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Nowadays they make microphones for everything, even external devices to upgrade that terrible sound quality Apple still hasn’t managed to fix in their smart devices running the iOS. Not to sound negative, but we can all be honest about it — if you’re doing anything more than talking on the phone or recording voice memos, you’re going to need a better microphone. Especially with how popular iOS smart devices have become in terms of music production, podcasting, reporting, interviews, and other more advanced uses, it’s critical we have at least something closer to studio quality audio so we don’t sound unprofessional. To our luck, more and more mic creators have begun to come out with a new line of ‘iOS microphones’. Even better, they’re pretty affordable too. Let’s check the top 10 best.

Benefits of an iOS microphone

Not that the quality of audio of the stock mic isn’t listenable, as we’ve all been able to successfully communicate with iPhones since they came out; however, we feel that even though the megapixels and video quality have been improved numerous times with all phone and tablet upgrades, the audio quality has just…stayed the same. I mean, listen to the FaceTime quality in iPads or iPhones — it sounds like a 1996 webcam.

As stated previously, the updated audio quality can be great for pretty much activity outside of speaking on the phone or FaceTime. Most of them are relatively small, so they fit in your pocket and are easy to travel with. There really aren’t any complaints or downsides to these things.

A con for these mics that some people may say is that you’re unable to achieve the quality and power condenser microphones found in studios give you, but our rebuttal is — what do you expect? These things are tiny, cost a lot less, and don’t need phantom power to operate. They’re also made for the field, not a professional room with sound proofing and power outlets everywhere.

How to choose your microphone for iOS devices

• Your budget. As always, this will determine which price point you’ll be looking at. If you want one of the best models out there, it’ll be around a few hundred bucks, otherwise there are some decent quality mics for under hundred in this list as well.
• What type of mic make? There’s XY, mid-side, even a bit bigger and just a larger diaphragm condenser mic. There are benefits to all of these, but a majority of the popular models are XY since it allows for a large pickup, as well as gives you the ability to manipulate the directions of the mic depending on if you’re recording video alongside the audio or not.
• Additional accessories. Some come with a carrying case and others will merely fit in your pocket. The more expensive mics come with a bundle of additional accessories, such as converters, wind screens, etc. It can quite possibly save you some money.

The top 10 best iOS microphones

We drank a bunch of coffee and researched through the new and popular models. The following is our list of the top 10 best mics available for smart devices running iOS. Let us know your thoughts in the comments, or be sure to tell us if we messed anything up!

Rode i-XY

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If you know us well, Rode is one of our favorite microphone creators, period. When we heard they were joining the club in iOS mics, we needed to see what it was all about. You most importantly can record up to 24-bit/96k audio quality, giving you the clarity of even most USB microphones out there. The mic has built-in A/D conversion for lighting and 30-pin connectivity. The XY stereo build of the mic in itself is a mechanism we’re fans of —  it’s basically two directional mics placed at 90 degrees from each other, with each mic having different sound pressure differences for increased clarity and less “space”. It allows you to capture a relatively wide area of recording.

Besides the great audio quality and mic build, the Rode i-XY comes with quite a few accessories. You get a foam wind shield and protective zip case, which is especially great for those traveling and\or recording out in the field. What’s even better is they have their own recording app, so you’re not forced to use the stock software that comes with iOS. Although it isn’t anything too crazy, it’s a bit more convenient for recording and visualizing your audio. It’s called the Rode Rec app. This is our top pick for our list, albeit a tad bit more expensive than most, you’re getting what you pay for.

Check pricing of the i-XY: US | UK

Zoom iQ6

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Here’s another XY mic (one of the more popular builds for iOS microphones) but around half the cost as our previous mentioned i-XY. Zoom is a huge player in the recording game, having a stake in video recorders as well. With the iQ6, it’s one of their better models in the market, coming with lightning connectivity, small enough to fit in your pocket, a MIC GAIN wheel to adjust the volume, and some LED lights to let you know if you’re recording or not. You also have a dedicated headphone jack (could also act as a line output) to help with monitoring. They also have their own recording app.

It’s a condenser microphone so the quality is high up there. It’s almost as good as the previous Rode model spoken about, and is around half the price. However, you’re sacrificing some audio quality here, so if that’s your concern, it may be what deters you to stick with the higher priced i-XY. The IQ6 only goes to 48kHz/16bit while the Rode is 96kHz / 24bit. This Zoom does come with a foam wind screen, but not a case like the Rode. However, they’re both built very solidly in the end. What’s important to you? Read AskAudio Mag’s iQ6 review for some more info.

Check pricing of the iQ6: US | UK

Blue Mikey

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Well, we’re all familiar with Blue Microphones by now, right? They’re slowly becoming a mogul in the mic game and for good reason. The Blue Mikey was one of the first of it’s kind, providing a super-compact build, condenser mic, connects via lightning, an input jack for instruments, swivel mount (goes 230 degrees), and some gain and auto-level sensing setting adjustments on the unit itself.

It’s even cheaper than the previous two spoken about, and it comes in at 44.1kHz / 16-bit audio quality (a bit less than the iQ6), so pick your poison here. We’d say the build is almost as great as the iQ6 and i-XY, so if you’re concerned with stability, never second-guess Blue — all of their products are highly reviewed all over the net. Blue doesn’t have their own recording app for this (yet), but there are plenty of 3rd party apps to get you through (it’s compatible with them all).

Check prices of the Mikey: US | UK

Shure MV88

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Shure microphones are exceptional as we all know, and their latest line of Motiv models has given us some quality options. This particular MV88 is made specifically for iOS devices, with some pretty nifty features. You’re getting 24-bit \ 48 kHz audio quality which is very high up there, an all-metal construction, 90-degree hinge to rotate the single mic capsule, and most importantly, their awesome new app called the ShurePlus Motiv App. The app allows you to adjust through DSP modes (this one has five built-in — one for speech, singing, acoustic, loud, and flat) as well as gain and compression control, too.

Read our Shure MV88 review for some more information.

Check price of the MV88: US | UK

Tascam iM2X

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Here’s a Tascam appearance and this particular model is an X-Y build, with a high-quality stereo condenser microphone as seen in some of their popular recorders. Just another option for us to include in here, and we love it because of the price being super low yet still decent in sample rate at 44.1kHz/16bit. This one is particularly great for band practices or concerts because it can handle a high sound pressure level (SPL — up to 125dB). You can rotate the microphone up to 180 degrees, so to store it in your pocket you point them straight up to avoid damage. You can also check on the iM2 models for an even cheaper alternative, albeit less quality and a different mic build (A-B). This thing is solid for the price, hands down. It’s our pick for best budget-friendly iOS microphone.

Check prices of the iM2X: US | UK

Rode i-XYL

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We wanted to give you another option in terms of the Rode XY since it’s such a solid mic. This particular version, with the L attached to the end, is merely a lighting-connector version of the previously mentioned i-XY. It’s a bit more expensive, but as opposed to the 30-pin original version, it may be what you’re looking at. You have the XT configuration for wide recording range, their Rode application to mess with some settings, and the same bundle of accessories (case and wind screen) to boot.

