sounding, it’s important to note that the NT1A is designed with active electronics like a JFET impedance converter and a bipolar output buffer to deliver the extended dynamic range, clarity and high SPL capability which are important when trying to correctly capture vocals at the next level. The NT1A also contains a self-noise level of only 5dBA –- probably the quietest studio microphone when comparing it to the others on this guide to help give us even more accuracy and clarity in our recordings. It is also constructed with the “Complete Vocal Recording Solution,” – this microphone includes everything you’ll need to get a true professional vocal recording, making this ideal for home or studio recording. The Rode NT1A is pretty pricey when comparing it to other mics on here, but when considering all it comes with, the price is worth the purchase if you wanted to spend some extra cash to grab a mic that will last you beyond your beginning years. Also keep in mind you aren’t getting any extra gear if you grab the microphone-only package somewhere (we found a nice bundle with the links above, however).

Shure SM58

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Here we have the Shure SM58, which is a handheld model that is one of the best microphones for beginners trying to find a vocal mic, especially if you plan on being on stage performing. It is designed for professional vocal use in live performances, sound reinforcement, and studio recording – needless to say it’s pretty versatile as we had explained that most dynamics are. It comes featured with a cardioid pickup pattern which isolates the main sound source while also minimizing background noise. The frequency response is tailored for vocals, with a solid mid-range and bass roll-off function, which is why it’s so responsive to singing and speech. It also has an effective, built-in spherical filter to minimize wind and “pop” noises you get while singing. The microphone lastly has a very rugged construction (ours has lasted through many drops!), and comes with a shock-mount system and a steel mesh grill to ensure that it can be used in any condition, indoors or outdoors (just don’t get it wet). The Shure SM58 is a solid option for beginners with a smaller budget and need to perform those beautiful vocals or instruments of theirs, as it sits on the lower price point — we know many who own multiple SM58’s in their audio recording and performing toolbox just in case.

Blue Yeti

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Now we move onto to the Blue Yeti, one of the most popular USB mics in the world. The Yeti serves as one of the best beginner microphones for those who want a mic for recording (only recommended for those in very small desk-oriented home-studios who don’t want to fiddle with phantom power or traditional condenser mics in general) or other non-musical uses, such as voice chats, gaming, podcasts, streaming and more. The Blue Yeti is a multi-pattern model that also adequate for any application, as it captures a very solid 16-bit / 48 kHz response for great music recordings, gaming, and video audio. One of the nicest features here and what brings even more versatility to your mic, especially if you’re using it for more than one application, is it is designed with tri-capsule technology and 4 different pattern settings – cardioid, omnidirectional, stereo, bi-directional – all of which can be easily switched to. The proprietary capsule technology is made to deliver rich, detailed sound, while coming with studio controls built on to the mic itself such as headphone volume, instant mute and microphone gain to better your recording or streaming experience. The Yeti is also equipped with a 3.5 mm headphone jack that allows you to monitor and listen without having latency delays. Just like other USB mics, this one is rather easy to use; simply plug the Yeti into your computer’s USB port with the USB cable included, sync it with your operating system and you’re ready to record — no need to buy other gear since it has the built-in stand and can be powered via your laptop, PC or Mac. The Blue Yeti is affordably priced and is a great option if you need a microphone with USB compatibility and don’t want to fiddle with extra gear.

Behringer Ultravoice XM8500

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Perhaps the biggest bargain on this guide is the Ultravoice XM8500, which is another cardioid dynamic model, comparable to the Shure SM58B, which makes for one of the best mics for beginners who need an inexpensive vocal mic (and we mean inexpensive, this thing is cheap). The XM8500 is ideally designed to be used in either live performances or home recording due to its pickup pattern which has solid sound source separation (say that 5 times fast) and pretty good feedback rejection. It has a fairly flat frequency response of 50 Hz to 15 kHz, while also incorporating a smooth mid-frequency presence rise for quality voice projection — including a two-stage pop filter to help negate breath and pop noises. The Ultravoice XM8500 combines it’s decently rugged design, shock mount system, and impact-resistant carrying case to make it pretty portable if you’re ever on-the-go. As we said earlier, this cost-effective mic sits on the lowest price point, and poises to be a solid substitute for the more expensive mics on the market. We only recommend buying this if your budget is very limited.

MXL 770

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The MXL 770 is a price-friendly, multipurpose condenser mic that uses patented technology to provide sound that makes it one of the best beginner microphones for home recording studios. It is designed for vocalists, pianos, guitars, and strings, as it has a great low-frequency response and natural, clear high-end to combine for a great range. To achieve the above, MXL uses a low noise EFT pre-amp and transformerless balanced output for a wide, flat dynamic range and minimal noise – important when trying to isolate vocals in the studio. The 770 mic features a low-frequency roll-off to reduce unwanted rumbling and a 10dB pad to facilitate a variety of sound sources. It also comes with a shock mount and rugged carrying case if you are an on-the-go type performer — just grab a mic stand and some phantom power and you’re ready to go. The MXL 770 combines good quality with value, and will work just fine if you’re looking for that warm sound with solid clarity at the top-end of your vox. It’s nowhere near the higher-end beginner mics in here but for the price, it’s quite impressive if you’re looking for a solution under $100.

Rode NT-USB

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A little passed the halfway point, we will talk about the Rode NT-USB, which is one of the best microphones for beginners who need a mic that is a little more versatile and powerful than the Yeti. The NT-USB (a USB rendition of the previous NT mic we spoke of) is suitable for recording singing, guitars, pianos, guitars, podcasts, voice-overs or really any PC-related application to name a few. Although we recommend always being wary of the term, it is considered is a ‘studio-quality’ USB mic that is compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as GarageBand or any other recording software or app that accepts an external mic. As seen in the photo, the NT-USB also features a zero-latency stereo headphone monitoring jack which lets you monitor the microphone input, along with adjust the monitoring level and mix between your computer/iPad audio and the mic input. It also comes with a pop-filter which fits onto the base of the mic – positioning the filter the most efficient from the capsule helps minimize plosives during speech or singing. The Rode NT-USB is pretty price-effective and also comes with a mount, tripod stand, and storage pouch for a solid all-around and plug-and-play deal. We recommend this pick as the best beginners microphone if you wanted a USB connection and something slightly higher in quality than the Yeti.

Sennheiser E835

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The Sennheiser E835 is another cardioid dynamic microphone that is specifically designed for speech and vocals. It combines the classic hand-held look with a solid sound that projects well and cuts through high volumes on stage to make it one of the best beginner’s mics for low-budget home recording and live sound applications. The E835 has a uniform frequency pick up pattern that maintains signal quality when moving on and off axis during performance – good for singers who have a tendency to tilt the mic when they perform. It also contains minimal proximity effect for pretty consistently clear bass and performance when singing closer to or farther from the capsule. The Sennheiser’s rugged, metal housing is designed to withstand all types of live applications. The Sennheiser E835 produces not only consistent sound quality, but also sports a very manageable price – two of the most important things for starters if you ask us.

AKG P220

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Almost to the end of our guide, we look at the AKG P220 – one of the best microphones for beginners trying to record their lead vocals, acoustic guitar and brass instruments. The AKG combines a large-diaphragm true condenser microphone with a cardioid polar pattern to give it a warm and clear sound for the user. It features a switchable bass-cut filter to eliminate rumble or football noise and an attenuation pad which makes it ideally suited for use on loud sound sources (like guitars, drums, trumpets, and tubas) with sound pressure levels up to 155 dB SPL. It has a rugged all-metal body and durable design to ensure it withstands tough day-to-day use – making this a solid choice for on-stage applications. The AKG P220 also comes with a spider-type shock mount in a carrying case for easy setup and storing. It sits on the middle price point, and if you need something for your brass instruments, this is your friend.

Shure KSM 137

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Finally we have another one of our favorites and to end the guide, a slightly different spin to microphone shape, size as well as intended use. The KSM 137 is one of the best beginners microphones that can be acceptably used on virtually all live applications. The KSM 137 is a single cardioid polar pattern end-address condenser microphone designed for studio use, yet durable enough for live performances. It is pretty versatile – commonly used for applications such as acoustic, wind, and low-frequency instruments, while also being useful for overhead miking, or recording any room ambiance you’re looking to pick-up. It features a very thin, 2.5 micron, low mass Mylar diaphragm for a great transient response and a Class A preamplifier for transparency, no crossover distortion, and minimal harmonic distortion. The 137 also come with a 3-position switchable pad (0 dB, 15 dB, and 25 dB) for handling all different types of SPLs for even further added versatility. If you have a little more money in your budget, the Shure KSM 137 might be the best beginner’s microphone of choice if you have a slightly more advanced and versatile understanding of how to mike your audio sources.

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Clik here to view.As we continue our search for the perfect microphone for your own personal needs and application(s), today we’re met with a great price-point that sits within the middle to lower-tier of budgets when it comes to recording and performing audio — $200 dollars or less. This will help us find a decently powerful and high-quality microphone solution while still saving some money at the same time. Although sifting through the different types of microphones may get a little messy for you (we understand), we’ll help spell out what kind of mic is best depending on what you’ll be using it for. Also keep in mind what setting (or settings if you intend to travel with your mic). Since it’s hard to pick just one and it’s relatively subjective when it comes to the word “best”, we chose quite a few of our favorites to give you options.

Finding the best mic under 200 dollars

Your overall budget will first be a large decisive factor when deciding on your mic today. Even though we’ve been able to narrow it down to just $200 or less, the difference between a microphone that just sits below that price-tag of 200 even will be a lot different from a mic even half of that price. We always have our microphone under $50 or microphone under $100 guides to give you some cheaper alternatives to save some money. Otherwise, we attempted to find an array of each price-point below.

Different microphones come in various shapes, sizes, sounds, feel, and overall personalities. The microphone type you are seeking will be the next factor to keep in mind. The main types we’d like you to keep in mind include USB, condenser, and dynamic microphones. If you’re a vocalist recording in a studio, we highly recommend grabbing a condenser microphone (although many quality condensers are seen in the under $500 mic range). Those who play acoustic guitar, piano, as well as other string instruments will also benefit from a condenser mic. On the other hand, if you’re performing and need a stage mic regardless of instrument or voice, dynamic microphones are your best bet. We’ve heard of dynamic mics being used in the studio as well, but not in this price-range.

USB microphones are also a viable option for recording vocals and various other instruments, especially at this price-point. Although we do ultimately recommend a condenser for studios, USB mics are great for those who don’t want to fiddle with external gear such as phantom power or audio interfaces to get going as soon as you plug-in your mic into the computer. They’re also easier to use when it comes to size — most have built-in stands that sit on your desk for convenience. Even for those who aren’t into music and have other applications on the computer, such as podcasting, streaming, gaming, online chats, voice overs and more, USB microphones are the perfect solution for you, so grab one of those.

The additional gear you’ll need will lastly dictate how much money you’re able to spend on your microphone under $200. As stated previously, if you do use a condenser microphone, you’ll have to invest in a few other pieces of equipment that’ll drive up your budget, such as mic stands, pop screens, filters, shock mounts, and of course, phantom power.

The best microphone for under $200

Audio-Technica AT2020

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Clik here to view.Coming in as our number one pick for recording studios, the Audio-Technica AT2020 is a quite famous condenser microphone that is perfect for vocalists, instrumentalists, or even those wanting to grab a studio-quality mic for non-musical uses, such as podcasts, gaming, online meetings and more. This is a low-mass cardioid condenser microphone that is specifically designed for extended frequency and transient responses. When it comes to cheaper alternatives, the AT2020 sets the standard, as this affordable microphone is equipped with a cardioid polar pattern that will filter out the sound pickup from outside noises, leaving us with a reliable entity to capture what’s only in front of it. The AT2020’s rugged build enables it to be incredibly durable, and should last just as long as any of the pricier models out there if you’re able to take proper care of it. It also comes with a pivoting and threaded mount that can attach easily onto your mic stand right out of the box. It was first in our beginners microphone guide for a reason, but stems across even into some professional studios we’ve heard of as well — it’s definitely one of the best microphones under $200 if you find yourself needing a studio-quality microphone for recording or streaming on the internet.

Check prices\reviews of the AT2020: US | UK

Blue Yeti

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Clik here to view.Up next, if a traditional condenser microphone wasn’t your thing, we have a nice alternative here with user reviews to back up its effectiveness. When it comes to USB microphones, the Blue Yeti is by far one of the best microphones under $200 and most popular choices in terms of cheaper, versatile and high-quality microphones. This customized best-selling USB mic offers a ton of flexibility enabling you to record some great music, podcasts, vocals, or even audio for videos such as voice-overs or sound effects. The benefit of USB mics is the wide-range of applications — anything you can think of that involves a PC or Mac it can take care of, not to mention it’s easy plug-and-play capabilities right out of the box (no need for external power sources or other gear like windscreens or mic stands like traditional studio condensers). Equipped with Blue’s awesome custom tri-capsule technology (switch between three different polar patterns to customize the pickup in case you use it for different applications), the Yeti is even more versatile than other USB mics. Regardless of whether you are podcasting, recording music or an interview, the Blue Yeti’s four different power settings allow it to have a differentiating factor that sets itself apart from the rest. Designed with on-unit volume adjustability as well as containing plug and play accessibility, the Blue Yeti is simplified in its design and user-friendly in all of its features.

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Shure SM58

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Clik here to view.The Shure SM58 is a reasonably priced, yet high-quality dynamic vocal microphone that is legendary within the microphone game. It is most optimal when used for singing or speech, specifically live performances on stage. Crafted for clarity and a high-quality design, this vocal microphone articulates whatever message you would like to deliver quite clearly. Equipped with a built-in shock mount system for support and spherical filter to drain out the wind and ugly breath popping noises, this superior mic is the perfect addition to your stage arsenal as well as recording studio (yes, some use it for recording vocals as well, but we still prefer a condenser for that). It’s extremely rugged when it comes to build, and we remember dropping ours more times than we count with only a few dents yet still being able to work properly. Its dynamic build and use enables an extreme amount of versatility for different frequency ranges, sound pressure levels as well as tones, regardless of its purpose. When it comes to reasonably priced microphones, it doesn’t get a whole lot better than the SM58, and it’s definitely another one of the best microphones under 200 dollars if you’ll be performing music or speaking on stages. Some say it’s a staple-point of a musicians toolbox.

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Sennheiser e906

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Clik here to view.The Sennheiser e906 offers a professional super-cardioid, dynamic instrument mic that is truly the perfect microphone for sounds of all types, such as drums, guitars, strings and keys. Easily adaptable and connective, this is one of the best microphones for under $200 if the previous dynamic mic wasn’t your thing and you foresee yourself needing a solution for more than just a voice. Versatile in nature and durable in design, this microphone truly does it all when it comes to amplifying your sound. The switchable presence filter customizes the sonic characteristics to different requirements to enable additional versatility. The characteristics of this sound are offered in three different forms — bright, moderate and dark, allowing the user to have a choice when it comes to what type of sound and feel you’re aiming for, while at the same time allowing adaptability for different instruments. Regardless of why you are in the market for a new microphone under $200 bucks, this is a multi-usable choice that can be utilized in various different ways on stage or in the studio.

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Rode NT-USB

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Clik here to view.Coming in as a strong competitor to the previously listed Yeti although slightly more expensive, the Rode NT-USB is a studio-quality USB microphone that comes with some nifty high-tech features and superior sound quality. This is a mic under $200 that is designed with convenience for the user with its USB connectivity, along with its compatibility to Apple and iPad devices, 3.5 mm stereo headphone jacks for zero-latency monitoring and as well as master gain knobs on the side of the unit. The microphones pop shield, tripod desk stand, and ring mount are incorporated for additional support to get to using right out of the box. The NT-USB is said by many to be optimal for singers and vocal recorders everywhere, but those who stream online or use it for other computer uses won’t be let down either. The beauty of the NT-USB is not only that fuzzy feeling we get seeing the ‘Rode’ brand name on it, but the overall quality it brings for being a USB mic. Regardless of your primary usage for this versatile microphone, there is little reason to believe that you can’t use it for nearly anything.

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AKG Perception P220

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Clik here to view.Equipped with ‘True Condenser capsule technology’, the AKG P220 is a large-diaphragm microphone that is perfect for vocalists, pianos, brass instruments and acoustic guitarists. It’s pretty wild to consider the Perception 220’s price tag because this high-quality solution offers features that make it one of the best microphones under $200. When it comes to condenser microphones, you will be hard pressed to find one more that is more durable than this rugged design, eliminating your worries about causing damage in the event of a mic drop. It features additional switchable 20 dB pre-attenuation pads for use in sound fields up to roughly 155 dB, as well as switchable bass cut filters to eliminate unwanted noise for your lower-end frequencies. The large-diaphragm cardioid build is a popular type of condenser for vocalists — it creates a warm and unique signal, and although less ‘accurate’ than it’s smaller sisters, can be the main choice for many singers and rappers out there. AKG offers enhanced sound quality with its custom price and performance levels, making this microphone a great choice regardless of its desired use.

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Shure PGA27-LC

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Clik here to view.A microphone with the quality for a professional, the Shure PGA27-LC is truly one of a kind when it comes to affordable and versatile microphones under two-hundred dollars. Equipped with a larger diaphragm like our previous pick, this is a side-address cardioid condenser microphone that is also optimal for vocalists. The side-address direction is known for being optimized by vocalists as well as an amplified acoustic instruments such as a guitars or other strings. Here we have a professionally used microphone that comes with an enhanced industrial design as well as state of the art improved physical features. Long story short, if you are looking to amplify your sound you have a sure bet in the PGA27-LC as this microphone will deliver regardless of its environment. All things considered, these are some of the necessary features that make this mic one of the best for under $200. Conveniently including a shock mount, as well as a padded zipper case if you are a big traveler these features allow it to be one of the best travel companions when you are on the road.