The benefits to a lightning connector pretty much comes down to preference, although there is a slight increase in speed to ultimately decrease your latency. It may be noticable to some, or may not to others, which really comes down to preference. You’re still getting that clear quality of 24-bit/96kHz with this, which combined with the solid build, is why we love the Rode iOS mics.

Check pricing of the i-XYL: US | UK

Zoom iQ7

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We have Zoom’s higher-up model here and for good reason. This particular iQ mic is rated highly because it has a bit of a different twist than we’re used to in this article thus far. It’s a called a condenser “mid-side” mic make, which acts like an XY as in being able to be rotate, but has a bit of a wider pickup. You can also use a three-way switch to select either a 90-degree (center-focused sounds) or 120-degree (wider, such as an entire room). Super cool for concentrating on your particular use of audio capturing.

It’s a bit cheaper than the Rode models, so going with this will also save you a few bucks. You just don’t get the cool case or wind screen, and the audio quality is a bit lower at 48kHz/16bit, but still nothing to complain about. Here’s the iQ product video for a little more info and visualization of the models.

Check prices of the iQ7: US | UK

Apogee MiC 96k

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So this seems like it doesn’t belong her because it literally looks like a real mic, but technically it’s made for iOS devices because of it’s compatibility. Also, don’t think you have to be limited to small little mics to plug in to your devices (this one is actually pretty small compared to popular condenser mics). Here’s 24-bit/96kHz audio quality, up to 40dB of gain, plug-n-play, an LED for status notification, highly durable metal construction, and a control knob for input adjustment.

The mic itself comes with a USB mac cable, the table-top stand shown in the photo, and a mic stand adapter, so you’re good to go right out of the box. It isn’t necessarily a pocket-sized mic liket he others, but it’s relatively easy to travel with. It doesn’t come with a case so just be careful with it if you can. A definite go-to solution for those who want the table-top route, or a more rugged piece of machinery for their smart device.

Check price of the MiC 96k: US | UK

Rode smartLav+

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As we near the end of our article, we get some less popular solutions but still somethings to take into consideration because it may suit your needs. This is actually a super useful microphone. If you’re unfamiliar with lavalier mics, they’re the smaller microphones you see attached to somebody’s shirt during an interview or presentations of sorts. It’s an alternative to hands free mics since it’ll be conveniently near your mouth on a shirt. It connects via 3.5mm, is “omni-directional” (records all direction of sound), comes with a windscreen and clip, and of course their beloved Rode Rec App. What’s cool is this is compatible with all smart phones; not just iOS, so if you or somebody you know happen to have something Android OS, you can switch it or let them borrow. This may be exactly what you’re looking for. If you want even cheaper solution to a lav mic, continue down for number 10.

Check pricing of the smartLav+: US | UK

Movo PM10

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Another “Lav Mic” but super cheap here, and we wanted to give you the option to top off our list. Nothing too special here besides the low cost. Connect it via 3.5mm, comes with a little case, windscreen and clip, and doesn’t require batteries so it’s truly the easiest and cheapest solution to an external microphone that’s a bit better in terms of quality of audio than the stock mechanism of phones and tablets.

Check price of the PM10: US

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Clik here to view.One of our most favorite brands in the market, Blue Microphones, has come out with a brand new small diaphragm condenser microphone for us to enjoy. The biggest facet of Blue mics is probably their overall builds and sound quality — we saw with their Yeti dominate the USB microphone world and for good reason, not to mention their snowball and even Mikey model which made an appearance in our top 10 best iOS microphones article. This particular mic is suited towards pianos, drum overheads and more. Let’s take a look at the Blue Hummingbird Microphone.

Main features\specs of the Blue Hummingbird

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  Clik here to view.180 degree pivoting head
• B1 cardioid condenser capsule
• Comes with: Carry case, mic clip, foam wind-screen
• Frequency response: 20HZ – 20KHZ
• Output Impedance: 50
• Maximum SPL: 130 dB
• Weight: 7.5 ounces
• Dimensions: 6.7” X 1.1” X 1.1”

Overall build and features

It’s a “pencil mic” as you can see by the look, and what that gives us is a bit more of a versatile build it terms of positioning. You can fit in some odd places or get it snug with your current setup. But what’s especially great here is the fact that the head pivots 180 degrees. It’s perfect for those planning on buying a mic as an overhead for some drums (toms, snares), a piano, guitars, or merely any instrument you can think of with rich overtones (I’d even go as far as say you can do some vocals with it if you need an all-in-one). It’s super easy to adjust and doesn’t move around freely — once you find that sweet spot, you’re good to go. It’s super slim and will feel like a hammer in your hand.

The “B1 capsule” that we’re familiar with when it comes to Blue mics says that it’s great for high frequencies, so putting it above that snare (even hi-hats) is picture perfect. In terms of range, it’s relatively standard for condenser capsules: the 20 Hz to 20 kHz will be found in pretty much all popular studio microphones. Therefore, no worrying here in terms of what it’ll pick up or miss out on, you’re quite fine there.

Lastly, when it comes to additional accessories, the carry case (with foam lining) is solid for traveling, and the mic clip as well as foam wind-screen will never hurt. If you’re looking for a few accessories such as these, it makes the package more bang-for-your-buck.

Sound quality

The Blue Hummingbird‘s audio quality as stated previously is especially great for high sound pressure levels, but anything within the range it can pick up will do. Since it handles high SPL, a snare, hi-hat or any other sound that comes from a higher frequency won’t distort (as infamous in a lot of other microphones). This is especially great for performances, since at times we’ve even heard of some popular dynamic mics pop a bit when it came to drums.

In terms of actual audio, you have relatively standard (in terms of semi-pro and professional) quality, which is a good thing in our opinion. You get that touch of warmth all Blue microphones give you. You’re blowing out most sub $200 condenser microphones out of the water, not to mention the USB microphones that don’t even come close. Blue is always coming through in terms of audio quality.

The final word on the Hummingbird microphone

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Clik here to view.All in all, we’re really glad Blue added this model to their repertoire — it’s got a solid build, nice sound quality, and the 180 degree pivoting is great for those who need some versatility and custom positioning for what they’re recording. It’s pretty much good to go for any application, and we’d even go as far as to say vocals are quite fine if you may need to use it for that at one point or another. If you’re only recording vocals, we’d recommend going with a more traditional condenser microphone, particularly with a larger diaphragm, such as their Blue Spark microphone (around the same price point).

We have no complaints about this one, and think it’s perfect for those looking for an overhead microphone for drums, guitar, piano, or any other instrument that you need a high SPL tolerance for. The Blue Hummingbird Condenser Microphone is solid in terms of build and quality, and if it fits your needs, go for it.

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We’re always big geeks when it comes to Zoom Electronics gear, and obviously combined with it being a microphone we just couldn’t say no to a review. In terms of microphones, Zoom likes to make models that are said to be only compatible with their own gear and this is no different. If you own a Zoom H5, H6, or Q8, you’re in luck. You can then record using the superb microphone quality, or if you have a DLSR, attach it on top of that to have one beast of a machine. Although only tailored to a smaller crowd out there, we know there are some Zoom fans like us who wanted some thoughts on the mic before purchasing. Let’s get into the details.

Main features of the Zoom SSH-6 microphone

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  Clik here to view.Compatible with Zoom H6, H5 or Q8 recorders
• Provides focused stereo sound
• Shotgun center section with left\right capsules
• Mid-Side processing
• Comes with hairy windscreen
• Built-in 5-volt preamp
• Analog-style gain control
• Advanced digital signal processing
• Combine direct and ambient sound

Design and features

First and foremost, the SSH-6 is a shotgun microphone. If you’re unfamiliar with what those are exactly, to sum it up, they have an ‘interference tube’ in the front with ‘tighter directionality’ to reduce noise around it. It mostly pertains to recording sound in outdoor settings with a lot of ambient noise, and using a windscreen makes it even better. They’re typically attached to DSLR cameras for video recording (especially great for interviews).

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Clik here to view.This particular model has the shotgun mic make but also adds in some methods for recording on the side of the device. It’s geared towards those who want some ambient noise (which you can control). It also comes with a hairy wind screen, which isn’t necessarily a must; however, it will never hurt if you need it. Their accessories are very well made, so it’s not some cheap add-on just to jack up the price.

Sound quality

As stated previously, not only do you get the shotgun specific sound pickup in the center, but the SSH-6 has bidirectional side capsules to record your left and right as well. The sound quality is going to be a relatively noticeable improvement from the stock sound in your compatible Zoom devices. Since it’s hyper cardioid and combines this said shotgun and bidrectional make, you can get a perfect blend of both direct as well as ambient sounds in one. Depending on your use of course, this could be exactly what you need. If not, you can always adjust the width (both during recording or post production) or maintain the full mono if that’s what you want. The sound quality is very satisfactory.

The verdict on the Zoom SSH-6 shotgun microphone

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Clik here to view.This particular Zoom mic is great for videographers just starting out. The price isn’t too bad considering most shotgun mics are around this price point. The only downside we see is it being only compatible to the H5, H6 or Q8 — it’s a bit limiting for others who may want a shotgun microphone with these specs and don’t have a Zoom recorder, but we all know their liking to make Zoom-only accessories and gear. If you are in fact looking for an external audio solution for your camera, read our 10 best microphones for DSLR video cameras if you want some more info.

The Zoom SSH-6 Shotgun Microphone is perfect if you’ll be outdoors, plan on interviewing, or have any other use for a shotgun mic that will allow you to record some ambient noise as well. It’s more of a “why not?” if that’s your use.

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First and foremost, and although it really depends on which camera you have, most of the DSLR video cameras come with decent sound quality. It’s bearable, a lot better than smart device mics, and not too noticeable to the outside world if you’re merely making some YouTube videos and what not. However, if you want to take your audio quality game to the next level, there are numerous solutions out there for your DSLR video camera. Although the most popular among the DSLR world are shotgun mics that sit atop the camera itself, which type of microphone really depends on your needs. These include planned use, budget, and more. Let’s take a look at the top 10 best mics for DSLR video cameras.

Benefits of an external mic for your camera

We’re sure you’re aware of the benefits you’ll receive when grabbing an external mic for your video camera, but to review, the main reason is the improved audio quality. DSLR cameras really changed the game once they began allowing video to be implemented in the units, and now that they’re accessible to a wide variety of individuals who can shoot videos whenever or wherever they’d like, video quality isn’t much of a worry anymore. You can grab a $300 DSLR camera and produce videos with 1080p quality that rivals with most heavy hitters on the internet. But what about the audio quality?

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The microphones built-in to DSLR video cameras are just…”okay”.

Even though DSLR video cameras come with relatively OK audio quality, sometimes it just won’t cut it. The preamps built-in aren’t professional at all and sometimes there are pre-determined settings for gain that don’t allow for a custom sound. We’ve heard of people even using their phone’s recording app to capture audio quality in certain environments due to the distance and pickup range of DSLR camera built-in microphones. This is actually more common than we’d assume. For example, for YouTube videos in a smaller room, our video marketer preferred her iPhone audio quality over a cheap lavalier or even the DSLR camera mic since it was about 10 ft. away from her and wasn’t as clear as she’d like. It all depends on your preferences, but in the end, grabbing an external mic for your video camera is never going to hurt. This guide to DSLR audio by B&H Photo is great.

How to choose your DSLR camera microphone

• Your budget. These microphones aren’t too expensive, although there is a rather decent variety of price points. Some range from $50 while others go up to $300 or more. How much cash do you have saved up?
• Which type of microphone do you need?
  • Shotgun: These are by far the most popular types of mics for DSLR cameras and for good reason. They’re effective for pretty much any use out there to be honest, and that’s why they’re so popular. We include about half of our 10 as shotgun mics in this article for that reason. You can use them on top of your camera or with a boom pole.
  • Lavalier: Called “lav mics” for shorts, these are cool for product video reviews, interviews, instructors, or broadcasting. It’s the mic you see clipped onto clothing near the individual’s mouth. They are better for environments that are controlled with little to no ambient noise. Since they’re so close to the source, you don’t get as much room sound. They’re also discrete and are rarely noticed (all talk shows use lav mics). There are wired or wireless systems available, although the systems can add up in price (but if you need less hassle, well worth the money). Check out our best lavalier microphones article for some more models focused on this category.
  • Handheld: Some people prefer a real microphone in their hand, depending on the use. Handheld mics are popular with journalists since they’re rugged and don’t need to be powered up. They frequency ranges aren’t necessarily as wide, but this can be a plus since many of us doing interviews or other broadcast work don’t necessarily need extra-sensitivity but merely what’s in front of us with no background noise. You’ll have to buy a few more accessories if this is the route you’ll want, which we expand upon further into this article.
  • Headsets: These are the most preferred, at least in our opinion, for videographers going to trade shows or other environments that will be noisy with a lot of ambient sound. Headsets are great for interviewing people in loud conditions as it’ll isolate their voice and block out the rest. Otherwise, headsets aren’t recommended.
• Additional accessories you want. Do you need a wind screen? Pop filter? Even a stand or tripod? Some come with a few decent accessories in the box, while others just the mic itself, entailing you to shop a bit more for other pieces of gear to accompany the setup. Keep that in mind.

The top 10 best microphones for DSLR video cameras

The following is our list of researched microphones for DSLR video cameras. As stated previously, half of them are shotgun mics as they are preferred among the majority of videographers. We also gave you some other options later down the list. Let us know what you think in the comments or which model you ended up going with!

Rode VideoMic Pro

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Clik here to view.Here’s one of the most popular microphones for DSLR cameras in the market. Although, Rode is basically everywhere when it comes to making mics and for good reason. The VideoMic Pro offers a high quality shotgun condenser microphone, is ultra compact (150mm long) so it won’t be wobbly on your camera, lightweight at 85 grams, battery-powered (you get about 70 hours of use with a 9 volt), includes integrated shock mounting and a built-in foam windscreen. It is hooked up via 3.5mm stereo mini-jack and offers some level and filter controls on the back of the mic. In terms of sound quality, you’re basically getting a pro condenser mic paired up with a pro-quality (hopefully for your model) DSLR video camera. We recommend this model if you’re recording dialogue or directional applications, otherwise for other uses such as live music, scroll down to their other model we speak about. The Rode VideoMic Pro really isn’t lacking anything, but is more of a question of if it’s within your price range. If you can afford it, it’s our pick for the best microphone for your video camera. It’s an upgraded version of their original VideoMic.