Check prices\reviews of the PGA27-LC: US | UK

Sennheiser e935

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Clik here to view.The e935 brought to you by Sennheiser is a professional grade cardioid vocal stage microphone that comes with every great feature that allows it to perform in any setting that you desire. The Sennheiser e935‘s high output enables the user to feel like a professional musician allowing them to record or perform the sound they are looking for without worrying about the microphone being the reason for a hindered performance. As a big competitor to the SM58, it’s often used by on-stage musicians, public speaking, sermons, karaoke, and more. Featuring a metal construction that is both rugged and durable, it’s hard to find a microphone out there that will be as reliable as this one. This mic is equipped with shock-mounted capsules for low sensitivity when it comes to handling noise as well as hum-compensating coil for reduced electrical interference and confidence in the overall sound quality you’ll attain. If you are looking to amplify your sound in the best way possible, don’t look too far because the e935 is a microphone that users keep coming back to as it is considered one of the best microphones under $200 if it pertains to your particular use and intended sound environment.

View price\reviews of the e935: US | UK

sE Electronics SE X1

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Clik here to view.Regardless of the recording you’re searching for, this microphone comes to you with so much versatility that it can essentially do it all. The sE Electronics SE X1 has a large diaphragm and its gold-sputtered capsule make it first in its class and one of the best microphones for under $200 when it comes to overall quality and durability. This mic can be found in fancier settings as it is often used by Jazz players as well as lead vocalists and percussion instruments on stage or in a home studio. The advanced features that this microphone comes with makes it a great option for its price — great flexibility with a very high dynamic range and ability to handle high sound pressure. The SE X1 is a sturdy 32 mm diaphragm, cardioid directional pattern microphone making it a great option for a low-cost condenser mic. This one offers more of a ‘open sound’ feel and quality, which is something that you would find in a condenser mic three times the price.

See pricing\reviews of the SE X1: US | UK

Razer Seiren Elite USB

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Clik here to view.Last but not least, we have another great USB mic under $200 that we had to include. Conveniently designed, the Razer Seiren Elite USB offers the user a great addition to gaming (considering it’s a gaming gear brand), podcasts, online meetings, voice overs, and of course, a smaller home recording studio. No need for mic stands, as this microphone’s aluminum base allows it to perfectly fits on top of your studio desktop, making it a great choice if you are interested in recording and streaming your music. It is a multi-use mic that comes with three built-in 14 mm custom-tuned condenser capsules that allows it to be capable of creating four different recording pattern configurations. Featuring some super-clear 192 kHz / 24-bit in recording resolution, this microphone is going to deliver the optimal listening experience regardless of who your audience might be. Yes, it’s just another option for a USB mic out there, but if you’re a Razer fan and wanted to grab their flagship USB model (it comes in the middle of both the previously listed Yeti and NT-USB), it may very well be the best mic under $200 for you.

Read reviews\prices of the Seiren Elite: US | UK

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Buying the best audio interface is going to help solidify both the power and overall capabilities of your studio, regardless if you’re a professional, semi-pro or even beginner starting to build your new home recording studio. For continued readers of our website, we’ve been able to help many when it comes to choosing which microphones are best; however, we have frequently mentioned the importance and necessity of phantom power and audio interfaces in our studio — not only for recording vocals with our mics but various instruments as well. Due to this, we wanted to create a guide to help those looking to power up their beloved music gear and instruments and get that sound quality we’ve always wanted. Cue in audio interfaces, and today we compiled some of our favorites to recommend you.

What is an audio interface?

An audio interface is a device that’s meant to provide power, processing, effects (some, at least), and organization of your many recording devices into one. They act as an ‘external sound card’ if you will, since they’re a lot more powerful, higher in quality, and merely overall better than the sound cards built-in to your computers, regardless if you’re on a PC or Mac. Depending on how you listen to your audio, whether it be studio monitor speakers or studio headphones, most also have outputs to handle this gear in order for you to track and monitor your recordings. Some even provide MIDI ins and outs to allow your keyboards and other controllers to run more smoothly in the recording process (and keep it all organized, too).

In our opinion, one of the biggest and most important parts of an audio interface is the help with the issue of latency. If you’ve ever attempted to record before, whether vocals, guitar or other instruments while going straight into your computer, we’re sure you’ve noticed a slight ‘delay’ — which is one of the most annoying parts of recording and making music, in our opinion. How are we supposed to get that work flow going if we have to try to ‘guess’ when to start playing our gear? Since audio interfaces have are more advanced internal circuitry and overall build than computer sound cards, they can get greatly reduce this ‘lag’ or merely eliminate it altogether.

Selecting the best audio interface

Now that we’ve covered what they are, let’s look into how to buy the best audio interface for you. Since audio interfaces come in many different shapes, sizes and price-points, it’s going to depend on the reader’s needs which we have listed below.

• Think of what exactly you’re looking to record and hook up to your audio interface. Not only as of today while you read this, but in the future as well. Do you only have one mic, a guitar and a MIDI keyboard? Sticking to a 2-in and 2-out with an XLR input for a condenser mic and MIDI in\out will be quite feasible. Are you going to be recording entire bands? Look for more than 2\2. Perhaps a 6\6 will be best, or even a 4\4. Maybe you’re recording multiple microphones at once (the “at once” here is crucial — if it’s separately, you can always get away with just replacing the XLR with different mics as you go)? Look for more than one XLR input in your audio interface. Of course, these examples are subjective, and you may land somewhere in the middle, which we’ll leave up to you to see which is best.
• What type of connectivity do you want? We have many, and a majority of audio interfaces, providing USB connection. Others (and more towards the expensive and advanced spectrum) can give us Thunderbolt (for Mac only, of course), and even some with FireWire if you want to go heavy. Your computer’s operating system and type will also dictate this decision as well, considering the ports are at times only compatible with the OS. USB of course will span in all directions, and will be best for uses such as in home studios.
• How much are you willing to spend? The range of audio interfaces is huge, spanning from $100 to $,1000+. This will decide not only how many ins and outs you’ll be getting, but also the overall sound quality you’ll be able to possess for your recordings. For home studios, sample rates up to 24 Bit / 192 kHz will be fine and we wouldn’t recommend going any lower. The $1,000 models start to get into not only higher sample rates but more advanced internal processors, which are usually a concern for professional studios.

The top 10 best audio interfaces

Zoom TAC-2

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Up first we look at one our favorite models as the best audio interface, the Zoom TAC-2. The Zoom is a 2-in/2-out thunderbolt audio interface that is fairly easy-to-use – all features are controlled by one knob. It comes with a pair of XLR/TRS combo jacks in the back to hook up your mics, instruments, or line signals to the input, while also coming with a front input jack so you can add a guitar or bass without unplugging anything else. While you’re playing, the TAC-2 not only records, but it also has a neat feature that performs four times upsampling of your signal during the analog-to-digital and the digital-to-analog conversion – this means you get minimal aliasing noise and higher clarity. The TAC-2 features Apple’s thunderbolt connectivity — 5 times faster than USB 3.0 and up to 20 times faster than USB 2.0 – which is why it is considered one of the best audio interfaces in the market today. If you need something that is fast, relatively stable, and bus-powered, then the Zoom TAC-2 is your best bet.

Apogee ONE

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Next, we have the Apogee ONE, which is one of the best audio interfaces on the go gigs or smaller home studios on a budget. The Apogee ONE is an all-in-one 2-in/2-out portable, USB interface that provides you with everything you need to record – simply connect a microphone, guitar or use ONE’s built-in omnidirectional microphone to capture your music (definitely don’t rely on it for major recordings — you should have a condenser for that). The ONE 2-in/2-out configurations also let you record with a microphone (built-in or external) and a guitar at the same time. It also uses its AD/DA conversion and mic preamp technology to produce solid music, podcast, or voice-over recordings while also still giving you studio quality sound to your headphones for accurate mixing and/or hi-fi listening. The Apogee ONE is compatible with GarageBand, Logic Pro X or any core audio application (Mac or iOS). It comes in two models: ONE for Mac or ONE for iPad or MAC – choose whichever you please.

Focusrite Scarlett 6i6

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Here we feel the Focusrite Scarlett 6i6, one of the best audio interfaces for multi-instrumentalist, producers, and small bands. The Scarlett 6i6 is a 6-in/6-out USB audio interface that features 4 analogue inputs with 2 built-in Scarlett mic preamps, 4 analogue outputs and 2 separate headphone outputs – there is no shortage of ins and outs with the Focusrite. The 6i6 model spits out sample rates up to 192 kHz with their solid converters – you will have studio-grade sound you can take anywhere. With MIDI I/O as well as two channels of S/PDIF I/O on top of it all, the Scarlett 6i6 is an ideal foundation for home or project studios that may need to expand in the future, giving us a great curve for growth. For build, it has a rugged metal unibody design that is relatively good for recording on the go or lasting a long time sitting snug in your studio. The Scarlett 6i6 comes bundled with “Pro Tools First Focusrite Creative Pack,” as well as “Albeton Live” lite recording software and a suite of software and samples so you can start recording right away. The Focusrite Scarlett 6i6 is also compatible with all major DAWs on MAC and PC. Just keep in mind there are many interfaces available in the Scarlett series — 2i2, 4i4, and more, all tailored depending on your needs.

Steinberg UR12

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Next we will look at the Steinberg UR12 – a 2-in/2-out USB 2.0 model that is considered to be the best audio interface due to a combination of sound quality, portability, and a fairly low price compared to others in this guide. The phantom-powered UR12 is built with a convenient loopback function which is specifically designed for home studio recording, podcasting and other internet streaming applications. The UR12 also features a “Class A D-Pre” microphone preamp with inverted Darlington circuits which provide relatively smooth and detailed performance. The interface features a single microphone preamp with XLR input and a TRS line input, so you can track line-level with your headphones. In terms of quality, this audio interface supplies a 24-bit/192kHz A/D resolution – you won’t have to compromise sound with this bad boy. It also has line level RCA outputs for you to hook up your studio monitors. The Steinberg UR12 is one of our more economically priced interfaces, and if you’re a budget shopper, then this might be your best option.

Universal Audio Apollo Twin MKII

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At the middle point of our guide, we have one of our high-end audio interfaces, the Universal Audio Apollo Twin MKII. The MKII is a highly-rated, 10-in/6-out thunderbolt interface for Mac, with two analog inputs, four analog outputs, and eight channels of ADAT input – each of them serve their own specific purpose when it comes to connectivity. The Universal MKII features a AD/DA conversion for fairly good sound, and 4 built-in UAD “SHARC” processors for giving you a true representation for tracking or mix-down. The thunderbolt configuration of the interface provides you with low latency and huge bandwidth for higher sample rates (24-bit/192kHz) and track counts. The compact design of the MKII make it pretty versatile, as it suitable for mobile recording, mixing outside of your studio, and performing live. The Universal Audio Apollo Twin MKII sits on the higher price-point of our guide, and serves as one of the best audio interfaces for people with a larger budget looking for a thunderbolt-based model that will really up the ante when it comes to your recordings and quality of music.

MOTU UltraLite-MK3

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Up next we have another one of our favorite picks as the best audio interface for people searching for a model with multiple types of connectors. The MK3 features both USB 2.0 and FireWire connectivity – when you use FireWire, your UltraLife will get all the it needs from your computer, and when you’re connected via USB, you can use the included power adapter for full functionality. The MOTU features 24-bit /192 kHz rate with a number of inputs and outputs: two microphone preamps plus 6 line-level 1/4” (TRS) inputs and 10 analog TRS outputs – so in total, you have a 10-in/14-out interface. It also comes with a stereo S/PDIF digital I/O, a stereo headphone output, and a MIDI I/O for a controller or other equipment. The MK3 also comes with built-in effects and DSP routing, in which you can dial in your headphone mixes without draining your computer. It can also serve as a pretty steady standalone mixer due to the DSP mixer and onboard effects – in case you ever want to just jam out without taking your laptop. The Motu UltraLite-MK3 also sits on the higher price-point, but with the features and sound it provides, it is great for the price.

RME Fireface UC

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The RME Fireface UC is another high-end model, which has 2 digitally controlled microphone preamps, ADAT, and S/PDIF, and a whopping total of 18 input/output channels plus MIDI I/O – making this one of the best audio interface options for a small to medium-sized band or semi-pro studios. The Fireface UC has a solid cross-platform performance, which means that it works well on both Windows and Mac operating systems. It has a built-in “RME Hammerfall” core that provides relatively low latency, even with multiple channels. The unit’s operating mode can be switched to “Win” or “Mac” at any time if need be. The Fireface UC features RME analog and digital circuitry that provides active jitter suspension, stand-alone functionality and utter control from the front panel, flexible I/Os, and a very solid 648-channel matrix router. The digital ADAT I/O gives you digital connection to mixers and converters which is important if you want to track correctly. The RME Fireface UC is our priciest model, but in this case, with price comes unmatched quality.

Apogee ELEMENT 24

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Here we have another Apogee model, the ELEMENT 24. The Apogee ELEMENT 24 is one of the best audio interfaces if you record on Mac with one or two inputs a time. It is a thunderbolt 10-in/12-out audio interface that is rather cost-effective when comparing it to other thunderbolt models on the market. The ELEMENT 24 features 2 front-panel mic/line/instrument inputs on combi connectors, 2 rear-panel balanced XLR outputs, a 1/4” stereo headphone out, and word clock I/O. It also comes with 2 Apogee on-board mic preamps with selectable phantom power. For even more flexibility, the ELEMENT 24 has an optical I/O with ADAT (8×8), SMU (4×4), and SPDIF (2×2) compatibility. The thunderbolt drivers deliver a relatively low-latency performance (1.41 ms), along with solid stability. The driver also draws less CPU power ranks which lets you run more plug-ins and monitor through your DAW at lower buffer settings. Lastly, the “Element Control” software of the Apogee ELEMENT 24 provides you with remote control of your hardware on your Mac or iPhone/iPad, giving this one a well deserved nod as the best audio interface. There are also a few more options available, such as the ELEMENT 46 or even 88 if you needed more plug-ins.

M-Audio M-Track II

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Towards the end of our guide, we will look at M-Audio’s M-Track II, which is a low-profile interface that delivers simple plug-and-playability. The M-Track II is known to be one of the best audio interfaces for people who prefer something cheaper without many bells and whistles. The M-Audio is pretty flexible, as it offers the right connections for any instrument, from electric guitar to a phantom-powered condenser microphone. It equipped with a number of inputs: each channel offers a combined XLR and balanced 1/4” input – each of which attempt to give you the best result from any audio source. The M-Track has pretty solid zero-latency inline monitoring, in which the monitor mix knob adjusts the balance between the direct inputs and the playback from your computer software. It also comes with a nifty LED metering feature – multi-colored LED metering gives you instant feedback of your input levels. The solid metal chassis and low-profile design of the M-Audio M-Track II also make this a roadworthy model.

Lexicon Alpha

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Last but not least, we have our most simple, price-friendly and final pick as the best audio interfacel, the Lexicon Alpha. The Alpha is a USB 2-in/2-out interface that combines an inexpensive price with portability to make it one of the best audio interfaces on the market. The Lexicon is a bus-powered interface that features 1 XLR microphone input, 2 TRS line inputs and 2 TRS & RCA line outs – the front panel has a high-z ¼” instrument input for direct to computer recording and a 1/8” high-powered headphone output for your headphones. The Lexicon Alpha can stream 2 channels of 44.1 or 48 kHz audio at either 16- or 24-bit resolution on both PC and Mac. It also comes with mono/stereo monitoring, as well as zero-latency direct/playback monitoring for delay-free overdubs while recording. The Alpha is also equipped with a “Lexicon Pantheon VST Reverb” plug-in which will give your recordings a very good sound for the price you are paying. If you’re looking for something low-cost, the Lexicon Alpha may be your option.

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Tube microphones are considered by some an ancient artifact, while others (including us) say they’re just the right solution if you’re aiming for a particular sound and feel of your recordings. Whether you’re recording vocals, playing string instruments such as violin, piano or acoustic guitar, or even some for drums, the best tube microphones are going to give you that extra edge and “feel” many of us are all in love with when it comes to specific microphone personalities. Since we think tube mics still have a use today in today’s “advanced” and “electronic” movement, we wanted to compile a list for those who are still searching for their timeless solution. Let’s get into today’s picks.

What is a tube microphone?

A tube microphone is a condenser microphone that has a literal tube (or valve amplifier, if you will) inside of their body that were around before “transistors” were placed inside of microphones, which is now the more modern-approach to creating mics. Back in the day, they had to make preamps built around small tubes in order to amplify the signal it was sending out (it was their only option) before these “transititors, solid-state electronics and FET pre-amps” were created that allowed a stronger signal with larger internal organs.

We’ve seen the popular FET vs. Tube debate for decades and will probably continue to do so for years to come. So what gives? What’s the point of being concerned with what your condenser microphone is made of? Why regress to how mics used to be made? For one, and most importantly, the sound. They’re said to have a natural compression and tonal response, as well as be “warmer” (you’ll see this term thrown around a lot in our guide as well around the net in tube mic articles and forum posts, so how that’s defined is up to you), “bright”, “airy”, and “crisp”.

We’ve learned in our microphone types guide that mics come in different shapes, sizes, internal builds, personalities, specificity when it comes to particular instruments and overall mic applications, and of course, sounds. Although this next statement might not help much, we can’t give you complete and forth-coming advice when it comes to which mic is best for you — it depends on your subjective ear, style preferences and how you want your recordings to sound. At the same time, we know some who own both a FET condenser as well as tube to have some options around the studio, depending on not only the, but perhaps the particular vocalist or even instrument. What we’re trying to say is, don’t think you have to go one way or the other. Many own both.