Sennheiser MKE 400

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Clik here to view.We’ve known Sennheiser typically for the headphones, but this particular shotgun mic is the rival to the VideoMic Pro. They’re around the same price point (depending on which website you check), although this model is slightly longer so if you’re looking at recording a more precise source of sound, this one may be better. However, we’d still go with the Rode as we’re bigger fans of their build. To take this model into consideration, it has all-metal housing, side noise rejection (as all shotgun mics do), a wind noise filter, 300 hours of operating time (a lot more than the Rode and takes a AAA battery), and a built-in shock mount. Another plus of this that the Rode doesn’t have is switchable sensitivity for short\long distances, so that could steer you towards this model instead. Either way, grabbing the Sennheiser MKE 400 won’t be a bad decision, as it comes super close to our previous pick in terms of being one of the best mics out there for DSLR video cameras.

Azden SMX-10

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Clik here to view.The name Azden may not ring a bell for a lot of people, but this particular model was highly rated around the market so we had to include it 3rd. It’s nearly half the price of the previous two models listed (depending on the site you check), so if you’re looking to save some cash this may be the route to go. The SMX-10 offers a wide frequency response with pretty clear audio quality, a low-cut frequency filter, 1000 hours of battery life (AAA battery) which is plenty especially if you’re traveling, and comes with a shock mount and windscreen like the others. A pretty “standard” microphone for a DSLR video camera, with “standard” meaning compared to mics that are a lot better than the built-in mechanisms in the video cams. Grab the Azden SMX-10 if you want a budget-friendly, decent quality mic for your DSLR.

Rode Stereo VideoMic

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Clik here to view.This thing is awesome, and although slightly more expensive than their previous model listed, may be worth the cash if you have it. This is particularly for recording environmental\ambient sounds and live music, otherwise if you’re looking to record dialogue or applications that rely on direction, go with our original VideoMic Pro recommendation. It includes two high-res 1/2″ capsules (condenser) in the unit with an X/Y make for a natural sound. It’s going to give you rear-noise rejection so keep that in mind. As like the others, you get a built-in shock system but also a high-pass filter at 80Hz if you want (it’ll cut out low-end stuff like traffic, etc). The build quality is great and it sits atop your camera perfectly with no fuss at all. It’s been said to have a great capture field and outside noise rejection. Its one of the best. The Rode Stereo VideoMic is superb if you’re looking to use it for the recommended applications.

Audio-Technica ATR-3350

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Clik here to view.Now we start to get into the lavalier mics. This Audio-Technica model is one of the most highly rated out there, albeit for it’s price point. It’s very affordable, so if you need a budget-friendly solution this is it. It’s omnidirectional and has a low-profile design for decreased visibility. Although recommended for instructors to project their voices aloud, it can be useful for interviews and other applications which you need a mic to be close to the sound source. Has a frequency range of 50 – 18,000 Hz and weight only 6 grams. Read the reviews yourself, and although pretty cheap, the Audio-Technica ATR3350 is worth it if it’s what you need.

Sennheiser EW 100 ENG G3-A

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Clik here to view.This thing is awesome. It’s one of the best wireless solutions for DSLR video cameras. In order for this to work, you need a “kit”, and although it gets costly, can be worth it if you have the cash and absolutely need wireless. The plug-on transmitter makes any XLR connected mic wireless by plugging in the unit. The transmitters stay with the individual who is doing the audio and the other with the camera. In terms of the quality of the device itself it’s relatively interference-free, an illuminated graphics display to see what you’re doing, nice little menu inside of it, great audio quality, and battery indication. Since it’s a transmitter\receiver, you’ll need to figure out the frequency you’ll need to use which will take some testing to make sure you don’t interfere with some radio stations out there. Check the Sennheiser EW 100 ENG out if you want a wireless lav mic!

Tascam TM-2X

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Clik here to view.Here’s a cool twist to adding some external audio to your video camera. This particular model is actually pretty affordable and offers an X-Y stereo pattern that’s used in their beloved Tascam DR-series of recorders. This particular mic make is recommended for a wide area of recording but make sure you keep the sound source in front of you. The benefits of two mics helps create a stereo image to add to your audio quality depth.What’s also neat is that it draws power from your video camera, so you won’t need any additional batteries or power supplies. You can also adjust each mic capsule if you want to mess around with the direction of them. They’re on a shock mount so that helps with unwanted noise if you move around. The Tascam TM-2X microphone is a highly attractive option for those who are interested.

Shure VP64A

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Clik here to view.Now we kick off the few handheld mics recommended for those into journalism and other uses that pertain low-sensitivity and range uses. We’re huge fans of Shure mics as we’re all aware of their reputation in the game. The VP64A is great since it’s relatively budget-friendly. It’s more attuned for speech, being that it has a better frequency for the upper mid-range that’s perfect for adding clarity and preciseness to the human voice. A few other standout features include a water-proof mesh grille, a supplied windscreen, and an overall rugged build for those who travel. The Shure VP64A is perfect for reporters and those who want speech-tailored frequency ranges.

To use this or other handheld microphones with your camera, it gets somewhat tricky. You’ll need an adapter or adapter cable to allow the XLR connectivity to work with your DSLR. For cables, we recommend the Sescom SES-TR-153, but just know that it doesn’t supply phantom power for condenser mics, but will work with this handheld and the next model for allowing you to plug it into via 3.5mm jack of your DSLR camera. The BeachTek DXA-2T on the other hand is an adapter that can supply power, some monitoring and XLR conversion if you’d rather not rely on your camera’s gain and built-in preamps.

Audio-Technica AT8004

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Clik here to view.Here’s the other most popular handheld mic for video cameras. As we’ve stated before, we’re huge fans of Audio-Technica products (we’re even wearing their ATH-M50x at the moment as we write this). The AT8004 is around the same price point as the Shure previously spoken about, so we’d check to see which is cheaper at the moment and grab either one. This particular model has internal shock mounting, steel grille, and is omnidirectional like the other. Unfortunately it doesn’t come with the mic stand shown in the photo. Not much different to be honest, so again, check the price of the Audio-Technica AT8004 and if it’s cheaper than the Shure at the present moment, we’d say grab it instead. Just know you’ll need to buy either that cable or interface we were speaking about.