Hopefully we haven’t confused you further (or perhaps we’ve helped which is our main goal). Regardless, grabbing a tube microphone is for a special type of sound and feel (many describe them as ‘vintage’ or ‘old-school’ for a reason) that you’re aiming for in your recordings. We think these are going to be around forever because the latest technology and electronic-based VST and software sounds may sound great, but still don’t give us the exact, real feeling a true tube mic can give us.

The top 10 best tube microphones

Rode K2

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Clik here to view.To kick off our guide and get things going, the Rode K2 is in our opinion one of the best tube microphones to date. It’s known by many as equipped with a wide dynamic range enabling listeners to obtain low noise and low distortion along with great SPL (sound-pressure level). The K2 is incredibly quiet and versatile, delivering incredibly low self-noise (10 dBA) while still having high max SPL (162 dBA). The microphone features a sound quality that is tough to beat, although this is where the subjectivity comes in and how tube mics actually “sound”. This particular model is known to be very “warm” and “rich”. It’s preferred the vocalists, guitarists (acoustic mainly), violins, and more strings out there. The high SPL is also useful for recording drums if you’re in need of a solution for percussion as well — this one is very versatile. It isn’t necessarily “cheap” as compared to the microphone game in general, however with tube microphones, this one does sit in the middle price-range. If your budget allows and you’re able to afford it, adding this large condenser tube mic into your studio setup is surely going to elevate it. We all know how amazing Rode mics are.

See pricing\reviews of the K2: US | UK

Avantone Pro CV-12

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Clik here to view.Old school is back! Look no further when searching for yet another one our picks as the best tube mic on the market. The Avantone Pro CV-12 is a new and improved classical style tube mic that brings your modern sound to life, while sustaining a price that does not require you to break the bank. The beauty of Avantone’s Pro CV-12 is that is very dynamic and also equipped to support a various range sounds. Whether you are a singer, a pianist, or a heavy metal drummer, this microphone will flex and adapt to your particular sound. The talent is in the artist, but a good mic can take your sound and subsequently turn it into something next level. This tube mic comes with 9 polar patterns allowing your sound to be recorded with optimal quality. In addition, the mic’s dual 32mm gold-sputtered Mylar capsules have a great response to transients in order to absorb the true sound of whatever recording that is offered. It’s also known to have a decent proximity effect, so if you want to tweak or customize the tone shifts you can move the mic a few inches closer or further from your vocalist or instrument. It’s known to have an “open presence”, meaning the midrange won’t need to any EQ post-production and your highs are going to “shine” and sound “bright”.

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Neumann M 147

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Clik here to view.Next on our list we have the Neumann M 147. Here we have a high-end, luxurious cardioid condenser tube microphone that brings a warm and clear sound that amplifies your passion and beautiful music. This state of the art model is by far the best tube microphone for artists and musicians of all sorts if money isn’t exactly an issue and you’re willing to place more cash into your mic investment. The M 147 brings a high quality, low self-noise solution while sustaining a high dynamic range that many have become infatuated with. At its core, the true beauty of this mic is the K 47 capsule that it contains. This might be familiar to you regular Neumann users as it has used this in prior editions like the U 47 and the U 47 FET. It’s latest 147 editions, however, features a frequency response of 20Hz to 20kHZ  and an overall balanced and solid bass response (great for male vocalists or even those females who love the tenor range). For those of you looking to cultivate the best quality sound, Neumann M 147 is a phenomenal choice if your cash flow allows.

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MXL Genesis

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Clik here to view.The MXL Genesis brings us back down to earth in terms of price-points for the best tube microphones but here we have a top of the line sound that is well-loved by MXL fans like us. With that said, it’s the mic’s versatility and dynamic approach that truly makes it the best tube mic on the market. If you are a hip hop and R&B singer, or just like to sing in the church choir, this tube mic offers a sound quality that can be universally enjoyed, no matter what the music genre might be. The MXL Genesis has a relatively standard 140dB Max SPL, known to have a slightly brighter tone to the K2, natural-sounding balance for vocals, and some low-end warmth that’s known to help with its overall clarity. When you combine the sound quality with the reasonable price, this tube mic screams steal of a deal, not to mention the feel-good factor that comes with it.

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Mojave Audio MA-200

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Clik here to view.Next up, we have the beastly Mojave Audio MA-200. Although considered high-end but not necessarily on Neumann’s level (especially when it comes to price), for those with about a grand or more to spend on theirs, this will not disappoint. This is a tube mic that is engineered with 3 micron capsules, as well as Jensen audio transformers, creating a beautiful sound that is going to bring you back to the golden age sound of music. The MA-200 has been battle tested in various venues and by artists worldwide. When you consider the mic’s internal military-grade JAN 5840 vacuum tube as well it’s exceptionally clean signal path, it’s hard to deny that the MA-200 is the best of the best with it comes to tube mics. Even if you are not an electronic, or even a mic guru, just by listening to MA-200 you will quickly take note of the difference between this mic’s sound from the rest (which we recommend doing so before your buy). Whether you are a classical singer or a rock band artist, this is a mic that is equipped with all of the necessities to make your recording professional and clear.

See price\reviews of the MA-200: US | UK

Nady TCM-1150

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Clik here to view.The Nady TCM-1150 is Nady’s best tube microphone that is yet again another cost-controlled mic in this list with enhanced sound quality. This one is definitely our favorite for those who didn’t want to spend an arm and a leg on their tube mic yet still grab a powerful solution to bring some warmth into their recordings. The TCM-1150 is equipped with a state of the art 6072 vacuum tube creating high quality warmth and analog saturation. This mic contains selectable different polar patterns, which can be selected on-the-fly creating not only better quality depending on the application but an increase in the mic’s overall versatility. Whether you are a vocal artist, playing instruments in a band, or just need a microphone for general use, Nady’s new TCM is a versatile option for a wide array of applications. The microphone is truly unique in that it contains its own customized output transformer creating a powerful transparency, and a genuinely smooth reproduction sound. This is one of the best tube microphones being sold today in the low-end and is a picture-perfect fit for most rigorous applications, whether you are playing on an instrument or singing a song.

View prices\reviews of the TCM-1150: US | UK

M-Audio Sputnik

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Clik here to view.Next on our list, we have the M-Audio Sputnik, a rare solution in our guide that if found for a solid price, can provide some excellent and unique sounds to your music. Sputnik is a high-performance microphone that uses a switchable 10dB pad and an 80Hz high-pass filter and is delivered with a built-in military-grade 6205M vacuum tube. Like a lot of tube mics, Sputnik comes with three selectable polar patterns, but also a tuned brass back plate allowing it to provide a better sound, regardless of the application being used. M-Audio’s Sputnik is arguably a classic and makes its way into our best tube mic guide for a reason — although more scarce, still a classic in today’s electronic-dominated game. It’s known to be great for not only vocals, but harmonica, bass, and grand piano. It’s sound is described as “crisp”, “full” and “deep”. The lower ends are a bit dark and the higher ranges with that “bright” and “airy” sound we’ve seen in a few previous mic choices as well. This mic also features a dedicated power supply, a seven-pin cable, shock mount, soft bag and also your very own flight case, so you’re good to go right out of  the box.

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MXL 9000

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Clik here to view.Next we have the MXL 9000 tube condenser microphone, another MXL mic which is regarded by many as one of the best tube microphones in today’s day in age. This large diaphragm condenser tube mic contains a 12AT7 tube which is a bit more circular than most, yet still gives us such a vintage sound that we often might forget what decade of music we are enjoying. The benefit of this particular tube is a warm yet transparent mid-range response. What makes the 9000 so highly reviewed is the smooth response in which the tube displays, as it’s so easy to differentiate the voices and instruments that are being played. The mic features XLR connectivity, a max SPL of 122dB, and cardioid polar pattern all housed in a metal silver-finished shell. There are a lot of options out there and it’s always important to choose a microphone that will best create that sound you desire, however, we are pretty confident that the MXL 9000 is your one stop spot if the previous picks were a bit too expensive for you and a budget-friendly tube mic was in your vision. Not to mention it also comes with a preamp for phantom power and shock mount so you can get going right when it gets to your studio.

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Studio Project T3

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Clik here to view.The Studio Project T3 is one you’ll see mentioned by those who are microphone enthusiasts and pay attention to the fine details. With a classical design that can be used with  much adaptability and can adjust to any sound that is thrown its way, the T3 is still a viable option despite being out for years. This mic is based from the 1950’s era and is designed with more of a modern touch. The T3 has upgraded to a 1.35-inch precision dual membrane capsule integrated with a tube circuit designed around the 12AY7 triode, as well as a balanced transformer output. This is an incredibly versatile mic that can be utilized best by a vocalist (it’s been said to use EQ for each different singer to make sure it’s fine-tuned to their personality), but is often used for instrument play as well, such as other instruments we’ve mentioned with other picks, such as acoustic guitar and piano. The T3 also features 6072 dual triode vacuum tube for optimal low noise and added reliability. This is an all-purpose mic that simply can amplify your sound no matter what the purpose is. Although it is most common to see this as one of the best tube mics for musical purposes, this is a microphone that simply can create your perfect sound in any manner necessary. We get excited just talking about it, and it’s pretty affordable in the middle price-point if you have a few extra bucks to spare.

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AKG P820

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Clik here to view.Lastly, but certainly not least, we have AKG’s P820. This is a highly rated tube mic equipped like a few others we’ve mentioned with multiple polar patterns enabling it to have staggering versatility if you foresee yourself recording different types of instruments aside from just vocals. You have a unique choice of cardioid, figure-8 or even omnidirectional polar patterns, as well as a low-cut filter with a 20dB pad. Simply put, there isn’t much to complain about in terms of the P820’s creativity. This mic offers so much to its design that it is also incredibly durable and will sustain decently high sound pressure levels (up to 155 dB SPL) so you can get away with using this one for drums as well. Like many others, it’s perfect for vocalists, instruments, as well as electric guitar cabs. The P820 is designed as one of the best performing tube mics on the market, and is also being sold at an OK price for now. This caps off our best tube microphone guide for a purpose, especially if you like to tweak your sound here and there when it comes to polar patterns and the low-cut filter. We’re big fans of AKG.

View price\reviews of the P820: US | UK

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Clik here to view.Buying the best boundary microphone will benefit your audio capturing in many ways, especially if you’re in need of some certain applications, such as conferences, churches, meetings, desktops, specific instruments and more. They’re not necessarily the most “popular” type of mic (although the internal build is since it’s technically a condenser microphone, more particularly small-diaphragm); however, if you feel a boundary mic is something you’ll benefit from, you’ve come to the right place. There are some amazing models out there to look at, so we compiled a list below to give you the options of the best boundary microphones in the market today.

What are boundary microphones?

To review for a little bit before we get int our picks, a boundary microphone is a small diaphragm condenser microphone with a twist — it’s capsule and internal circuits are mounted into a housing to lay on or be attached to a flat surface. They typically fit in the palm of your hand and can record great distances, usually with a cardioid or super-cardioid polar pattern. So why would anybody need to have a microphone solution such as this? What are the benefits of laying on a surface flat?

As seen in our best microphone guide that also explained the many types of mics out there in the world today, these particular boundary mics are used for picking up rooms with multiple audio sources. The flat surface (as in wall, table, or ceiling) is ideal because the boundary mic is made specifically to pick up sound that is reflected off the surface it’s on. Think of any time you need to pick up sound from an entire room, such as business meetings, but we’ve also seen them in various other applications such as pianos, sports (like hockey boards for body check sound effects), small musical ensembles with room acoustics, and more.

The best boundary microphones

Audio-Technica Pro 44

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Clik here to view.Let us start this list with a multifaceted condenser microphone that is perfect for applications with low required visibility. Coming from one of our favorite brands ever, the Audio-Technica Pro 44 provides a rocky design and construction, creating a more durable microphone which will also enable it to have longevity as a long-term investment. The Pro 44 notably comes with a 25’ detachable cable that gives the artist a little bit more breathing room and ability to move around. This is a microphone with so many great features, but what truly makes it one of the best boundary mics available is the combination of audio quality as well its ability to be positioned it whatever manner you desire. This creates various specific advantages, including the enhancement of its signal-to-noise ratio, as well as an increased suppression of ambient noise. There is little reason to question the price tag of this mic (it sits in the middle price-point), as it features so many high-quality elements. It’s safe to say that Audio-Technica has once again created another superb product in the Pro 44.

Check price\reviews of the Pro 44: US | UK

Audix ADX60

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Clik here to view.This higher-end model is for those wanted something a bit better in overall build and quality, and if you have the cash this one is without a doubt one of the best boundary microphones for various reasons. To start, how can we not mention the microphones high sensitivity, and ability to handle large amounts of distance. The Audix ADX60 is going to amplify your sound so well that people will be able to hear your voice and instruments at a highly increased range. This is a great boundary mic choice if you are in the music industry, speaking on a large stage, or even speaking in a business conference. The mic itself requires a 9-52V phantom power for its operational use and it also comes with a 25’ cable and phantom power adapter. The ADX60 is an optimally designed condenser microphone that is going to without a doubt be easy to position, and also durable enough to withstand an increased amount of usage. The build includes a nice 12 mm capsule, grill made of steel mesh, as well as a little mini-XLR connector. Do not miss out on Audix’s latest creation, because they’re moving fast — we recommend this as the best boundary mic if your budget is high.

See pricing\reviews of the ADX60: US | UK

CAD U7

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Clik here to view.The CAD U7 is the next boundary mic on our list and is another great little condenser microphone that is engineered to help articulate your speech in the way that you desire. The true beauty in the U7 is it’s ability to capture speech, which is so often important in conferences or business meetings. The microphones frequency response is more than adequately designed to capture and deliver your voice so that others know exactly what it is you’re saying, so we don’t recommend this one for any instruments if that’s what you were planning on using your boundary mic for. There is not much to complain about with CAD’s U7 as it comes with all the necessities, including a 10’ USB cable, an omnidirectional pickup pattern so that you can absorb frequencies from all directions. It’s quite budget-friendly (lower than both of the previous models listed), so if you’re looking for an affordable boundary mic to deliver your speech, CAD has got you covered.

Read reviews\prices of the U7: US | UK

Shure MX391/0

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Clik here to view.The Shure MX391 is truly one of the boundary microphones hidden gems, and it isn’t because of how much we love the brand. This flat frequency responsive mic comes with an abundant number of intriguing features that make it a pick as one of the best boundary microphones on the market. When thinking about your boundary microphone a feature that is often overlooked, yet incredibly underrated is the range, or lack thereof when it comes to the sound. Many would settle for just about any “quality” since as long as you can hear it it’s fine; however, we know others who are concerned with wanting as much clarity as possible. Shure’s MX391 comes with high quality silent membrane switches as well as LED indicators that are going to give you the ability to reach long distances when voicing your words. In addition, the mic comes with features such as your choice of condenser cartridges as well as a 4-meter cable that contains a 4-pin mini connector. To top off this beautifully crafted microphone, let us not forget about the reasonable price, although it’s up there in comparison to a lot others (you’ll be getting what you pay for).

Check pricing\reviews of the MX391: US | UK

Crown PCC-160

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Clik here to view.Let’s talk even more high-end here. The Crown PCC-160 is next on our list of some of the best expensive boundary microphones for you to consider. This mic contains a bass-tilt switch that enables the user to adjust its low-end response to whatever application that aligns with it, allowing for more custom tweaking depending on your mood or particular application that day. PCC standing for Phrase Coherent Cardioid, (it’s actually made by AKG, a brand you may be familiar with) which is an enhanced technology that uses tiny diaphragms creating a frequency quite smooth so you will be free of any issues that deal with phase interference. The mic’s polar pattern is a super cardioid which is optimal for picking up a specific source in front of it. The beauty of the supercardiod is that it is essentially going to eliminate all displeasing noise from its surroundings. The best way to describe the PCC-160 is “multitalented.” When it comes to adaptability, while sustaining the same polished sound, the PCC-160 fits each and every need. There is a lot to be excited about if you’re considering Crown’s PCC-160 so don’t be afraid to let this year’s edition be the continuation of your next boundary microphone journey if you have some extra cash at hand.

View price\reviews of the PCC-160: US | UK

MXL AC404

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Clik here to view.MXL has yet again come out with another superb mic in one of our guides with the MXL AC-404. This is hand down one of the best boundary microphones around the middle price-point, and is fully equipped with 3 capsules specifically designed for a 180-degree arc that contains a high voice recognition system to better capture whatever noise that is presented. This mic is perfect for speeches or on-stage theater as it is designed with pristine intelligibility allowing your words to come out crystal clear. A popular use for this boundary microphone is typically within churches, business web conferences, or even in the court of law. It conveniently comes with an easy to use plug and play USB connectivity, as well as it’s ideal compatibility with both Mac and PC computers. So, if you’re looking for a boundary microphone to use to better articulate your speech to larger audiences, you have a safe bet in the AC-404.

Read reviews\prices of the AC404: US | UK

Movo MC1000

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Clik here to view.The Movo MC1000 is another one of our favorite cheap and budget-friendly picks, and it’s a directional conference microphone that is ideal for webinars, class conferences, or business calls as it is equipped with three audio capsules and a super cardioid polar pattern. This boundary microphone is going to make your life and work a whole lot easier especially if you are trying to reach decent-sized crowds. The sound provided from the mic can capture everything in a 20’ radius as well as 180-degree coverage, making this one of the best boundary microphones for the workplace. This is a model that is picture-perfect for video conferences and large meetings due simply to the fact that it can pick up all voices and sound within its large range. The boundary mic comes with little bundle that’s floating around with headphones if you can find it. We love the speaker monitoring jack for your live audio monitoring and instant plug-and-play capabilities. If you’re looking into creating a more successful business meeting, the MC1000 is certainly going to enhance that mission.

View pricing\reviews of the MC1000: US | UK

Shure CVB-B/O

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Clik here to view.Here we have a boundary mic that is designed to be utilized with desktop-installed sound. The Shure CBV-B comes with top-of-the line commshield technology that is going to protect you from unwanted RF interferences from outside devices. When you add up the CVB-B/O’s reliability and its technological features, it’s hard to find a reason to complain if you’re OK with using RF connectivity. This is one of the best boundary microphones for corporate environments who don’t want to hassle with the possibility of interruption as it is heavily used for business meetings, as well as churches and courthouses. The mic itself features cardioid or omnidirectional polar patterns enabling it to pick up the exact clear sound you are searching for. There shouldn’t be a fear in terms of clarity of your speech when it comes to debating this purchase, as the frequency response is battle tested and ideal for any harsh conditions in which it is presented with. The features as well as the price tag provide little doubt that this is one of the best boundary mics on the market.

See price\reviews of the CVB-B: US | UK

Audio-Technica Pro 42

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Clik here to view.Audio-Technica has provided us with another one of its latest masterpiece when it comes to boundary microphones. The Audio-Technica Pro 42 is just a few numbers below our previous #1 pick; however, is yet another one of the best boundary microphones available, more specifically for houses of worship as well as large business conferences as it comes with a wide-range condenser element as well as a low-mass diaphragm for a higher quality sound performance. The microphone is a miniature cardioid condenser boundary microphone that is not going to come across as too flashy or too obvious when it comes to its appearance in the room. Its low-profile design creates a minimal amount of visibility, so for those of you who want to amplify your sound without causing a large visibly distraction, this boundary microphone might be your optimal choice. The Pro 42’s rugged design and construction enables this to create incredible durability and strength which will disallow you from having to repurchase a new microphone every year. The price of the Pro-42 is relatively standard, so if you want an upgraded quality at a low-quality price, Audio-Technica’s other popular solution is a great choice for you.

Check pricing\reviews of the Pro 42: US | UK

Crown PCC170SW

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Clik here to view.Lastly, Crown’s PCC170SW boundary microphone is a smart, durable, and versatile pick that is exceptionally designed for a crystal-clear sound. Before you allow the price to steer you away, let’s see what this one is about. This super cardioid microphone is appropriate for virtually any use when it comes to attempting to boost your noise at an increased rate. The mic can be used in basically any setting you can think (regardless of what you’re trying to record, distance or size), churches, office meeting rooms, as well as in a government courtroom. This is one is great for reproducing your voice in not only an identifiable manner, but also with enhanced reach for expected listeners of an extended range. The mic capsule is not the largest of capsules and is therefore going to make sure your frequency response is smoothly delivered without worrying about phase interference. It also comes with intensified LED lights that reduce to a rate of 70dB when it is turned off for an enhanced power system. This highly equipped boundary mic, as well as its reasonable price, allow this guy to be considered one of the best boundary microphone choices out there if you’re in a professional setting and have the budget to spare.

Read reviews\price of the PCC170SW: US | UK

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Clik here to view.Although we typically provide guides to our readers on finding the best microphones out there, today we wanted to kick off our series of “How To’s” to help you actually use those nice mics you’ve purchased! Today, we understand miking a drumset can be tricky, and the setting in which you are miking the drums plays heavily into the proper mic setup. Whether you’re miking drums in a live setting, a garage, or a home studio, this guide should provide some useful tips for getting the best sound possible. There are hundreds of ways to mic drums, here are the ways I have found to get the optimal sound, organized by drum type. If you have any further questions, feel free to comment below, otherwise, happy drumming!

The best ways to mic a drumset

Live Sound

Miking drums live can be quite difficult. Without microphones, the only thing that is going to be heard clearly is usually the snare drum. Even when microphones are available, there might not be enough mics or channels to get everything. Here are methods for miking individual parts of the drumset in a live setting ordered by priority. With all of these mics, be very careful with your gain.

Drums are loud and subject to lots of bleeding over. This can lead to unintended levels as well as phasing. Use nice noise-canceling headphones when checking the EQ of the drums and only as much gain as you need to get the tone you’re looking for.

Bass Drum

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Source: Drum Chat.

If you have one mic available for the drumset, use it on the bass drum. I’ve seen a surprisingly decent live sound with an SM57 condenser mic used on the bass drum, but typically you want to use a large diaphragm dynamic microphone. Most companies make microphones specifically designed for the bass drum and these are ideal because they mount directly onto a mic stand at a 90 degree angle, so there is no need for a mic clip. I would recommend the Shure Beta 52A dynamic kick mic, or check our best kick drum mic guide for more options.

If there is no hole in the front bass head, you’ll want to position the mic about 3-4” away from the drum and off-center towards about 5 o’clock.

If there is a hole in the bass drum, you’ll want to position the mic so that the diaphragm of the microphone is completely inside the drum, with the mic pointed slightly toward the shell of the drum. Be careful to not let the mic, mic stand, or cable make contact with the drum head, and remember that the front head can move up to an inch in or out when the bass drum is played depending on the tension of the head.

Hi Hats

Some people may disagree with me that the hi-hats should be second on the list, but drummers spend a lot of time on this pair of cymbals and they often get lost in the sound of the guitar. You can use any small-diaphragm cardioid condenser microphone. I recommend the Audio Technica AT2021.

Position the microphone about 4-5” away from the hi-hat on the side furthest from the drummer. Make sure the microphone is pointed directly down towards the hi-hat and not angled towards the rest of the drumset.

Snare Drum

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Source: DPA Microphones.

Miking the snare drum is more about bringing out a drummer’s ghosted notes and making sure the entire tone of the drum can be heard. The biggest thing to consider here is space.

Some microphones designed specifically for the snare drum can be a bit bulky, especially when a wire is connected. I have seen convenient clip on microphones that have the XLR jack directly off the back of the microphone, so unless you’re using a 90 degree XLR cable, this might end up getting in the drummer’s way.

If a boom stand is available, the Shure Beta 56A dynamic instrument microphone is a good way to go. This microphone has its XLR jack directly above where is connects to the boom mic, so you can have your cable far out of the way if you position the boom stand to come from the drummer’s left, between the hi hat stand and the first rack tom. Make sure you position the microphone no more than 1.5” off the drumhead about 1” inside the shell. Aim the microphone almost directly perpendicular to the drumhead, tilted slightly towards the center of the drum.

Toms

Unless your drummer has lots of low hanging cymbals all over the place, the toms should be fairly easy to mic. Sennheiser makes a pretty nice mic, the Evolution E604, that clips on nicely to the rim of each drum. Position these mics just like the snare drum mic.

One thing to avoid is having the rack tom microphones angled towards one another. If possible, mount each clip at 12 o’clock on each drum, angled directly towards the center of the tom. This minimizes the possibility of picking up other toms. You’re going to get a little snare drum and kick drum in all of these mics no matter what, especially if the toms are mounted to the bass drum.

Cymbals & Overhead mics

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Source: Audix YouTube.

This can be the trickiest part of miking a drum set and certainly is the least necessary in live settings. Overhead mics are going to pick up everything, and I mean everything. They’ll pick up the bass, the guitar, the monitors. By the time you’ve adjusted the gain to get all of that stuff out, you’re going to be left with almost nothing.

If you’re recording drums in a studio or a room where only the drums are being played, overhead mics can be the most important part of the overall mix. You’d be surprised what you can achieve with one overhead mic and one bass drum mic.

You can spend thousands of dollars on large diaphragm overhead drum mics. Overall, I have had the most success using a matched pair of small-diaphragm cardioid condenser microphones arranged in an X with the microphones crossed and pointing away from one another. The microphones should be at least one foot above the highest cymbal on the drum set and well clear of the drummer’s body while playing. A decent affordable option is the Samson C02 matched pair of mics.

Use these tips and you should be able to get a fairly decent sound without spending a fortune.

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As we continue our research and compile our tips and tricks guides on how to properly mic specific instruments, let’s take a look at one of the most beautiful sounding instruments in the world. Firstly, digital pianos or even MIDI keyboards with realistic-sounding VST instruments have come quite a long way, especially in the last ten years or so as technology continues to evolve. Now more than ever, a quality digital piano or emulated virtual instrument sounds and feels exceptionally close to the real thing. That being said, audiophiles and musicians alike can still immediately tell the difference between digital and acoustic pianos. Even in a controlled environment, pianos can be especially tricky to mic and EQ. Here are some tips to consider to try and attain the best audio quality when recording an acoustic piano.

How to mic a piano

Grand or Baby Grand Pianos

Microphones by design try to interpret vibrations the same way our human ears do. There are several factors however that play into the tone of the piano once it reaches our ears. Think about a piano you’ve heard in a grand concert hall with tall ceilings on a large stage, and now think of a baby grand piano you’ve played in someone’s living room. Regardless of the quality of the instrument, a piano is going to sound radically different depending on the environment in which it is played. This is our first factor to keep in mind when you’re beginning to look into using a mic with a piano — where you’ll actually be playing it!

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The mics should be placed perpendicular to the lid of the piano with the top mic angled towards the bottom strings and the bottom mic angled towards the action of the higher strings.

When recording a piano, typically multiple microphones are placed about 8” above the strings over different areas of the piano. If you have an accessible baby grand, trying having someone play it while you position your head over the strings and under the piano’s lid. This probably isn’t the tone quality you’re used to hearing when you listen to the piano.

If you’re in a controlled environment, the best option for recreating the most natural sound of the piano is the “Blumlein Pair”. To highlight at least a little history background, Blumlein is named after Alan Blumlein, an English electronics engineer, who invented this stereo recording technique that best recreates the spatial characteristics of the original instrument. It’s one of the most common ways to mic a piano and will be for quite some time, as many other musicians we’ve talked to will agree. The technique is based on using two bi-directional microphones positioned 90 degrees from one another as close to one another as possible, as shown in the photo.

This mic placement should give you a 360 degree image of the sound coming from the piano and the room. Before you start to record, double-check to make sure your microphones are picking up sound from both directions as some bidirectional microphones have a switch that toggles between one directional and bi-directional. Once you have the mics positioned correctly, you should wind up with a very natural sound. Feel free to experiment with the actual positioning before you get going on actually recording — it will all depend on your personal preferences and musical ear.

One of our favorite condensers to pair up for recording a grand or baby grand piano, specifically as a Blumlein Pair is the Rode NTK. You can also read our best condenser microphones guide for some options if you still need to purchase yours to begin recording or performing your piano.

Upright Pianos

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To properly mic an upright piano, it’s important to understand how these instruments are constructed and how they differ from a grand or baby grand piano.

Miking an upright piano on the other hand can be a little more difficult. Due to the construction of this instrument, you are not afforded the same amount of access to the strings and the source of the piano’s sound. The more compact size is typically seen as a benefit for storage and other personal preferences, however when miking it can call for some extra creativity.

The action (the point where the hammers strike the strings) on an upright piano is towards the top of the instrument. The soundboard is the back wall of the instrument and amplifies the strings the same way the top and bottom panels amplify an acoustic guitar.  To save space, the high and low strings on a piano are layered diagonally across one another.

For the absolute best sound quality, you’ll need to undress the piano a bit. Remove the front cover of the piano, exposing the hammers and the tops of the strings. Place two large diaphragm condenser microphones about 8 inches off the instrument. Each microphone should be about one-third of the way in from each edge.

If disassembling the piano is not an option there are other ways to get a decent sound. Try placing your large diaphragm condenser mics about 10” off the back of the piano and halfway down the instrument. Remember, the strings cross each other in the middle of the instrument, so putting your microphones on the edges of the instrument will not make too much sense here. Place the microphones slightly more than a third of the way in from each edge. Also consider that the higher strings are much shorter than the longer and mid strings so you might want to place the microphone on the left side (when looking at the back of the piano) slightly higher than the microphone on the right side.

Employ these strategies and you should wind up with a decent sounding recording of your piano. If you have any further tips and tricks you feel we should include in this guide, please feel free to let us know in the comments. Additionally, any other questions you may have when it comes to using a microphone with a piano, please ask away!

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Clik here to view.The best microphone under $500 is going to give us a great balance of affordability and overall mic quality. As many of our guides thus far have covered a variety of different types of microphones, we’ve seen truly how many shapes, sizes, sounds and personalities are out there in the mic game today. For our guide in particular you’re reading, we wanted to make sure we had a specific price-point as our backbone of the decision for the “best”, considering budget is typically the number one priority in selecting a mic to buy.

Before we provide our list, are you able to decide what type of microphone you are looking for? This will also combine with our other factor to be aware of — the intended use of your mic. For example, grabbing a condenser microphone is recommended for those recording in a studio — particularly vocals, piano, acoustic guitar, and a few other “softer” instruments. Dynamic microphones on the other hand provide us great versatility for louder voice or instruments such as drums in the studio. They’re also the perfect mic for performing in live venues, big or small.

For smaller studios such as home studios or non-musical applications such as podcasting, voice overs, gaming, YouTube videos and more — grab a USB microphone. They’re ideal due to their plug-and-play ability straight into your laptop, Mac or PC to get you going as soon as your mic arrives in the mail. We tried to find a few of each type in here to give you some options.

The best microphones for under $500

AKG C214

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Clik here to view.First we will dive into the AKG C214, one of our absolute favorites as a pick for the best microphones under $500 for people who are in need of something for recording lead vocals or solo instruments. The C214 is a professional large-diaphragm condenser microphone that is both cost-effective and regarded as one of the better microphones for catching close-up recording. It offers a solid one-inch capsule on an integrated suspension to reduce any mechanical noise and also features a 20 dB attenuation pad that allows recording louder voices or instruments of up to 156 db SPL. A switchable bass-cut filter helps the mic catch close-up recording with little-to-no proximity effect. The C214 sets itself apart from the other mics in this guide by combining one capsule of the high-end C414 dual-capsule system and the patented AKG “Back-Plate” technology, which results in a very similar performance to its’ far more expensive competitors. This microphone sits on the middle price-point of our guide, and if you are in need of the standard diaphragm-condensed model and intend to record some vocals or instruments, this may fit you just right.

Check prices\reviews of the C214: US | UK

Rode NT1-A

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Clik here to view.Next on our guide, we have another one of our favorite mics ever, the Rode NT1-A. It is a 1” cardioid condenser microphone that serves as one of the best microphones under 500 bucks for people looking to record their vocals, guitars, or percussion instruments. This Rode model is constructed with active electronics like a JFET impedance converter with bipolar output buffer to deliver the warmth, extended dynamic range, clarity and high SPL capability − all of which are the reason for being one of the first to be listed in here. The NT1-A contains a self-noise level of only 5 dBA, which is widely regarded as one of the quietest studio microphones − key if you’re recording vocals. Constructed with the “Complete Vocal Recording Solution,” this microphone includes everything you’ll need to get a true professional vocal recording, making this ideal for the home studio setting. The Rode NT1-A is very affordably-priced, and considering all it comes with, this might be the biggest steal in our guide.

Read reviews\price of the NT1-A: US | UK

Sennheiser MD 421-II

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Clik here to view.Here we feel one of our more versatile models, the Sennheiser MD 421-II. The cardioid pattern offers very solid feedback rejection, which makes it an ideal choice for live situations or recording environments where bleed, or crowd ambience, can be a hassling issue. It features a 5-position bass control setting which helps manage proximity effect, so you are able to use the Sennheiser in any miking situation and still get clean, clear response without an unnatural bass boost. The MD 421-II has a glass composite body and a hardened stainless steel basket for durable and long-lasting performance on stage or in the studio. It also has a sound inlet basket which is refined for capsule protection. The versatility the Sennheiser MD 421-II has to offer is the reason why it is one of the best mics under $500, and you will be pleased to know that is lays on the middle price-point. It is a full-bodied cardioid pattern microphone that is great for just about anything − instruments, group vocals, or even radio broadcast announcing.

See pricing\reviews of the MD 421-II: US | UK

Blue Yeti Pro

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Clik here to view.Now to the jack-of-all-trades, the Blue Yeti Pro! The Yeti serves as one of the best microphones for $500 or less for anyone who needs a hi-definition USB microphone. The Yeti pro is a dual-system, high resolution mic that is ideal for your desktop as it captures a very solid 24-bit / 192 kHz for digital recordings, while still being able to be connected to professional recording equipment in the studio. It features 3 custom condenser capsules and 4 different pattern settings − cardioid, omni-directional, stereo, bi-directional − the Yeti Pro is like having multiple hi-definition mics all in one. This will also allow you to record multiple sources or settings and fine-tune the pick up patterns accordingly. The proprietary capsule is designed to deliver rich, detailed sound, while the A-D converter enables the high-resolution 24-bit / 192 kHz audio recording to go directly to your laptop or computer. The Blue Yeti Pro is also one of the only USB mics that offers a dual XLR breakout cable so you may connect to mixers, preamps, and other professional studio gear. Grab the Blue Yeti Pro if you’re in the market for one of the more solid USB microphones.