Zoom SSH-6

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Clik here to view.Although this is another shotgun microphone, we put it last for a reason. First and foremost, you’ll need a Zoom recorder (H6, H5 or Q8) to make it work with your DSLR properly; however, if you do have one, the audio quality is extremely crystal clear! If you do have some cash and are looking to buy a recorder at the same time, this could also be something worth looking at. It features both the traditional focused center section of a shotgun microphone as well as two capsules on the sides to provide a great overall recording range. The built-in preamp (5 volts of power) is a lot better than the built-in DSLR amps and it provides us with some advanced digital signal processing (Zoom is famous for their niche in the audio and video recording market, if you weren’t aware). It also comes with a nice hairy windscreen that never hurts. It’s great for outdoor environments with a lot of ambient noise, but wouldn’t not work inside as well. Also keep in mind that you’ll have the recorder as a separate device recording the audio, so you’ll have to sync it in post-production (isn’t necessarily a bad thing, just an extra step). Check out the Zoom SSH-6 mic for pricing and user reviews. You can also read our Zoom SSH-6 shotgun microphone review for some more information if it is peaking your curiosity.

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As obsessed as we are with all types of microphones, whether it’s their shape, size or overall build , there’s nothing quite like a lavalier microphone. It’s their convenience, small size, discrete fit on a person and the overall quality they can provide our recordings is what makes them special. For those who have not seen one as of now, you have probably noticed those small clip-on mics seen most commonly during newscasts, sports anchors and more. Although they’re recommended for those types of recordings, there are many other applications lav mics can be useful for. Today we review the top 10 best lavalier microphones in the market.

The benefits of a lavalier microphone

So what is a lavalier microphone? In short, most people call it a lav mic (some even called it a “lapel mic”). They’re dynamic microphones, so they’re more versatile and better suited for general-purpose use. To get to the actual definition of what “lavalier” means, it used to refer to (and still does) a piece of jewelry in pendant form found around the neck. So what you’re getting is a microphone that’s small in size, fits neatly near the neck of the speaker, and clips freely to their piece of clothing allowing for one of the most hassle-free techniques of projecting an audio source through a speaker. We’re talking convenience here.

This particular make of microphone is best used with the following applications: Television, theater, public speaking, newscasters, sports anchors, interviews, product reviews, and more. We wouldn’t get discouraged if none of these were your preferred use. If you need a smaller microphone that’s discrete in nature, we’d grab a lav mic.

How to choose your lavalier microphone

• Your budget. One great thing about lav mics is that they’re pretty dang cheap! There isn’t much of a wide range in price; however, if you do decide to go a bit higher in price, you’ll see a big increase in quality. We recommend going with a higher-priced model because of this. Although if you’re on a budget, it won’t hurt to grab a cheap one in that case.
• Do you want wired or wireless? There’s a significantly large jump in price if you’re going to want a wireless lavalier system. Although we provide a few options with these, we focus mainly on wired in this article.

The top 10 best lavalier microphones

The following is our list of the top 10 best lavalier microphones in the market. We researched through numerous reviews, ratings and more to compile a list that provides numerous options that pertain to different needs. Let us know in the comments if you have any questions or concerns.

Rode smartLav+

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As we always mention a Rode microphone in our posts, this is one of the best lavalier mics we’ve come across. It’s a bit more expensive than the dinky budget-friendly models (we’re talking under $10 at a local electronics store) but for good reason. a build that’s a lot better quality than most (as always with Rode) and a high-quality omni-directional condenser capsule (for an equal distribution and pickup). What’s also great is the foam pop shield that comes with the package to help with wind as well as those pesky b, t, and p pops we sometimes get when recording up-close to a human. Next we have an audio app by Rode (if you’re even using it with a smart device), which pairs up to the mic and supplies us with a nifty recorder and some presets along with it. The Rode SmartLav+ is in our opinion the best lavalier microphone out there, as it’s a lot better quality than most in terms of build, sound quality and overall use. If you want the best, save up the cash for this and you’re good to go.

Audio-Technica ATR-3350

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If you’re looking for a more budget-friendly model as opposed to the previous Rode lav listed, this is our pick. It’s a little more than half the price if you’re comparing, and although it doesn’t provide as good of sound quality, it’s highly popular among the net in terms of positive ratings and reviews. It has a pretty high-quality condenser capsule built-in, an omni pickup pattern, and also comes with a clip, foam windscreen and LR44 battery. The Audio-Technica logo should give you confidence when it comes to longevity, as they are always coming out with products that have super solid builds that will last you for quite some time if you take care of your gear. Grab the Audio-Technica ATR3350 if you want a lav mic that’s lower in price but can still provide decent sound quality (the quality depends a lot on what device you’re recording to in terms of their preamps and what not, anyways). It made our best microphones for DSLR cameras for a reason.

Sony ECMCS3

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Here’s another option that’s a bit more budget-friendly and is in fact just a few bucks cheaper than the previous Audio-Technica model listed. It’s an electret condenser microphone (so it’s just a different make than the others, still good however), omni-directional sensitivity, and has quite a solid build. This one is great in terms of sensitivity and overall pickup, so be sure to keep it relatively far from the person (around the chest is recommended). I’ve heard of people using it with a portable audio recorder and merely syncing the audio in post-production. This would give you a wireless solution and at the same time keep it pretty affordable. Grab the Sony ECMCS3 if you want a budget-friendly lav mic that’ll last you quite some time.

Sennheiser EW 100 ENG G3-A

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This is quite the jump in terms of price points with this article, but we wanted to introduce at least a few wireless lav mics if that’s what you were looking for. If you have the cash and really need a wireless solution for recording, this is by far one of the best wireless lav systems out there. You get two receivers, a transforming converter (for XLR mics), and of course a lav mic included (clip-on). It’s recommended for those who are more advanced and may use an XLR mic at some point. It has a very nice build, communicates with the receivers via AF frequency and a nice graphic display. Although for semi-pros to pros, the EW 100 ENG G3-A is something worth looking at if you want to go big or go home.

Audio-Technica PRO 70

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Here’s a high-end lav mic system that’s more geared towards musicians. It’s reportedly best for vocal and acoustic guitar applications because it comes with a switchable low-frequency roll-off that’s perfect for the use. It can operate via battery or phantom power and the cardioid pickup pattern is best for recording the sides and rear. Considered to be a semi-pro lavalier mic, it’s not quite the previous model’s price but is a lot more than normal lav mics. Again, an Audio-Technica brand logo gives us confidence in the stability and longevity of the mic, so if it’s down your alley we recommend looking at the Audio-Technica PRO 70 microphone.

Neewer 3.5mm

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Now this is one of the cheapest microphones out there. When we mean cheap, we mean (typically) under $10 for three of them! It’s so cheap that if you buy one on Amazon it’s an add-on item. It’s small and compact, connects via 3.5 mm, the length is about 100 centimeters, and it’s only available in black. We wanted this in here for the option in case you’re looking for a super simple solution to a lapel mic. Grab the Neewer 3.5 mm mic if you’re looking for the cheapest out there, or if you need to buy in bulk.

Pyle Pro PDWM96

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Here’s a bit of a different spin for wireless lav mics. It’s extremely affordable and is a nice solution for those looking for a wireless mike while saving some cash. It’s not nearly as crazy as the Sennheiser previously listed, b ut it gets the job done for low-cost setups. You get a bodypack transmitter with a clip-on lav mic, batteries included, a range of up to 60 ft. and volume control on the transmitter. Grab the Pyle Pro PDWM96 microphone if you want an easy wireless answer. We’re pretty baffled it’s so cheap (but remember you’re getting what you pay for).