View price\reviews of the Yeti Pro: US | UK

Avantone Pro CV-12

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Clik here to view.The Avantone Pro CV-12 brings us into a bit more of a rare ‘type’, a tube microphone. As some others may call this a “pencil mic”, this large diaphragm mic is equipped with 9 polar patterns to handle a variety of sound sources including the human voice, strings, acoustic guitars, and drum overheads to name a few. The CV-12’s rugged body and capsule assembly are precision machined of durable brass − ideal for an onstage mic. The ruby-red finish combined with the polished nickel trim and grill gives the mic an aesthetically-pleasing-to-the-eye look. It also comes with dual 32mm gold-sputtered Mylar capsules to respond quickly to transients to capture the true, natural sound of vocals, or any instruments. The PS-12 power supply provides access not only to the omni, cardioid, and figure 8 patterns, but also 6 “in-between” settings if you need a combination of sounds when recording. The Avantone Pro CV-12 is for people who have a little more of a budget, but when putting into perspective the features and how the CV-12 fares against many of its more expensive competitors, it should not be hard to drop the money on this bad boy. It is one of the best microphones under $500 that offers the classic tube-type condenser design.

See price\reviews of the CV-12: US | UK

Apogee MiC 96k

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Clik here to view.The Apogee MiC 96k is another model that is one of the best microphones under $500 for people looking for a small yet highly capable USB microphone. It is a professional studio quality cardioid condenser microphone that can be directly connected to your Mac, iPhone, iPad, or Windows computer. It is also tiny − about the size of an iPhone! With the “PureDIGITAL” USB connection, the Mic 96k is able to easily capture your best takes with great quality, and you can take it anywhere − studio, beach, you name it. The Apogee’s cardioid polar pattern design is ideally designed for vocal and acoustic instrument recording. It has a steel mesh housing on the microphone capsule, as a well as a die-cast zinc body to give it a durable finish. You can also use the MiC for voiceovers, podcasts, and interviews due to its portability! The Apogee Mic 96k offers a reliable sound and compact design that can be obtained at a very friendly price. This one has been in countless “best” guides around the internet, not only for those seeking a USB mic but an overall high-quality laptop or PC small studio setting solution.

Read reviews\prices of the MiC 96k: US | UK

Shure SM7B

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Clik here to view.Here we have one of the best microphones under $500 for broadcasting and recording. The Shure SM7B mic has a smooth, flat, wide-range frequency response which is appropriate for music and speech in any professional audio applications. It has a natural bass rolloff and mid-range emphasis bass controls with a graphic display setting. The Shure SM7B also has an improved rejection of electromagnetic hum, which is optimized for shielding against any broadband interference when recording. The internal air suspension shock helps the mic eliminate any mechanical noise transmission − key when recording in a broadcast environment. The SM7B has an effective pop filter to help reduce the need for any add-on protection against heavy breath sounds. This mic also has a cardioid polar pattern, uniform with frequency and symmetrical with axis, to provide maximum rejection and minimum coloration of off-axis sound. Overall, the Shure SM7B is moderately-priced, and offers a rugged constructed mic with features that can be best suited for radio and TV broadcasting.

Check pricing\reviews of the SM7B: US | UK

Audio-Technica AT4033

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Clik here to view.The Audio-Technica AT4033 is another large diaphragm condenser model, similar to a few of the mics we talked about earlier, which is known to be ideal for everything from brass instruments, vocals, acoustic guitars, stringed instruments, loud electric guitar amps, and anything else you can think of. The AT4033’s symmetrical and transformerless circuit not only give it a fast transient response, but helps keep the mic quiet by reducing any low-frequency distortion. The mic is composed of a nickel-plated brass element baffle to provide stability and sensitivity while recording. It also has a 2-micron-thick gold diaphragm to give you consistent performance. Its quick response, low noise, and wide frequency range make it one of the most versatile choices on this guide. Audio-Technica offers industry standard studio equipment and is in our opinion one of the best out there, and the AT4033 specifically offers a moderately-priced versatile mic for any recording application. This is one of the best microphones under 500 dollars for someone in the market for a traditional studio mic

View prices\reviews of the AT4033: US | UK

Sennheiser MK 4

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Clik here to view.Coming to the end of our guide, we look at another Sennheiser, this time the MK 4. The Sennheiser MK 4 is a large-diaphragm true condenser model that is also one of the best microphones under $500 for professional studio recordings. The 24-carat gold-plated diaphragm provides fine resolution and very clear and warm quality for the price you are paying. The MK 4 is also easy to handle and fairly good value for the money − making this a great fit for home recordists or professional project studios alike. It features a 1” true condenser capsule based on the acoustics of the e 965 high-end vocal mic, which is optimal for recording. The Sennheiser offers a durable and compact design, as it is composed of full metal housing. Its capsule shock is mounted internally to help minimize structure-borne noise or vibrations. Finding quality studio equipment that doesn’t break your wallet is often tough, but you will be happy to know the Sennheiser MK4’s price is a bargain for what it supplies.

See price\reviews of the MK 4: US | UK

Electro Voice RE-20

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Clik here to view.Last but not least, here is the Electro Voice RE-20. This true cardioid voice-over mic is smooth across a wide spectrum of frequencies, and with its “Continuously Variable-D” mic, it is free of bass boosting proximity effect when used close. The RE-20 is a large-diaphragm dynamic microphone that offers greatest rejection at 180 degrees off-axis − directly rear of the microphone. During recording session or on stage, singers can “close talk” the microphone, singing with their lips almost touching the grill without having to worry about “P-pops” and unwanted sibilance. The Electro Voice RE-20 also has an easy “bass tilt down” switch to correct spectrum balance for use in long reach situations or other bass attenuation applications − perfect for acoustic and electric bass, as well as kick drum. Although the RE-20 is a little more pricey, it is widely regarded around the microphone game, and is one of the best microphones under $500 for both studio and broadcasting.

View reviews\price of the RE-20: US | UK

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The best USB microphone nowadays can begin to rival even some studio-quality mics. They’re skyrocketing in popularity and overall quality and are amazing microphones for quite a few reasons — not only are they easy to use with their simple plug-and-play abilities for PC’s, Macs or Laptops, but they’re also extremely versatile to span across several different ‘uses’ and ‘applications’. We remember first delving into USB mics quite a few years ago (a decade or so we believe) and were skeptical to say the least — a mic you merely stick into a USB port and can immediately begin using and recording or streaming audio? Without an external power source! Unheard of. Let alone being so versatile to stem across uses such as gaming, live calls, streaming, YouTube videos, home studios, and more. How wrong we were, as we sit here writing about them today. Let’s get down to it.

Choosing the best USB microphone

Your budget will be important when first deciding which route to go in picking the best USB microphone. We’ve some great, cost-effective and affordable USB mics for under $100 or even $50. Others can get into the few hundred dollar range, but will start to give you what you may be looking for — overall better quality builds to help with the longevity of the mic, as well as audio resolution (literally higher in resolution than other, cheaper USB mics). It all depends on what you’re willing to sacrifice — money or quality?

Although the best USB microphones are versatile and can be suited for many types of uses out there since all you do is merely plug-and-play into a Universal Serial Bus port, we do like to ask our readers as with any type of microphone the next question: what’s your intended application? Podcasts, YouTube videos, home studio recording (vocals, guitars, other instruments), gaming — or perhaps all of the above? USB mics will fit in all of these categories, but your specific use can entail where you’ll be using the microphone. Need it to fit on your desk on the side? Or perhaps you’re traveling and need something more compact that folds (we found a few for this) for even more versatility?

Your use will also give you some lenience when it comes to audio latency (the few split seconds it takes for your source to be transferred into your computer) as well as audio quality. For those recording singing or instruments in a home studio (although we usually recommend going the true condenser microphone with some phantom power or an audio interface route), quality will be your number one priority — look into the audio resolution of the USB mic (we don’t recommend going lower than 16-bit / 48 kHz audio resolution if you’re recording music). Otherwise, if you’re streaming or using the mic for calls, you can technically go lower in resolution or at least sacrifice this factor if you want to save a few more bucks — as long as the other person can hear you, right?

If you are indeed looking for a mic to use with your smart devices, we wouldn’t go the USB route. Instead read our iOS microphones guide for some more info there. Otherwise, let’s get down to business.

The top 10 best USB microphones

Rode NT-USB

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First we will talk about the Rode NT-USB, which is one our favorites as the best USB microphones for those who need something versatile, as this model is suitable for recording singing and other instruments such as guitars and keys in home studios (16-bit / 48 kHz resolution here), podcasts, gaming, Skype calls, business meetings, and voice-overs to name a few. The NT-USB is a studio-quality USB mic that is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the iPad using the “Rode Rec” software, GarageBand or any other recording app that accepts an external mic. The NT-USB features a zero-latency stereo headphones monitoring (3.5 mm) jack, which allows you to monitor the microphone input in real-time, as well as adjust the monitoring level and mix between your computer/iPad audio and the mic input. It also comes equipped with a nifty little stand as seen in the photo to fit neatly on your desk or table-top as well as a pop-filter which fits onto the base of the mic, positioning the filter the most efficient way from the capsule to minimize plosives during speech or singing. The Rode NT-USB is price-friendly, and in the box comes with the mount, tripod stand, and storage pouch for a solid all-around package to allow you to get going as soon as it arrives on your doorstep.

Apogee MiC 96k

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Up next, the Apogee MiC 96k is another one of the best USB microphones that is both small and low-profile with some of the best recording quality out there in the USB world (up to 24-bit / 96kHz hence that 96k name). It is a professional studio quality cardioid condenser microphone that can be directly connected to your Mac, iPhone, iPad, or Windows computer. It is also tiny  — about the size of an iPhone. With the “PureDIGITAL” USB connection, the Mic 96k is able to easily capture your best takes with solid quality, and you can take it anywhere – studio, outdoors, concerts to name a few. The Apogee’s cardioid polar pattern design is designed for, but not limited to, vocal and acoustic instrument recording. It has a steel mesh housing on the microphone capsule, as a well as a die-cast zinc body to give it a durable finish. You can also use the MiC for voiceovers, podcasts, and interviews due to its combination of small size and portability. You also have a gain control knob on the side in case you need to adjust your levels on the fly. The Apogee Mic 96k offers the best sound quality you can buy when it comes to USB mics and compact design that can be obtained at a relatively higher price if you can afford it.

Razer Seiren Elite

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Here we have another multipurpose USB model, the Razer Seiren Elite. This particular USB mic is a cost-effective, multi-pattern mic that is suitable for all different sorts of recording applications like instruments, vocals, podcasts, conference calls, interviews, and more — making this one of the best USB microphones for people who need a mic for multiple recording environments, but don’t want the most high-end model. Even though Razer is a gaming model (and yes this is a great solution for those needing an external model for games), the Siren Elite allows you to switch between 4 polar recording patterns (cardioid, stereo, omnidirectional, bidirectional) by just rotating the main control knob, further helping the argument for this microphone’s versatility function. This model also comes with a built-in headphone amplifier that is compatible with any monitoring headphones with a 3.5 mm jack. It also has a zero-latency output plugged directly into the mic which allows for accurate monitoring on real-time recordings. The mic is rather easy to use as it has 5 main controls: the polar recording pattern selector, mic gain control, OLED display, master headphone volume, and the mute button. The Razer Seiren Elite also comes with a shock mount for minimal noise, a pop filter for little-to-no hissing, and a nifty carrying case for storing. It’s definitely a beauty.

Audio-Technica AT2020USB+

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Next we have the Audio-Technica AT2020USB+, one of the best microphones with a USB connection specifically designed for digitally capturing music or any acoustic source using recording software of your choice. The AT2020 is famous at this point, and is a USB rendition of their famous AT2020 condenser mic that’s been around for years. It’s for more music-focused recording due to its cardioid condenser design and technology. Although this model is ideal for recording music, it can also suffice for stuff like podcasts, voice-overs, field recordings, and even home studio recording. This Audio-Technica in particular features a built-in headphone jack with volume control to allow you to directly monitor mic with no delay. It also comes with a mix control which lets you blend your microphone signal with pre-recorded audio. The mic’s cardioid pickup pattern delivers a pretty good off-axis rejection, while it’s A/D converter with a 16-bit, 44.1 1/48 kHz sample rate provides solid sound reproduction to meet nearly all of our requirements. The Audio-Technica AT2020USB+ mic is also budget-friendly, so if you’re searching for a music-focused USB mic, this may be your pick as the best USB microphone.

Blue Yeti

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This is by far one of the most popular USB microphones ever at this point. The Yeti serves as one of the best microphones with USB connectivity for anyone who needs a multi-pattern model for recording or streaming. The Blue Yeti is also suitable for any application, as it captures a our needed 16-bit/48 kHz for professional music recordings, gaming, and even audio for video. It features tri-capsule technology and 4 different pattern settings — cardioid, omnidirectional, stereo, bi-directional –all of which can be switched to, at just the click of a button. The proprietary 3-capsule technology is designed to deliver rich, detailed sound, while coming with studio controls like headphone volume, instant mute and microphone gain – you are in charge of the recording process. The Yeti is equipped with a 3.5 mm headphone jack that allows you to monitoring and listen without any latency delays and is also rather easy to use, simply plug the mic into your computer’s USB port with the USB cable included, calibrate it with your operating system, and boom — you’re ready to record. The Blue Yeti is compatible with Windows 10, 8, 7, Vista, XP, and Mac OS X 10.4.11 or higher. It’s famous for a reason, making appearances in countless best USB mic guides around the net, typically listed first.

Samson Go Mic

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A little past the halfway point of our guide, we are onto the very affordable Samson Go Mic and one of our favorites for travelers and laptop audio connoisseurs. The Go Mic is one of the best USB mics for someone in need of a portable computer-based mic that goes where you go, as it is very small and can “clip” onto your laptop. The Samson has a plug-and-play operation, in which it is compatible with both the Mac and Windows operating systems, no drivers required. The Go Mic is ideal for recording podcasts, or field recording, as well as voice-recognition software, iChat, web casting, and even Voice over IP (VoIP). We honestly wouldn’t recommend this one for recording music of any kind, even though the resolution is decent we just feel there are better models out there for it — it’s more for uses that entail lower audio recording and less quality overall, such as online meetings or voice calls. It also has two pattern settings: cardioid and omnidirectional  — allowing you to pick whichever pattern is more appropriate in a certain setting. Although the mic is super compact, it still spits out a solid frequency response of 20 Hz – 18 kHz and a resolution of 16-bit, 44.1kHz – both of which are good for the money you are spending. Again, the Samson Go Mic is perfect if you need something low-profile and inexpensive and travel a lot since it folds into a wallet-size for easy storage.

Shure MV5

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The Shure MV5 is by one of our favorite mic brands to exist, and this one is another economical and compact model that serves as one of the best USB mics for people looking for a simple plug-n-play device. The MV5 offers flexibility with both the 2-in-1 iOS and USB connectivity which allow it to be setup at home or on-the-go. It has a low-profile and quite appealing, nearly vintage-like design that comes with an angle-adjustable desktop stand integrated 1/4″ threat mount for your computer. It also features 3 DSP preset modes, headphone monitoring capabilities, and 2 color options so you may find the setting that fits the situation best. The Shure MV5 is tuned to capture human voice with clarity and tone – ideal for music, video voice-overs and podcast recording. You can also enhance the MV5 experience by downloading the “ShurePlus MOTIV” iOS app which lets you record, edit, and share recordings on the fly. The Shure MV5 is also very reasonably priced, and while it’s not the most high-end mic, it will definitely get the job done for the price you are paying. You can also read our Shure MV5 review for some more information.

CAD U37

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The next model we will talk about poises to be one of the best USB microphones for people who need something extremity low-priced to record vocals or instruments. Although we do insist you save up a little more if you’re recording music and want to go the USB mic route, this can get the job done if you do have to keep it easy on the wallet. The CAD U37 is a large condenser, cardioid patterned microphone that can bring the recordings directly to your PC or laptop. It has a side-address design which is popular among broadcasting, TV, and home recording studios. The cardioid pattern on the U37 minimizes background noise and isolates the main source sound – ideal for home recording or podcasting. Its smooth, extended frequency response allow it to capture singing, speech, and instruments, while the -10dB overload protection switch minimizes distortion from loud sources. The U37 also includes a tripod stand and a 10’ foot cable to get you going as soon as you open the box. The CAD’s combination of the simple plug-n-play, inexpensiveness, and compatibility with Windows and Mac make the CAD U37 a good choice for those trying to begin their musical or podcasting career. We have been skeptical at this one before due to the price, but those user reviews don’t lie when it comes to the U37’s combination of decent quality and affordability, especially for beginners.

MXL Tempo

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Almost to the end of our guide, we have the pocket-rocket MXL Tempo. MXL was a little late to the USB game but they made up for it with a nice little sleek solution here. The Tempo is one of the of best USB microphones used for mobile vocal recording, so things like voice memos, on-the-fly recording, dictation or legal dispositions can be done easier with better quality. It features a lightweight, condenser design which makes it very portable so users can record vocals and other sounds on-the-go via a USB 1.1 or 2.0 connect. For being such a small size, the Tempo still provides a solid frequency response of 40 Hz – 48 kHz – perfect for vocals, podcasts, and video chats. The MXL Tempo also comes with a built-in high fidelity headphone jack to give the user the ability to monitor and assess their recordings. This mic is compatible with a number of computer music programs, as well as over-the-internet communication systems like ooVoo, Skype, iChat, and Google Talk. The MXL Tempo offers a very manageable price, making this one of the better bargains on a USB mic by a legendary microphone brand.

Blue Snowball iCE

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Last but not least, we look at another Blue model, the Snowball iCE. This one isn’t listed for a particular reason and is ideal for both experienced and inexperienced individuals, as it economically priced and contains easy-to-use features. Recommended for smaller desk applications, the Blue Snowball is one of the USB microphone for people looking for a mic for their computer or laptops. The cardioid polar pattern on this mic allow it to be a little more flexible, as the pattern helps it capture vocals, music, podcasts, and even gaming. It also features a custom condenser capsule that delivers clear audio quality with a solid frequency response of 40 – 18 kHz – both of which are pretty good for the price you are paying. The iCE is compatible with virtually all Windows and Mac software – just plug-in and begin recording your favorite sounds! The Blue Snowball iCE is a pretty good all-around package for the price, coming with a tripod desktop stand, unique look and a USB cable for your convenience to plug-and-play as soon as you’re ready to go.

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If you’re just starting out and are looking for the best beginner’s microphone to get your recording or performing adventures off to an optimal start, you’ve come to the right place. As we continue to survey the many different microphones in the world today, we’re met with a more directed and specific search for a mic, particularly for those beginning, to offer a budget-friendly yet high-quality solution to recording and performing what it may be in front of you. Whether you’re into vocals, drums, strings, keys in a home-studio or performing on stage for the first time, we’ve got you covered. First, we want to give you a checklist to keep in mind while you read our roundup to ultimately find the perfect solution as the best microphone for beginners. Let’s get started.

Choosing the best beginner’s microphone

• Your budget – As we’ve seen many of the best microphones in the world come at a huge range of different price-points, we wanted to make sure you were aware of just how low or high you can go with yours. For beginners, we do recommend sticking at a relatively affordable price, since over-the-top and pricey mics just won’t be necessary for your use at the moment. Of course, if you do want to go super high to take care of the future and be set for life, be our guest. We did however make sure to choose mics from different price-points to give you options, and the cheaper mics we went through ensure you at least have a learning curve while we’re at it. If you do have a specific price-point in mind, we link below to some of our budget-friendly guides just in case.
  • Microphones Under $50
  • Microphones Under $100
  • Microphones Under $500
• Intended microphone use – The next question we will ask is: will you be recording in a studio? Performing? Stage shows and gigs? Brand practices? Or other uses on your computer, such as Skype calls, chats, podcasts, gaming, and more? Perhaps both or all of the above? There are some super versatile microphones out there that appease to more than just one use, even when it comes to music vs. non-music settings. Others on the other hand are strictly just for recording, and in particular certain sources, in a studio or performing on stage. If you’re unsure as of now, we recommend sticking to a USB mic since they’re so versatile. Otherwise, continue to our next factor and we’ll spell it out a bit more.
• What type of mic? As we find out what you’ll actually be using your microphone for, we’ll be met with a decision based on this as well as your own personal preferences. We’ll describe the most common mic types below and what we recommend them for.
  • Condenser Microphones: Coming in as one of the most common types of microphones in the market today, condensers can be simply described as the best microphone for recording. Vocalists especially should stick to a condenser, as well as multi-instrumentalists in studios, spanning from pianos all the way to recording drums (some, at least — read that guide if you’re planning on miking drums since they’re a bit tricky) and guitars. Simple put: if you’re recording music, grab a condenser microphone.
  • Dynamic Microphones: Recommended for those performing vocals and instruments on stage, dynamics are what their title states — dynamic, versatile, rugged, and spanning across many uses. We’ve seen many dynamic mics also used to record in studios (in particular vocals as well as louder instruments, such as snare drums), but for beginners sake today, we still say stay with a condenser mic for recording, and grab a dynamic mic if you’re performing.
  • USB Microphones: As stated earlier, USB mics are extremely versatile and can be used for a wide array of uses — recording vocals or instruments in home studios (only home studios, we however still recommend going with condensers even if you’re in a budget-friendly studio but it’s up to you), as well as other uses for microphones that don’t entail anything musical. For performing, stick with a dynamic.
• Extra mic gear needed – Before we continue, we have a big recommendation: Look for bundles! We’re talking mic stands, shock mounts (aids in noise impact reduction), pop filters (screens those pesky P’s and S’s), carrying cases for traveling, sound proofing in case you want to build a little area for recording, cables to connect it all, phantom power or audio interfaces (a small, external device to provide power for your microphone — only recommended or needed for condenser microphones since they’re so powerful), and more. For those just beginning, we’ll assume you don’t have any of this gear yet. If you do or are able to grab some from a friend or fellow mic user, you’re one step ahead of the game. If not, never fear — just keep in mind (especially when it comes to budget planning) that only grabbing the microphone itself may not be the only thing to worry about today. We made sure to link you to our favorite bundles of the microphones if we were able to find some. Do keep in mind however that the mic you buy may already come with the necessary gear to get you going right out of the box (especially with USB microphones and their plug-and-play capabilities and built-in stands).

The best microphones for beginners

Audio-Technica AT2020

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With all of our factors now laid out, let’s begin finding the best beginner microphone for you. First, we have the Audio-Technica AT2020, which is one of our favorite mics ever. As a side-address studio condenser microphone known to great for project and home-studio applications, it’s a great for those starting out their home-studio recording endeavors, regardless of source — vocals, guitar, keys and more. The cardioid polar-pattern has a low-mass diaphragm that is engineered for extended frequency response (20 Hz – 20 kHz) and solid transient response to bring us versatility and effectiveness in our recordings. To explain a little more detailed, the cardioid “polar pattern” of the AT2020 helps reduce pickup of sounds from the side and rear, ultimately improving isolation from the desired sound source that’s directly in front of it – very important when recording vocals. The microphone also combines its rugged construction with a wide dynamic range to be able to handle high SPLs (sound pressure level — higher-pitched and volume sounds) fairly easy. It also comes with a pivoting, threaded stand mount for easy, secure attachment and placement of the microphone — you’ll just have to buy a stand unless you already have something to attach it to. All in all, AT2020 has more reviews than we can count to back up our confidence when making this a solid pick to start recording with — it offers an extended response, solid durability, and good quality sound for the price you are paying. If you are money-conscious, the Audio-Technica AT2020 serves as a reasonable option for beginners and comes in as #1 for a reason in this guide.

Rode NT1A

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Next, we have the Rode NT1A, a legendary microphone at this point for all recording needs. This mic is a 1” cardioid condenser microphone that serves as one of the best microphones for beginners looking to record their vocals, guitars, or percussion instruments in the studio. This microphone is listed next even though it’s recommended for the same uses as the previous AT2020 pick — it’s about double the price, however you’re getting even better sound quality and build, so if you were interested in a beginner’s solution that’s higher in quality, you can’t go wrong here. Although technical sounding, it’s important to note that the NT1A is designed with active electronics like a JFET impedance converter and a bipolar output buffer to deliver the extended dynamic range, clarity and high SPL capability which are important when trying to correctly capture vocals at the next level. The NT1A also contains a self-noise level of only 5dBA –- probably the quietest studio microphone when comparing it to the others on this guide to help give us even more accuracy and clarity in our recordings. It is also constructed with the “Complete Vocal Recording Solution,” – this microphone includes everything you’ll need to get a true professional vocal recording, making this ideal for home or studio recording. The Rode NT1A is pretty pricey when comparing it to other mics on here, but when considering all it comes with, the price is worth the purchase if you wanted to spend some extra cash to grab a mic that will last you beyond your beginning years. Also keep in mind you aren’t getting any extra gear if you grab the microphone-only package somewhere (we found a nice bundle with the links above, however).

Shure SM58

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Here we have the Shure SM58, which is a handheld model that is one of the best microphones for beginners trying to find a vocal mic, especially if you plan on being on stage performing. It is designed for professional vocal use in live performances, sound reinforcement, and studio recording – needless to say it’s pretty versatile as we had explained that most dynamics are. It comes featured with a cardioid pickup pattern which isolates the main sound source while also minimizing background noise. The frequency response is tailored for vocals, with a solid mid-range and bass roll-off function, which is why it’s so responsive to singing and speech. It also has an effective, built-in spherical filter to minimize wind and “pop” noises you get while singing. The microphone lastly has a very rugged construction (ours has lasted through many drops!), and comes with a shock-mount system and a steel mesh grill to ensure that it can be used in any condition, indoors or outdoors (just don’t get it wet). The Shure SM58 is a solid option for beginners with a smaller budget and need to perform those beautiful vocals or instruments of theirs, as it sits on the lower price point — we know many who own multiple SM58’s in their audio recording and performing toolbox just in case.

Blue Yeti

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Now we move onto to the Blue Yeti, one of the most popular USB mics in the world. The Yeti serves as one of the best beginner microphones for those who want a mic for recording (only recommended for those in very small desk-oriented home-studios who don’t want to fiddle with phantom power or traditional condenser mics in general) or other non-musical uses, such as voice chats, gaming, podcasts, streaming and more. The Blue Yeti is a multi-pattern model that also adequate for any application, as it captures a very solid 16-bit / 48 kHz response for great music recordings, gaming, and video audio. One of the nicest features here and what brings even more versatility to your mic, especially if you’re using it for more than one application, is it is designed with tri-capsule technology and 4 different pattern settings – cardioid, omnidirectional, stereo, bi-directional – all of which can be easily switched to. The proprietary capsule technology is made to deliver rich, detailed sound, while coming with studio controls built on to the mic itself such as headphone volume, instant mute and microphone gain to better your recording or streaming experience. The Yeti is also equipped with a 3.5 mm headphone jack that allows you to monitor and listen without having latency delays. Just like other USB mics, this one is rather easy to use; simply plug the Yeti into your computer’s USB port with the USB cable included, sync it with your operating system and you’re ready to record — no need to buy other gear since it has the built-in stand and can be powered via your laptop, PC or Mac. The Blue Yeti is affordably priced and is a great option if you need a microphone with USB compatibility and don’t want to fiddle with extra gear.

Behringer Ultravoice XM8500

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Perhaps the biggest bargain on this guide is the Ultravoice XM8500, which is another cardioid dynamic model, comparable to the Shure SM58B, which makes for one of the best mics for beginners who need an inexpensive vocal mic (and we mean inexpensive, this thing is cheap). The XM8500 is ideally designed to be used in either live performances or home recording due to its pickup pattern which has solid sound source separation (say that 5 times fast) and pretty good feedback rejection. It has a fairly flat frequency response of 50 Hz to 15 kHz, while also incorporating a smooth mid-frequency presence rise for quality voice projection — including a two-stage pop filter to help negate breath and pop noises. The Ultravoice XM8500 combines it’s decently rugged design, shock mount system, and impact-resistant carrying case to make it pretty portable if you’re ever on-the-go. As we said earlier, this cost-effective mic sits on the lowest price point, and poises to be a solid substitute for the more expensive mics on the market. We only recommend buying this if your budget is very limited.

MXL 770

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The MXL 770 is a price-friendly, multipurpose condenser mic that uses patented technology to provide sound that makes it one of the best beginner microphones for home recording studios. It is designed for vocalists, pianos, guitars, and strings, as it has a great low-frequency response and natural, clear high-end to combine for a great range. To achieve the above, MXL uses a low noise EFT pre-amp and transformerless balanced output for a wide, flat dynamic range and minimal noise – important when trying to isolate vocals in the studio. The 770 mic features a low-frequency roll-off to reduce unwanted rumbling and a 10dB pad to facilitate a variety of sound sources. It also comes with a shock mount and rugged carrying case if you are an on-the-go type performer — just grab a mic stand and some phantom power and you’re ready to go. The MXL 770 combines good quality with value, and will work just fine if you’re looking for that warm sound with solid clarity at the top-end of your vox. It’s nowhere near the higher-end beginner mics in here but for the price, it’s quite impressive if you’re looking for a solution under $100.

Rode NT-USB

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A little passed the halfway point, we will talk about the Rode NT-USB, which is one of the best microphones for beginners who need a mic that is a little more versatile and powerful than the Yeti. The NT-USB (a USB rendition of the previous NT mic we spoke of) is suitable for recording singing, guitars, pianos, guitars, podcasts, voice-overs or really any PC-related application to name a few. Although we recommend always being wary of the term, it is considered is a ‘studio-quality’ USB mic that is compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as GarageBand or any other recording software or app that accepts an external mic. As seen in the photo, the NT-USB also features a zero-latency stereo headphone monitoring jack which lets you monitor the microphone input, along with adjust the monitoring level and mix between your computer/iPad audio and the mic input. It also comes with a pop-filter which fits onto the base of the mic – positioning the filter the most efficient from the capsule helps minimize plosives during speech or singing. The Rode NT-USB is pretty price-effective and also comes with a mount, tripod stand, and storage pouch for a solid all-around and plug-and-play deal. We recommend this pick as the best beginners microphone if you wanted a USB connection and something slightly higher in quality than the Yeti.

Sennheiser E835

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The Sennheiser E835 is another cardioid dynamic microphone that is specifically designed for speech and vocals. It combines the classic hand-held look with a solid sound that projects well and cuts through high volumes on stage to make it one of the best beginner’s mics for low-budget home recording and live sound applications. The E835 has a uniform frequency pick up pattern that maintains signal quality when moving on and off axis during performance – good for singers who have a tendency to tilt the mic when they perform. It also contains minimal proximity effect for pretty consistently clear bass and performance when singing closer to or farther from the capsule. The Sennheiser’s rugged, metal housing is designed to withstand all types of live applications. The Sennheiser E835 produces not only consistent sound quality, but also sports a very manageable price – two of the most important things for starters if you ask us.

AKG P220

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Almost to the end of our guide, we look at the AKG P220 – one of the best microphones for beginners trying to record their lead vocals, acoustic guitar and brass instruments. The AKG combines a large-diaphragm true condenser microphone with a cardioid polar pattern to give it a warm and clear sound for the user. It features a switchable bass-cut filter to eliminate rumble or football noise and an attenuation pad which makes it ideally suited for use on loud sound sources (like guitars, drums, trumpets, and tubas) with sound pressure levels up to 155 dB SPL. It has a rugged all-metal body and durable design to ensure it withstands tough day-to-day use – making this a solid choice for on-stage applications. The AKG P220 also comes with a spider-type shock mount in a carrying case for easy setup and storing. It sits on the middle price point, and if you need something for your brass instruments, this is your friend.

Shure KSM 137

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Finally we have another one of our favorites and to end the guide, a slightly different spin to microphone shape, size as well as intended use. The KSM 137 is one of the best beginners microphones that can be acceptably used on virtually all live applications. The KSM 137 is a single cardioid polar pattern end-address condenser microphone designed for studio use, yet durable enough for live performances. It is pretty versatile – commonly used for applications such as acoustic, wind, and low-frequency instruments, while also being useful for overhead miking, or recording any room ambiance you’re looking to pick-up. It features a very thin, 2.5 micron, low mass Mylar diaphragm for a great transient response and a Class A preamplifier for transparency, no crossover distortion, and minimal harmonic distortion. The 137 also come with a 3-position switchable pad (0 dB, 15 dB, and 25 dB) for handling all different types of SPLs for even further added versatility. If you have a little more money in your budget, the Shure KSM 137 might be the best beginner’s microphone of choice if you have a slightly more advanced and versatile understanding of how to mike your audio sources.

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Clik here to view.As we continue our search for the perfect microphone for your own personal needs and application(s), today we’re met with a great price-point that sits within the middle to lower-tier of budgets when it comes to recording and performing audio — $200 dollars or less. This will help us find a decently powerful and high-quality microphone solution while still saving some money at the same time. Although sifting through the different types of microphones may get a little messy for you (we understand), we’ll help spell out what kind of mic is best depending on what you’ll be using it for. Also keep in mind what setting (or settings if you intend to travel with your mic). Since it’s hard to pick just one and it’s relatively subjective when it comes to the word “best”, we chose quite a few of our favorites to give you options.

Finding the best mic under 200 dollars

Your overall budget will first be a large decisive factor when deciding on your mic today. Even though we’ve been able to narrow it down to just $200 or less, the difference between a microphone that just sits below that price-tag of 200 even will be a lot different from a mic even half of that price. We always have our microphone under $50 or microphone under $100 guides to give you some cheaper alternatives to save some money. Otherwise, we attempted to find an array of each price-point below.

Different microphones come in various shapes, sizes, sounds, feel, and overall personalities. The microphone type you are seeking will be the next factor to keep in mind. The main types we’d like you to keep in mind include USB, condenser, and dynamic microphones. If you’re a vocalist recording in a studio, we highly recommend grabbing a condenser microphone (although many quality condensers are seen in the under $500 mic range). Those who play acoustic guitar, piano, as well as other string instruments will also benefit from a condenser mic. On the other hand, if you’re performing and need a stage mic regardless of instrument or voice, dynamic microphones are your best bet. We’ve heard of dynamic mics being used in the studio as well, but not in this price-range.

USB microphones are also a viable option for recording vocals and various other instruments, especially at this price-point. Although we do ultimately recommend a condenser for studios, USB mics are great for those who don’t want to fiddle with external gear such as phantom power or audio interfaces to get going as soon as you plug-in your mic into the computer. They’re also easier to use when it comes to size — most have built-in stands that sit on your desk for convenience. Even for those who aren’t into music and have other applications on the computer, such as podcasting, streaming, gaming, online chats, voice overs and more, USB microphones are the perfect solution for you, so grab one of those.

The additional gear you’ll need will lastly dictate how much money you’re able to spend on your microphone under $200. As stated previously, if you do use a condenser microphone, you’ll have to invest in a few other pieces of equipment that’ll drive up your budget, such as mic stands, pop screens, filters, shock mounts, and of course, phantom power.

The best microphone for under $200

Audio-Technica AT2020

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Clik here to view.Coming in as our number one pick for recording studios, the Audio-Technica AT2020 is a quite famous condenser microphone that is perfect for vocalists, instrumentalists, or even those wanting to grab a studio-quality mic for non-musical uses, such as podcasts, gaming, online meetings and more. This is a low-mass cardioid condenser microphone that is specifically designed for extended frequency and transient responses. When it comes to cheaper alternatives, the AT2020 sets the standard, as this affordable microphone is equipped with a cardioid polar pattern that will filter out the sound pickup from outside noises, leaving us with a reliable entity to capture what’s only in front of it. The AT2020’s rugged build enables it to be incredibly durable, and should last just as long as any of the pricier models out there if you’re able to take proper care of it. It also comes with a pivoting and threaded mount that can attach easily onto your mic stand right out of the box. It was first in our beginners microphone guide for a reason, but stems across even into some professional studios we’ve heard of as well — it’s definitely one of the best microphones under $200 if you find yourself needing a studio-quality microphone for recording or streaming on the internet.