Sennheiser ME 2

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This is another jump in price but with the Sennheiser logo, we’re confident in the overall build and quality this provides. A wide frequency range at 30 to 20kHz and condenser capsule is what gets the price up there. Omni-directional pick-up pattern to finish off the specs list, just an ordinary lapel mic here but a lot better quality than the cheaper models previously listed. The Sennheiser ME 2 lav mic is worth looking at. It’s what the previous wireless Sennheiser system actually comes with, but sold separately without the converter\transmitters.

Azden EX-503

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We have another omni-directional electret condenser lav mic with an OK response of 30 to 18 kHz. What’s cool is the attachable windscreen that comes along with it. Decent sound quality, seamless clipping and a long-enough cable for pretty much all applications regardless of where you’ll place it. A bit of a step up as compared to the Neewer model previously spoken about that was super budget-friendly. Azden mics are pretty solid so it’s worth taking a look at the EX-503 lavalier microphone if you want a decent solution above the Neewer.

Movo WMIC50

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Last but not least we have another wireless lav mic system that’s slightly more expensive than the Pyle Audio model before. This is a solid one because you get 164 feet of range (that’s pretty long if you think about it), comes with a belt clip, two transmitters, a camera show, a lav mic and 2 earphones. A nice package deal here, and the frequency band of 2.4Ghz is relatively decent. The only con we’d say here is the batteries last only 3.5 to 4 hours, which isn’t long especially if you’ll be in the field all day. It would be fine you were to bring some replacement batteries, however. Look at the MOVO WMIC50 for a decent wireless option that comes with a convenient package.

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Clik here to view.Call us unaware, but this is the first time we’ve seen a wireless microphone that uses USB connectivity (at least worth looking at). One of our favorite brands over at Samson Tech has recently released this, so we wanted to give it a review to see exactly what it was about. The reason they call it ‘stage’ is because it’s a handheld microphone that can operate wirelessly up to 100 meters away. Although that’s awesome for performances, we still love this as a multi-use mic for studios, computers with gaming and pocasts, and more. Let’s analyze the specs of the Samson Stage X1U Microphone.

Main features and specs of the Samson Stage X1U

• Digital handheld microphone
• Operates via USB
• Comes with USB receiver to communicate with mic
• Compatible with Mac, PC or iPad
• 100′ wireless range
• 1-touch mute button\volume controls on unit
• 8 hours battery life from two AA batteries (not included!)
• Dimensions (boxed – HxWxD): 11.5″ x 6.25″ x 3″

Design and features

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Clik here to view.This is one of the first of its kind and we’re definitely predicting a new trend that will follow here. Wireless USB mics using a USB transmitter to communicate with the microphone itself will be the new standard for USB mics once we’re able to get around some of the quality issues we’re still having. Not that this particular model is ‘low-quality’, but the range will probably fall short for you as opposed to their 100′ claim.

You’ll also get a 1-touch mute button on the mic itself, as well as volume controls for some easy access to adjust your sound. Lastly, if you’re actually planning on use this as a desk mic, it comes with a nice little tripod stand and mic clip to keep it snug wherever you want to fit it.

Overall build and stability

The overall stability of the microphone is relatively decent. When we’re talking Samson products, we aren’t getting anything too cheap as far as knockoffs go. They’re well-known for their affordable, average built electronics and gear. It isn’t necessarily a steel Shure make or anything, but if you check the price tag, it makes sense and is worth what you’re paying for.

In terms of recommend applications of the X1U mic, Samson has stated it’s best for lectures, presentations, karaoke, podcasts, video conferencing and more. However, we see it working for any other types of use in the office or any low-budget performance\show which calls for an easy wireless solution. We really wouldn’t recommend using it for a real performance on-stage in front of an audience as it isn’t as reliable as some of the heavy hitting wireless mic models out there. The fact that it’s a smaller USB transmitter tells us it’s not worth trusting as opposed to a real transmitter — although it may work, it’s just not worth the risk. If you’re looking for a cheaper recording mic it could work as well, although we’d recommend just getting a wired USB microphone because a wireless model isn’t necessarily a must for that (and wired models are more trustworthy in the studio).

Audio quality

We’re quite satisfied with what the norm has become in terms of audio quality for microphones nowadays. The Stage X1U in particular has quite feasible audio quality, albeit rather standard if you’re comparing it to other USB microphones in the market. It doesn’t come near the warmth or overall power provided by XLR-connected studio condenser microphones; however, for the recommend applications, this mic gets the job done (we didn’t expect it to, considering how expensive those pro mics are). It won’t be bad nor amazingly great — you’re getting a mic that will go unnoticed in terms of quality, which is ultimately a positive because that’s something people don’t think about during lectures, presentations or podcasts.

If you want it to work with your iPad, you’ll need the Apple iPad Camera Connection Kit (30-pin) which will cost a few extra bucks. However, once you’ve got this, you’re good to go with a nice wireless setup for your smart device. No complaints there.

The verdict on the Samson Stage X1U Microphone

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The tripod stand, mic clip and USB transmitter.

You’ve got a simple, not over-the-top wireless microphone (in terms of additive features to jack up the price) for your home office or simple presentation. Using a not as common USB transmitter, it’s super convenient not only for traveling but fitting it into your existing setup nicely. The tripod it comes with is excellent for keeping it snug on your desk, and if you need to use it while standing or moving around, the handheld build is perfect for any lecture or presentation. As stated previously, it isn’t a professional performance mic or recording XLR model, but you probably already knew that.

All in all, the Samson Stage X1U Wireless Microphone is an awesome digital mic that will satisfy your simple needs. If it’s what you’re looking for, we wouldn’t hesitate to grab it.

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If you’re a drummer, you may be aware that miking up your set can be a bit tedious at times. There are different types of mics depending on which head you want to capture, and the kind you need really depends on the frequency which drum is going to give off. Whether you’re recording in the studio or performing live, the kick drum in particular needs a special type of mic. Kicks give off the lowest frequency of the set, so you’re going to want a special build of microphone that can capture those lower waves of sound you’re attempting to convey to your listeners. We researched through the popular models and review the top choices for the best kick drum mics in the market. Let’s get into the details.

The benefits of a mic for your kick drum

You could always just use any plain old condenser or dynamic microphone for your kick drum — it’s not that it won’t work. However, if you’re like us when it comes to mic set ups, using the exact proper gear and technique is crucial when attempting to take a step above other musicians (and drummers, more specifically here). In our opinion, the way you mix, record or set up your performance is almost as important as making the music itself (don’t quote us on that). You can have an amazing song\set, and if the mic set up isn’t optimal or just flat out ineffective, it won’t be conveyed to your listeners correctly and can tarnish your beautiful sound.

When it comes to actually getting a mic to be setup with your kick, it does get a bit tricky, but it is quite possible. There are a few ways to do so, such as inside of your kick, outside with a mount, or multiple mics. We like this How to Mic a Bass Drum article for some more information on that.

How to choose your kick drum microphone

• Your budget – Here’s our given, however it’s always a must when it comes to a shopping checklist. There are some mics that cost around a Benjamin, however others that are cheaper if you’re on a budget. The higher you go, the better the quality, of course. Luckily, drum kick mics aren’t too hefty when it comes to price tags.
• Check the specs – Make sure the mic you are looking at can handle a high SPL (Sound Pressure Level) due to the kick drum being quite powerful (especially if you love to stomp on it). Also, double-check the frequency range being low enough to handle the lower-end of the spectrum that kicks are basically responsible for in the entire song.  You’re going to want to look for an SPL that goes up to at least 120 dB (we made sure all of these did, and of course, the brands should as well since they’re making a kick drum mic), and a frequency as low as 40 Hz.
• Do you need more than one mic? Some like two mics for their kicks, and others just one. We also put this here because you may be looking to mic up your entire drum set — if that’s the case, #5 has your name on it.
• Brand preference. Well, if you’re a snob like us, this does factor in at least a little. We love Shure, AKG, and more, but there are some other less-known brands you might want to take into consideration due to their price points and overall quality.

The best kick drum mics in the market

Below is our list of the best kick drum microphones in the market. We made sure to choose a mic from each budget range for some options. To top off the list, we list our favorite mic kit that gives you more than one solution if you want your entire setup to be recorded\projected. Let us know if you need more help in the comments!

Shure BETA 52A

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Not that we let the entire factor brand name cloud our minds, but in our experience, you can never, ever go wrong with a Shure mic. The BETA 52A is well-known around the mic industry for being one of the best kick drum mics in the market. It has a built-in dynamic locking stand adapter to be able to sit snug right near your kick, a solid build in terms of material (steel mesh grille for long-lasting performance), and a great shock system within the mic itself. The supercardioid polar pattern is superb for sound isolation and high gain before feedback. There’s nothing quite wrong with this one and the user reviews also back this up. We’d grab this one in a heart beat, although the only thing that may steer you away is the price. The Shure Beta 52A is one of the best.

Nady DM-90

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If you’re looking for a high quality mic that’s relatively cheaper than the Shure, look no further. The Nady name is also familiar to some, and although this isn’t really near the realm of the 52A, it can get the job done. It can handle the high SPL of the kick quite well, comes with an internal shock mount and has a solid, rugged body. It also has a supercardioid pattern with a large diaphragm, so in terms of specs it doesn’t differ much from the Shure. We wouldn’t steer away from it, although we always recommend saving up the cash to grab one of the best. The Nady DM-90 will also get the job done and save you some cash while you’re at it.

AKG D 112 MKII

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AKG makes their appearance now and for good reason with this model. This is an upgrade from their original D 112 kick drum mic and it’s brand new for this year so we’re getting some freshness along with the package. Along with the secure AKG brand name, the model gives us a very high SPL handle (up to 160 dB — although there isn’t an exact science with measuring the exact SPL for a kick drum, it’s rumored to be around 120 or a bit higher), a nice punch to the sound as well as a super solid build. You can also easily mount it and we love the aesthetics of the mic (if you think looks matter, that is!). Grab the AKG D112 MKII while it’s new and fresh — it’s on the higher end (a bit cheaper than the Shure, too).

Electro-Voice PL33

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Here’s another solid option to compare at #4 of our drum kick mic list. It’s a supercardioid mic like the others, and it offers a pretty splendidly built neodymium magnet structure along with a high-profile mesh build. The peak is what’s been said to attractive about this one, getting it at around 60-80 Hz, but you can always EQ it to pertain to your needs (really depends on the type of music you play). No distortion, clean sound, solid build, an OK price — what more could you ask for? Look at the Electro-Voice PL33 Microphone if you want something solid and in the middle price point.

Pyle-Pro PDKM7

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Last but not least, here’s a bit of a twist to our article — this model comes with seven mics — and it’s for your entire drum kit. Why would you need all of those dang mics? Well, at times we shop for bulk (concerts, you run a church sound project, etc), so if you’re looking for more than just a kick drum, this is the package we recommend since it’s reviewed so highly. Here’s everything in the package: One kick drum mic, four small drum mics (for toms and snare), two shotgun-type of condenser mics (for cymbals, pianos and vocals), and various mounts for each mic. The only thing you’re missing are the stands, but other than that, you’re good to go right out of the box with this one. The Pyle-Pro PDKM7 mic kit is awesome if you want to equip your entire set up at once — it’s super affordable, too. In terms of the condenser mic for vocals, it isn’t a pro-quality one, but can get the job done for home studio recording or small performances. Otherwise we’d recommend grabbing a popular condenser mic instead. If you want a mic stand to go with them, we recommend the Samson MK-10.

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The power of podcasting is a beautiful thing. Nowadays with technology, just about everybody with a decent computer and solid internet connection can start up their own podcast, connecting with potentially hundreds, thousands or millions of people at a time. I remember fantasizing how it would be to run my own radio station as a kid while I sat in the back of the car while my dad listened to funny talk radio. Being able to share my opinion or passion on a particular topic to a large amount of people sounded extremely attractive and fun to me. Today, it’s easier than being hired my radio station. Let’s get you started with the best microphones for podcasting in the market today.

How to choose your microphone for podcasting

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  Clik here to view.Your budget – This is the most important factor when it comes to deciding which mic you need for podcasting. Fortunately, microphones are becoming more and more affordable. You see some for under $100, while others go higher (but obviously provide better quality and stability). We made sure to grab a few mics from each price point to give you some options.
• Connectivity – USB or XLR? There’s even 3.5 mm microphones that are super cheap if you need a quick option. We actually don’t include those in this article, but if you are interested, go by your local electronics store and grab one for cheap.
• What type device do you use? A large percentage of podcasters are on a computer or laptop, but as the trend continues to grow, more individuals are equipped with a smart device. If you are one of these iOS lovers, check out our best microphone for iOS devices to podcast with. Otherwise, keep reading.
• Additional accessories – You may need a mic stand, popper stopper, shock mount, or even a computer to accommodate your microphone to start your podcast. Some packages come with a lot of these, so we made sure to note when applicable to save you some money.

If you’re looking for some information about actually starting your own, we love this article: How to Start a Podcast.

Our picks for the 10 best podcast microphones

Below is our compiled list of the top 10 best microphones for podcasting in the market today. We made sure to include both budget-friendly and professional models within most price points, as well as a few other options when it comes to connectivity or packages. Let us know in the comments if you have any questions!

Blue Microphones Yeti

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Here’s one of the most popular USB microphones you’ll see in the market and for good reason. We think it’ll be dominating the niche for quite a few more years until something really comes along to compete with it in terms of overall quality, build as well as look of it. With the Yeti, Blue Microphones gives us You can choose between four different capsule modes (stereo, cardioid, omnidirectional, or bidrectional), which for podcasting cardiioid is recommended;however, if let’s say you have a guest, you can choose to omnidirectional to have it pickup from both the front and the back, etc. Next it gives us a headphone jack within the mic itself, a USB port, an easy tilt mechanism to adjust it in front of you, and ultimately gives you semi-pro audio quality.

If you can afford it and want a USB mic for your desktop or laptop computer, we wouldn’t even recommend reading on but stopping here and grabbing the Blue Yeti USB Microphone. It’s one of the best. Wired’s Blue Yeti review rated it very highly. Also check out the Yeti Pro if you want an upgrade that’ll cost a few more bucks.