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Blue Yeti

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Clik here to view.Up next, if a traditional condenser microphone wasn’t your thing, we have a nice alternative here with user reviews to back up its effectiveness. When it comes to USB microphones, the Blue Yeti is by far one of the best microphones under $200 and most popular choices in terms of cheaper, versatile and high-quality microphones. This customized best-selling USB mic offers a ton of flexibility enabling you to record some great music, podcasts, vocals, or even audio for videos such as voice-overs or sound effects. The benefit of USB mics is the wide-range of applications — anything you can think of that involves a PC or Mac it can take care of, not to mention it’s easy plug-and-play capabilities right out of the box (no need for external power sources or other gear like windscreens or mic stands like traditional studio condensers). Equipped with Blue’s awesome custom tri-capsule technology (switch between three different polar patterns to customize the pickup in case you use it for different applications), the Yeti is even more versatile than other USB mics. Regardless of whether you are podcasting, recording music or an interview, the Blue Yeti’s four different power settings allow it to have a differentiating factor that sets itself apart from the rest. Designed with on-unit volume adjustability as well as containing plug and play accessibility, the Blue Yeti is simplified in its design and user-friendly in all of its features.

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Shure SM58

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Clik here to view.The Shure SM58 is a reasonably priced, yet high-quality dynamic vocal microphone that is legendary within the microphone game. It is most optimal when used for singing or speech, specifically live performances on stage. Crafted for clarity and a high-quality design, this vocal microphone articulates whatever message you would like to deliver quite clearly. Equipped with a built-in shock mount system for support and spherical filter to drain out the wind and ugly breath popping noises, this superior mic is the perfect addition to your stage arsenal as well as recording studio (yes, some use it for recording vocals as well, but we still prefer a condenser for that). It’s extremely rugged when it comes to build, and we remember dropping ours more times than we count with only a few dents yet still being able to work properly. Its dynamic build and use enables an extreme amount of versatility for different frequency ranges, sound pressure levels as well as tones, regardless of its purpose. When it comes to reasonably priced microphones, it doesn’t get a whole lot better than the SM58, and it’s definitely another one of the best microphones under 200 dollars if you’ll be performing music or speaking on stages. Some say it’s a staple-point of a musicians toolbox.

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Sennheiser e906

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Clik here to view.The Sennheiser e906 offers a professional super-cardioid, dynamic instrument mic that is truly the perfect microphone for sounds of all types, such as drums, guitars, strings and keys. Easily adaptable and connective, this is one of the best microphones for under $200 if the previous dynamic mic wasn’t your thing and you foresee yourself needing a solution for more than just a voice. Versatile in nature and durable in design, this microphone truly does it all when it comes to amplifying your sound. The switchable presence filter customizes the sonic characteristics to different requirements to enable additional versatility. The characteristics of this sound are offered in three different forms — bright, moderate and dark, allowing the user to have a choice when it comes to what type of sound and feel you’re aiming for, while at the same time allowing adaptability for different instruments. Regardless of why you are in the market for a new microphone under $200 bucks, this is a multi-usable choice that can be utilized in various different ways on stage or in the studio.

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Rode NT-USB

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Clik here to view.Coming in as a strong competitor to the previously listed Yeti although slightly more expensive, the Rode NT-USB is a studio-quality USB microphone that comes with some nifty high-tech features and superior sound quality. This is a mic under $200 that is designed with convenience for the user with its USB connectivity, along with its compatibility to Apple and iPad devices, 3.5 mm stereo headphone jacks for zero-latency monitoring and as well as master gain knobs on the side of the unit. The microphones pop shield, tripod desk stand, and ring mount are incorporated for additional support to get to using right out of the box. The NT-USB is said by many to be optimal for singers and vocal recorders everywhere, but those who stream online or use it for other computer uses won’t be let down either. The beauty of the NT-USB is not only that fuzzy feeling we get seeing the ‘Rode’ brand name on it, but the overall quality it brings for being a USB mic. Regardless of your primary usage for this versatile microphone, there is little reason to believe that you can’t use it for nearly anything.

See pricing\reviews of the NT-USB: US | UK

AKG Perception P220

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Clik here to view.Equipped with ‘True Condenser capsule technology’, the AKG P220 is a large-diaphragm microphone that is perfect for vocalists, pianos, brass instruments and acoustic guitarists. It’s pretty wild to consider the Perception 220’s price tag because this high-quality solution offers features that make it one of the best microphones under $200. When it comes to condenser microphones, you will be hard pressed to find one more that is more durable than this rugged design, eliminating your worries about causing damage in the event of a mic drop. It features additional switchable 20 dB pre-attenuation pads for use in sound fields up to roughly 155 dB, as well as switchable bass cut filters to eliminate unwanted noise for your lower-end frequencies. The large-diaphragm cardioid build is a popular type of condenser for vocalists — it creates a warm and unique signal, and although less ‘accurate’ than it’s smaller sisters, can be the main choice for many singers and rappers out there. AKG offers enhanced sound quality with its custom price and performance levels, making this microphone a great choice regardless of its desired use.

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Shure PGA27-LC

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Clik here to view.A microphone with the quality for a professional, the Shure PGA27-LC is truly one of a kind when it comes to affordable and versatile microphones under two-hundred dollars. Equipped with a larger diaphragm like our previous pick, this is a side-address cardioid condenser microphone that is also optimal for vocalists. The side-address direction is known for being optimized by vocalists as well as an amplified acoustic instruments such as a guitars or other strings. Here we have a professionally used microphone that comes with an enhanced industrial design as well as state of the art improved physical features. Long story short, if you are looking to amplify your sound you have a sure bet in the PGA27-LC as this microphone will deliver regardless of its environment. All things considered, these are some of the necessary features that make this mic one of the best for under $200. Conveniently including a shock mount, as well as a padded zipper case if you are a big traveler these features allow it to be one of the best travel companions when you are on the road.

Check prices\reviews of the PGA27-LC: US | UK

Sennheiser e935

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Clik here to view.The e935 brought to you by Sennheiser is a professional grade cardioid vocal stage microphone that comes with every great feature that allows it to perform in any setting that you desire. The Sennheiser e935‘s high output enables the user to feel like a professional musician allowing them to record or perform the sound they are looking for without worrying about the microphone being the reason for a hindered performance. As a big competitor to the SM58, it’s often used by on-stage musicians, public speaking, sermons, karaoke, and more. Featuring a metal construction that is both rugged and durable, it’s hard to find a microphone out there that will be as reliable as this one. This mic is equipped with shock-mounted capsules for low sensitivity when it comes to handling noise as well as hum-compensating coil for reduced electrical interference and confidence in the overall sound quality you’ll attain. If you are looking to amplify your sound in the best way possible, don’t look too far because the e935 is a microphone that users keep coming back to as it is considered one of the best microphones under $200 if it pertains to your particular use and intended sound environment.

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sE Electronics SE X1

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Clik here to view.Regardless of the recording you’re searching for, this microphone comes to you with so much versatility that it can essentially do it all. The sE Electronics SE X1 has a large diaphragm and its gold-sputtered capsule make it first in its class and one of the best microphones for under $200 when it comes to overall quality and durability. This mic can be found in fancier settings as it is often used by Jazz players as well as lead vocalists and percussion instruments on stage or in a home studio. The advanced features that this microphone comes with makes it a great option for its price — great flexibility with a very high dynamic range and ability to handle high sound pressure. The SE X1 is a sturdy 32 mm diaphragm, cardioid directional pattern microphone making it a great option for a low-cost condenser mic. This one offers more of a ‘open sound’ feel and quality, which is something that you would find in a condenser mic three times the price.

See pricing\reviews of the SE X1: US | UK

Razer Seiren Elite USB

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Clik here to view.Last but not least, we have another great USB mic under $200 that we had to include. Conveniently designed, the Razer Seiren Elite USB offers the user a great addition to gaming (considering it’s a gaming gear brand), podcasts, online meetings, voice overs, and of course, a smaller home recording studio. No need for mic stands, as this microphone’s aluminum base allows it to perfectly fits on top of your studio desktop, making it a great choice if you are interested in recording and streaming your music. It is a multi-use mic that comes with three built-in 14 mm custom-tuned condenser capsules that allows it to be capable of creating four different recording pattern configurations. Featuring some super-clear 192 kHz / 24-bit in recording resolution, this microphone is going to deliver the optimal listening experience regardless of who your audience might be. Yes, it’s just another option for a USB mic out there, but if you’re a Razer fan and wanted to grab their flagship USB model (it comes in the middle of both the previously listed Yeti and NT-USB), it may very well be the best mic under $200 for you.

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Buying the best audio interface is going to help solidify both the power and overall capabilities of your studio, regardless if you’re a professional, semi-pro or even beginner starting to build your new home recording studio. For continued readers of our website, we’ve been able to help many when it comes to choosing which microphones are best; however, we have frequently mentioned the importance and necessity of phantom power and audio interfaces in our studio — not only for recording vocals with our mics but various instruments as well. Due to this, we wanted to create a guide to help those looking to power up their beloved music gear and instruments and get that sound quality we’ve always wanted. Cue in audio interfaces, and today we compiled some of our favorites to recommend you.

What is an audio interface?

An audio interface is a device that’s meant to provide power, processing, effects (some, at least), and organization of your many recording devices into one. They act as an ‘external sound card’ if you will, since they’re a lot more powerful, higher in quality, and merely overall better than the sound cards built-in to your computers, regardless if you’re on a PC or Mac. Depending on how you listen to your audio, whether it be studio monitor speakers or studio headphones, most also have outputs to handle this gear in order for you to track and monitor your recordings. Some even provide MIDI ins and outs to allow your keyboards and other controllers to run more smoothly in the recording process (and keep it all organized, too).

In our opinion, one of the biggest and most important parts of an audio interface is the help with the issue of latency. If you’ve ever attempted to record before, whether vocals, guitar or other instruments while going straight into your computer, we’re sure you’ve noticed a slight ‘delay’ — which is one of the most annoying parts of recording and making music, in our opinion. How are we supposed to get that work flow going if we have to try to ‘guess’ when to start playing our gear? Since audio interfaces have are more advanced internal circuitry and overall build than computer sound cards, they can get greatly reduce this ‘lag’ or merely eliminate it altogether.

Selecting the best audio interface

Now that we’ve covered what they are, let’s look into how to buy the best audio interface for you. Since audio interfaces come in many different shapes, sizes and price-points, it’s going to depend on the reader’s needs which we have listed below.

• Think of what exactly you’re looking to record and hook up to your audio interface. Not only as of today while you read this, but in the future as well. Do you only have one mic, a guitar and a MIDI keyboard? Sticking to a 2-in and 2-out with an XLR input for a condenser mic and MIDI in\out will be quite feasible. Are you going to be recording entire bands? Look for more than 2\2. Perhaps a 6\6 will be best, or even a 4\4. Maybe you’re recording multiple microphones at once (the “at once” here is crucial — if it’s separately, you can always get away with just replacing the XLR with different mics as you go)? Look for more than one XLR input in your audio interface. Of course, these examples are subjective, and you may land somewhere in the middle, which we’ll leave up to you to see which is best.
• What type of connectivity do you want? We have many, and a majority of audio interfaces, providing USB connection. Others (and more towards the expensive and advanced spectrum) can give us Thunderbolt (for Mac only, of course), and even some with FireWire if you want to go heavy. Your computer’s operating system and type will also dictate this decision as well, considering the ports are at times only compatible with the OS. USB of course will span in all directions, and will be best for uses such as in home studios.
• How much are you willing to spend? The range of audio interfaces is huge, spanning from $100 to $,1000+. This will decide not only how many ins and outs you’ll be getting, but also the overall sound quality you’ll be able to possess for your recordings. For home studios, sample rates up to 24 Bit / 192 kHz will be fine and we wouldn’t recommend going any lower. The $1,000 models start to get into not only higher sample rates but more advanced internal processors, which are usually a concern for professional studios.

The top 10 best audio interfaces

Zoom TAC-2

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Up first we look at one our favorite models as the best audio interface, the Zoom TAC-2. The Zoom is a 2-in/2-out thunderbolt audio interface that is fairly easy-to-use – all features are controlled by one knob. It comes with a pair of XLR/TRS combo jacks in the back to hook up your mics, instruments, or line signals to the input, while also coming with a front input jack so you can add a guitar or bass without unplugging anything else. While you’re playing, the TAC-2 not only records, but it also has a neat feature that performs four times upsampling of your signal during the analog-to-digital and the digital-to-analog conversion – this means you get minimal aliasing noise and higher clarity. The TAC-2 features Apple’s thunderbolt connectivity — 5 times faster than USB 3.0 and up to 20 times faster than USB 2.0 – which is why it is considered one of the best audio interfaces in the market today. If you need something that is fast, relatively stable, and bus-powered, then the Zoom TAC-2 is your best bet.

Apogee ONE

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Next, we have the Apogee ONE, which is one of the best audio interfaces on the go gigs or smaller home studios on a budget. The Apogee ONE is an all-in-one 2-in/2-out portable, USB interface that provides you with everything you need to record – simply connect a microphone, guitar or use ONE’s built-in omnidirectional microphone to capture your music (definitely don’t rely on it for major recordings — you should have a condenser for that). The ONE 2-in/2-out configurations also let you record with a microphone (built-in or external) and a guitar at the same time. It also uses its AD/DA conversion and mic preamp technology to produce solid music, podcast, or voice-over recordings while also still giving you studio quality sound to your headphones for accurate mixing and/or hi-fi listening. The Apogee ONE is compatible with GarageBand, Logic Pro X or any core audio application (Mac or iOS). It comes in two models: ONE for Mac or ONE for iPad or MAC – choose whichever you please.

Focusrite Scarlett 6i6

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Here we feel the Focusrite Scarlett 6i6, one of the best audio interfaces for multi-instrumentalist, producers, and small bands. The Scarlett 6i6 is a 6-in/6-out USB audio interface that features 4 analogue inputs with 2 built-in Scarlett mic preamps, 4 analogue outputs and 2 separate headphone outputs – there is no shortage of ins and outs with the Focusrite. The 6i6 model spits out sample rates up to 192 kHz with their solid converters – you will have studio-grade sound you can take anywhere. With MIDI I/O as well as two channels of S/PDIF I/O on top of it all, the Scarlett 6i6 is an ideal foundation for home or project studios that may need to expand in the future, giving us a great curve for growth. For build, it has a rugged metal unibody design that is relatively good for recording on the go or lasting a long time sitting snug in your studio. The Scarlett 6i6 comes bundled with “Pro Tools First Focusrite Creative Pack,” as well as “Albeton Live” lite recording software and a suite of software and samples so you can start recording right away. The Focusrite Scarlett 6i6 is also compatible with all major DAWs on MAC and PC. Just keep in mind there are many interfaces available in the Scarlett series — 2i2, 4i4, and more, all tailored depending on your needs.

Steinberg UR12

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Next we will look at the Steinberg UR12 – a 2-in/2-out USB 2.0 model that is considered to be the best audio interface due to a combination of sound quality, portability, and a fairly low price compared to others in this guide. The phantom-powered UR12 is built with a convenient loopback function which is specifically designed for home studio recording, podcasting and other internet streaming applications. The UR12 also features a “Class A D-Pre” microphone preamp with inverted Darlington circuits which provide relatively smooth and detailed performance. The interface features a single microphone preamp with XLR input and a TRS line input, so you can track line-level with your headphones. In terms of quality, this audio interface supplies a 24-bit/192kHz A/D resolution – you won’t have to compromise sound with this bad boy. It also has line level RCA outputs for you to hook up your studio monitors. The Steinberg UR12 is one of our more economically priced interfaces, and if you’re a budget shopper, then this might be your best option.

Universal Audio Apollo Twin MKII

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At the middle point of our guide, we have one of our high-end audio interfaces, the Universal Audio Apollo Twin MKII. The MKII is a highly-rated, 10-in/6-out thunderbolt interface for Mac, with two analog inputs, four analog outputs, and eight channels of ADAT input – each of them serve their own specific purpose when it comes to connectivity. The Universal MKII features a AD/DA conversion for fairly good sound, and 4 built-in UAD “SHARC” processors for giving you a true representation for tracking or mix-down. The thunderbolt configuration of the interface provides you with low latency and huge bandwidth for higher sample rates (24-bit/192kHz) and track counts. The compact design of the MKII make it pretty versatile, as it suitable for mobile recording, mixing outside of your studio, and performing live. The Universal Audio Apollo Twin MKII sits on the higher price-point of our guide, and serves as one of the best audio interfaces for people with a larger budget looking for a thunderbolt-based model that will really up the ante when it comes to your recordings and quality of music.

MOTU UltraLite-MK3

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Up next we have another one of our favorite picks as the best audio interface for people searching for a model with multiple types of connectors. The MK3 features both USB 2.0 and FireWire connectivity – when you use FireWire, your UltraLife will get all the it needs from your computer, and when you’re connected via USB, you can use the included power adapter for full functionality. The MOTU features 24-bit /192 kHz rate with a number of inputs and outputs: two microphone preamps plus 6 line-level 1/4” (TRS) inputs and 10 analog TRS outputs – so in total, you have a 10-in/14-out interface. It also comes with a stereo S/PDIF digital I/O, a stereo headphone output, and a MIDI I/O for a controller or other equipment. The MK3 also comes with built-in effects and DSP routing, in which you can dial in your headphone mixes without draining your computer. It can also serve as a pretty steady standalone mixer due to the DSP mixer and onboard effects – in case you ever want to just jam out without taking your laptop. The Motu UltraLite-MK3 also sits on the higher price-point, but with the features and sound it provides, it is great for the price.

RME Fireface UC

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The RME Fireface UC is another high-end model, which has 2 digitally controlled microphone preamps, ADAT, and S/PDIF, and a whopping total of 18 input/output channels plus MIDI I/O – making this one of the best audio interface options for a small to medium-sized band or semi-pro studios. The Fireface UC has a solid cross-platform performance, which means that it works well on both Windows and Mac operating systems. It has a built-in “RME Hammerfall” core that provides relatively low latency, even with multiple channels. The unit’s operating mode can be switched to “Win” or “Mac” at any time if need be. The Fireface UC features RME analog and digital circuitry that provides active jitter suspension, stand-alone functionality and utter control from the front panel, flexible I/Os, and a very solid 648-channel matrix router. The digital ADAT I/O gives you digital connection to mixers and converters which is important if you want to track correctly. The RME Fireface UC is our priciest model, but in this case, with price comes unmatched quality.

Apogee ELEMENT 24

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Here we have another Apogee model, the ELEMENT 24. The Apogee ELEMENT 24 is one of the best audio interfaces if you record on Mac with one or two inputs a time. It is a thunderbolt 10-in/12-out audio interface that is rather cost-effective when comparing it to other thunderbolt models on the market. The ELEMENT 24 features 2 front-panel mic/line/instrument inputs on combi connectors, 2 rear-panel balanced XLR outputs, a 1/4” stereo headphone out, and word clock I/O. It also comes with 2 Apogee on-board mic preamps with selectable phantom power. For even more flexibility, the ELEMENT 24 has an optical I/O with ADAT (8×8), SMU (4×4), and SPDIF (2×2) compatibility. The thunderbolt drivers deliver a relatively low-latency performance (1.41 ms), along with solid stability. The driver also draws less CPU power ranks which lets you run more plug-ins and monitor through your DAW at lower buffer settings. Lastly, the “Element Control” software of the Apogee ELEMENT 24 provides you with remote control of your hardware on your Mac or iPhone/iPad, giving this one a well deserved nod as the best audio interface. There are also a few more options available, such as the ELEMENT 46 or even 88 if you needed more plug-ins.

M-Audio M-Track II

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Towards the end of our guide, we will look at M-Audio’s M-Track II, which is a low-profile interface that delivers simple plug-and-playability. The M-Track II is known to be one of the best audio interfaces for people who prefer something cheaper without many bells and whistles. The M-Audio is pretty flexible, as it offers the right connections for any instrument, from electric guitar to a phantom-powered condenser microphone. It equipped with a number of inputs: each channel offers a combined XLR and balanced 1/4” input – each of which attempt to give you the best result from any audio source. The M-Track has pretty solid zero-latency inline monitoring, in which the monitor mix knob adjusts the balance between the direct inputs and the playback from your computer software. It also comes with a nifty LED metering feature – multi-colored LED metering gives you instant feedback of your input levels. The solid metal chassis and low-profile design of the M-Audio M-Track II also make this a roadworthy model.

Lexicon Alpha

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Last but not least, we have our most simple, price-friendly and final pick as the best audio interfacel, the Lexicon Alpha. The Alpha is a USB 2-in/2-out interface that combines an inexpensive price with portability to make it one of the best audio interfaces on the market. The Lexicon is a bus-powered interface that features 1 XLR microphone input, 2 TRS line inputs and 2 TRS & RCA line outs – the front panel has a high-z ¼” instrument input for direct to computer recording and a 1/8” high-powered headphone output for your headphones. The Lexicon Alpha can stream 2 channels of 44.1 or 48 kHz audio at either 16- or 24-bit resolution on both PC and Mac. It also comes with mono/stereo monitoring, as well as zero-latency direct/playback monitoring for delay-free overdubs while recording. The Alpha is also equipped with a “Lexicon Pantheon VST Reverb” plug-in which will give your recordings a very good sound for the price you are paying. If you’re looking for something low-cost, the Lexicon Alpha may be your option.

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The world of vlogging is an amazing one, filled with many opportunities to not only share our thoughts, beliefs and lives with the world, but can also make quite a career if we’re able to stick with it. We know many successful vloggers out with there who do this full time; however, without the proper gear, we just won’t be able to provide the standard most people watching our vlogs expect nowadays. Today we looked at some different solutions to recording our audio and compiled this list of the best vlogging microphones in the market. Below is our checklist to read through first in order to get a better feel for what exactly you need to step up that vlogging game.

Finding the best vlogging microphone

First thing is first — how are you filming your vlog? This question when becoming a vlogger will ultimately coincide with our next question below, but to summarize, what you’re using to capture your video will deter you in a specific direction for a microphone. If you haven’t grabbed your video camera yet, we highly recommend a DSLR camera or mirrorless camera, but that isn’t a must, per se.

What type of microphone? Now we’ll get into the big details for the different types of mics we have in here. As stated earlier, if you haven’t gotten your video camera yet, you’ll have some flexibility. Otherwise, this will definitely pinpoint your search.

• USB microphones: These are preferred by vloggers who stay stationary in a room with a computer. Whether you’re recording with a web cam or exterior camera on a tripod, this is great for super clear quality as long as the microphone is positioned properly and you’re not going to be moving around a lot (ie: staying seated in your chair or standing by a green screen). When it comes down to it however, we only recommend USB mics for those who are doing something such as streaming or types of vlogs that don’t entail video cameras, otherwise a shotgun mic (camera mic) below will be better.
• Camera microphones: These are microphones literally attached to your camera that typically point at you like a “shotgun mic“. These are more optimal than USB mics for those standing in a  chair or using a green screen in a room (reviewing products or speaking about something). They’re also perfect for those out in the field filming everyday life vlogs (where you’ll be walking around or engaging in an activity and you have a camera person following you). The only catch here is you’ll have to buy a compatible camera — DSLR or mirrorless cameras, and those can cost a pretty penny.
• Lavalier microphones: Another spin to a vlogging microphone here that spans across multiple uses. “Lav mics” are those small little hand-sized mics that clip on to either your shirt or somewhere else non-intrusively to your body. They’re great for interviews or any vlogging that you’d like to keep versatile, especially if you don’t have somebody to film you and you have to capture it all yourself.
• Handheld recorders: These are a bit different from all of the others, and are actually separate devices for recording audio. You can either stand them up with a little tripod near you, lay them flat on a desk, chair or floor, or carry them around with your hand and record as you go. We’d only recommend these if you aren’t filming and doing vlog audio only, or are super concerned with audio quality (since these blow all other mics out of the water when it comes to resolution — but don’t get us wrong, all mics are feasible and many audiences won’t be able to “tell”).
• Smart devices microphones: Last but not least, as technology continues to grow, more and more vloggers are using their smart devices to record their sessions. Whether you’re on a iOS, Android or even tablet, these little mics connect to the lighting connector or compatible input. We’d still recommend using a real video camera and grabbing a previous microphone type listed before, but if you’re on a strict budget and want to get going right away or feel smart devices are best for your vlogging adventures, be our guest. We listed our favorite one at the end.

Lastly, what’s your budget? If you don’t have a camera first, we recommend figuring out which one you need before you buy your microphone in order to gauge your money situation properly. Otherwise, keep in mind what you can spend when it comes to these models.

The top 10 best microphones for vlogging

Blue Yeti

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To begin, we will start with the Blue Yeti, one of our favorite USB mics in the world today. It serves as one of the best vlogging microphones for those who will be remaining stationary and want a mic that is versatile, as the Yeti can be adequately used for all applications or environments within an enclosed area. In terms of the features, this is a multi-pattern model that captures a very solid 16-bit/48 kHz audio resolution response. It is designed with a ‘tri-capsule’ technology and 4 different pattern settings – cardioid, omnidirectional, stereo, and bi-directional – all of which can be simply switched between depending on how you want to record your audio. The capsule technology is made to deliver crisp, detailed sound, while coming with studio controls like headphone volume, instant mute and microphone gain for giving vloggers hands-on controls as to what they’re recording. The Yeti is designed with a zero-latency 3.5mm headphone jack that allows users to monitor and listen to what the microphone is picking up in real-time without any delays. The vlogging microphone is also simple to use – just plug the Yeti into your computer’s USB port with the USB cable included, sync and you’re ready to record. The Blue Yeti is reasonably priced, and can be a good option if you need a microphone with USB compatibility, whether you’re staying stationary in your chair and filming or streaming\narrating something that doesn’t involve a video camera.

Rode VideoMic Pro

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The next model we will talk about is the Rode VideoMic Pro, which is a super-cardioid condenser mic that is one of the best microphones for vlogging for users looking for a shotgun-style mic as previously listed. The Rode combines its shotgun design with an added “Rycote Lyre” shockmount that does a good job at isolating the mic capsule and electronics from any rumble that vibration can cause. For example, if you’re a travel vlogger, a lot of sounds and audio from the people/environment can cause some unwanted ambiance or vibration, but with the Rycote shockmount, you can minimize that issue. Coming with a 1/2” condenser capsule that delivers broadcast-quality sound, the VideoMic Pro is a true shotgun mic that is ideal for audio capture with camcorders (make sure they have a connector), DSLRs, and other compatible portable video recorders. The Rode sports a low self-noise of just 14dB, which is very good for the price, while also being fitted with an 1/8” TRS connector that outputs the mono signal to both the left and right of channels of your camera or recorder. If you’re searching for a mic for outdoor vlogging or an indoor solution that attaches to your camera, the Rode VideoMic Pro might be your best option as the best vlogging microphone.

Audio-Technica ATR3350

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Here we have our most affordable lavalier model, the Audio-Technica ATR3350. The Audio-Technica is one of our lav-styled mics that will be the best vlogging microphone for our budget and versatility conscious shoppers. The ATR3350 is a newscaster-style mic that is designed with an omnidirectional capsule to pick up accurate voice reproduction from every direction. Although it’s pretty small, it still features a solid frequency response of 50 – 18,0000 Hz and a max SPL (sound pressure level) of up to 54 dB – both of which are great when considering the price and size of the ATR3350. It comes with a dual-mono 1/8” output plug for video cameras, along with DSLR, or a handheld video recorder’s (yes, works with some smart devices too — just double-check the compatibility depending on what you’re using) stereo 1/8” input to record audio on both the left and right channels. The Audio-Technica also comes with a clip for the mic – combine that with the low-profile design making for minimum visibility. The Audio-Technica ATR3350 is a strong option as the best microphone for vlogging for someone who needs something that is inexpensive and low-profile.

Apogee MiC 96k

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The Apogee MiC 96k is one of the best microphones for vlogging that is both small and low-profile, rivaling the Blue Yeti as a solid USB mic option to vlog with. It is a professional studio quality cardioid condenser microphone that can be directly connected to your Mac, iPhone, iPad, or Windows computer. The mic itself is pretty small in size – about as big as an iPhone. With the “PureDIGITAL” USB connection, the Mic 96k is able to easily capture your best takes with solid quality, and you can take it anywhere – hiking, sporting events, festivals, you name it. It isn’t necessarily the easiest to take in the field (especially compared to a camera mic or even lav), but it can get the job done if you’re concerned with audio quality (it has some of the best in here at 96k, hence the name). The Apogee’s cardioid polar pattern design is specifically designed for capturing vocal and acoustic recordings – this will be good option for concerts if that’s what you fancy, but not limited to. It has a steel mesh housing on the actual microphone capsule, as a well as a die-cast zinc body to give it long-lasting durability throughout your travels. The Apogee Mic 96k offers a reliable sound and compact, portable design for a bargain of a price.

Zoom H1

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Here we’ll take a look at the Zoom H1, one of the best vlogging microphones for users who need something that is handheld and on the lower price-point. The Zoom H1 is a pocket-sized handheld recorder that can be used in pretty much all audio applications that video blogging demands. The H1 is powered by a single AA battery, supplying up to 10 hours of recording – pretty solid for just using a one battery and can be switched out in case you need even longer. The Zoom has a pair of pro-quality XY stereo condensers built-in, which means you don’t have to plug-in your own mic, but it does come with a 1/8” input on side if you do. The Zoom H1 supplies up to 24-bit/96kHz PCM WAV format of recording – great for the price and size of it, which we think will be the number one factor when choosing this one. The H1 also features high SPL handling, recording options, and recording controls – coming with an “Auto Level” switch on the back for getting greater sound, and a similar “Lo Cut” switch to reduce handling and wind noise. It comes with a 2GB microSD memory card, while also having the storage capacity of up to 32GB. The Zoom H1 is perfect for vloggers looking for something low-profile that supplies solid recording functions at a very manageable price if you don’t mind the way you’ll have to use it. You will also have to sync up the audio with your footage in post-production.

Sennheiser MKE 400

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Now we’ll dive into the Sennheiser MKE 400, a super cardioid shotgun microphone with a compact design that is one of the best microphones for vloggers who prefer to use on-camera mics and the previous Rode pick wasn’t your thing (this is also a bit cheaper). The MKE 400 is relatively small as it is designed to mount on cameras with a lighting shoe mount and an external mic input – albeit it’s small, the MKE 400 can be suitable for nearly all professional applications. The mic can fit comfortably anywhere, and it has a run time of 300 hours from a single AAA battery which is very good. The MKE 400’s lobar mic has a frequency response between 40Hz and 20kHz and a max SPL of up to 126 db – both of which are very solid for the price. The mic’s side noise rejection and switchable sensitivity will make life easier for video recording. The MKE 400 also has a shockmount built-in so you won’t have to worry about handling noise when capturing audio and video. The Sennheiser MKE 400 is another one of the best microphones for vlogging for someone that needs a do-it-all mic with a rugged design.

Rode smartLav+

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Up next we have another lavalier mic with a bit higher quality than the previous A-T pick, which is one of the best vlogging microphones for smartphones, tablets or cameras who want the mic on their body. The smartLav+ is designed with an omnidirectional condenser capsule to pick up sounds from all directions, and also has a foam pop filter which helps eliminate vocal plosives you might get when interviewing people or talking yourself. Although the mic is tiny, it still has a frequency response of 20Hz to 20kHz, along with a max SPL 110db which is pretty great considering it’s 0.01 lbs. The Rode also comes with a pretty durable mounting clip that lets you attach the mic to lapels, tie, shirts, or any other locations – handy! The mic is also compatible with all audio apps that accept audio from headset inputs. The Rode smartLav+ is a lavalier-style mic that lets you easily record broadcast-quality audio with a smart phone, so if you want to be a vlogger via phone and don’t have wiggle room in your budget, this mic will be the best vlogging mic choice for you.

Rode NT-USB

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Moving on, we have another Rode model, the Rode NT-USB, which is one of the best microphones for vloggers who need a mic that is multipurpose, USB compatible, but not as mobile. The Rode is suitable for recording singing, musical performances, podcasts, and voice-overs to name a few. It is a studio-quality USB mic that is compatible with both Windows and Mac OS based platforms. The NT-USB features a zero-latency stereo headphone monitoring jack which lets you monitor the microphone input, along with adjust the monitoring level and mix between your audio source and the mic input. It also comes with a pop-filter that fits onto the base of the mic – positioning the filter the most efficient from the capsule helps minimize plosives during speech you may get during interviews or singing. The Rode NT-USB is pretty price-effective, and also comes with a mount, tripod stand, and storage pouch for beginning vloggers who don’t have any equipment or would like to use their mic for other applications as well, such as recording music, chats, gaming and more.

TASCAM DR-05

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Nearing the end of our guide, we have the budget-friendly TASCAM DR-05, a stereo recorder with built-in omnidirectional microphones. The DR-05 is about the size of your palm, so taking it anywhere will not be an issue. The TASCAM is capable of recording in MP3 formats of up to 320 kbps and in Broadcast WAV format of up to 24-bit/96kHz resolution. The pair of omnidirectional microphones supply relatively clear recordings, while also being able to handle sounds pressures up to 125dB – making the DR-5 one of the best vlogging microphones for live event recording like parades, festivals, or even concerts — environments with high background noise ultimately. The recorder features some pretty cool recording functions, such as ‘peak reduction’ which is for optimal for ambiance, and also has a self-timer that’ll delay the start of the recording for 5 to 10 seconds. It also has a limiter and low-cut filter to help prevent any sound distortion you may come across at live events. If you plan on doing some work at live events or just want a versatile handheld recorder solution, the TASCAM DR-5 might just be the best vlogging microphone for you if the previous Zoom wasn’t high-quality enough.

Zoom iQ6

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To finish, we have the Zoom iQ6 – a XY stereo recording mic that is one of the best vlogging microphones specifically made for iOS devices. The Zoom is designed with a lightning connector, so all you have to do is just plug the lightning connector into the Apple device and BOOM – easy! The X/Y recording configuration is meant for covering wide areas while still capturing sound sources in the center with clarity, making the Zoom iQ6 ideal for live stereo recordings or really any type of vlogging you’ll be doing on your iPhone or tablet. The microphones on the Zoom can be switched between 90 and 120 degrees, allowing for more flexibility while recording – 90 degrees for a tightly focused image and 120 degrees for a wider image. The iQ6 also comes with separate controls for input gain and headphone output level. If you’re in search for a small microphone to bring with you to get going on those vlogs immediately instead of using a camera, the Zoom iQ6 is your guy, sporting the classic XY stereo configuration that is specially designed to capture ideal audio quality that blows your stock resolution out of the water.