Rode Podcaster

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Well, this one has the word “podcaster” in it, so you know it’s tailor-made for our particular use. Not to mention it’s a Rode microphone, which is one of our favorite brands out there. This model features USB connectivity, a decent sized capsule at 28mm, very solid build, on-body volume control, some internal shock mounting and decent audio quality at 18-bit\48kHz audio (pretty standard for this price point). The headphone out on the mic also helps with convenience, and if you can get this mounted near your screen you’re good to go, not to mention it just looks super slick. The picture shows what it comes with, so if ou want a stand or shock mount you’ll have to buy those separately. If you want to take a small step up as compared to the Yeti, grab the Rode Podcaster USB Microphone.

CAD U37

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Here’s one of our favorite budget-friendly mics for podcasts. It’s well under the hundred-dollar mark, so if you’re looking to save some cash yet still provide a decent quality podcast, this is the mic to take a look at. The U37 brings us a large condenser microphone build with a relatively warm sound to it. The cardioid pickup pattern it has is great for isolating sounds around the source that is in front of it. You get a “bass reduction” switch for an additive (not necessarily a need), but our favorite part is the little desktop stand that comes with it. Right out of the box you can plug it into your PC or Mac via USB and you’re good to go. We’ve linked you to the search results because there are some awesome bundles that give you other accessories you may need to save you some money, so be sure to check out those out. All in all, the CAD U37 USB Microphone is perfect for those looking for a cheaper alternative to running a podcast.

Audio-Technica AT2020USB

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If you haven’t heard of Audio-Technica audio gear, it’s time you do. They’re becoming heavy hitters in the headphone game and although have been when it comes to microphones as well, still remain a bit in the shadows when it comes to USB mics or the mainstream market. The AT2020USB is rated extremely positively, specifically for it’s extremely durable build of high-quality material, condenser mic make, wide frequency response and overall audio quality. The sample rate of audio is 16-bit/44 kHz, so it’s coming in right next to the Rode if you want to compare the exact specifications. We’d grab this if you’re an A-T fan like us and want a microphone that’s hiking up there in terms of overall quality. The Audio-Technica AT2020USB microphone is awesome.

Samson Meteor

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Here’s a podcast mic many users compare to the Blue Yeti we listed first. However, it’s a bit cheaper in terms of price and although the quality is up there, it’s just a bit of a step down. We recommend it if you don’t want to spend as much for the Yeti yet want something in the middle. You have a little built-in desk stand (with rubber feet) so it’s more recommended for home\office podcast environments. There’s a headphone out and USB port in the back as well as a headphone volume or mic mute switch which is super convenient. The Samson Meteor USB microphone is a solid option as well.

Rode NT-USB

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Here’s another Rode mic that we absolutely adore. We’re still within the USB microphones in our list here, so keep that mind until a few more down below. With this model, a big plus is the app that comes along with it. If you’re using an iOS device, this could be a big plus for you (you’ll need a connection kit for it). With it, you can EQ your tracks, tweak some FX and more. You’re also getting a headphone monitor jack, level and mix control, a pop shield, desktop stand, zip case and USB cable (20″ — pretty long) included. In terms of overall package and value, the Rode NT-USB microphone is one of the best out there. It’s just a bit pricier than the others, but for good reason of course.

Samson Go Mic

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This gives the CAD u37 a run for it’s money when it comes to a budget-friendly microphone for podcasting — it’s just a tad bit more expensive. However, it’s our top pick for those who podcast and travel, since it’s quite small in size and folds into a carry case for convenience. It’s almost the size of a wallet, so it can probably fit in your pocket (or laptop case for that matter). In terms of sound quality, you’re getting 16-bit, 44.1 kHz, which is just as much as many mics twice the price. That’s a bit better than CD audio quality. In terms of a versatile mic for podcasting, the Samson Go Mic is one of the best, especially if you’re on-the-go (hence the name, we’ll see ourselves out…).

Blue Spark

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Now we’re getting into the microphone beasts. This is a studio-quality condenser microphone that’s so powerful you’re going to need an external source of power to use it. If you’re extremely serious about your podcasting, this will give you some of the best sound quality out there, especially if you pair it up with an audio interface to be able to adjust the gain, FX, and more. You can also go with a simple phantom power supply for cheap, but an audio interface gives you a lot more versatility. Anyways, the Spark also comes with a wood box, custom shock mount as well as pop filter, you’ll just need a stand for it. If you grab the Blue Spark Condenser Mic, you’re going big.

RODE NT1-A

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Here’s another one of our top favorite professional-quality condenser mics that will also need an audio interface and external power source. This model is quite famous around the mic realm, and for great reason, ours being the warmth it provides for recordings and broadcasts. It’s a tad bit more expensive than the Spark, but the overall build, sound and ultimately reputation makes this one of our favorite mics ever. Even though it’s made specifically for recording vocals and instruments for music, using this for a podcast would put you up there and take any “quality” concerns out of the picture. Take a look at the Rode NT1-A Microphone, it’s one we’ve loved for a very long time.

Focusrite Scarlett Studio Pack

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Remember when we were explaining the need for an external source of power for some microphones? Well, this is a bundle that has pretty much everything (and probably more) you need to get started with a podcast. Here’s what’s in the box: headphones, a microphone (condenser large diaphragm), audio interface (for power, of course), a mic cable, boom stand, pop filter and some plug-ins for extra pizazz. When you get this package at your door, you’re set to start that podcast up immediately. Take a look at the Focusrite Scarlett Studio Pack if you don’t want to bother with all of the extra purchasing and planning and are eager to start.

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Microphones come in all different shapes and sizes. As we continue writing our microphone shopping guides, we’re presented here with one of our favorite makes of mics on the planet: dynamic. Although it really depends on your intended use (and a few other factors we list below), there are some pretty affordable dynamic mics out there that are super powerful in terms of quality and overall build. We made sure to choose ten within a broad range of price points and applications to give you some options. Let’s check out the top 10 best dynamic microphones available today.

What is a dynamic microphone?

A dynamic microphone is a type of mic that uses an electromagnet. The coil and magnet built into the microphone vibrate to create the audio signal. Because of this, they’re suited well for handling high sound pressure levels (as compared to other popular mic designs, such as condenser or USB, although with condensers, it depends on the amp). You don’t need phantom power, or an external power source for dynamic microphones.

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Clik here to view.So what exactly are dynamic mics used for? A variety of applications, actually. In fact, they’re one of the best microphones when it comes to versatility and overall use with just about any activity of recording or performing. They’re most typically used in live performance settings for vocals, but also any other instrument that needs projection, such as drums, guitar, guitar cabs, and more. Although we personally recommend using a condenser microphone for recording vocals in the studio, dynamic mics are still used at times for this. It all depends on the person’s preference. However, we’ve come to learn that dynamic microphones are by far the best types of mics for performances\live applications. We can’t tell you how many artists\performers we’ve met who have more than one Shure SM57 or 58 in their toolbox just to have on deck. It’s a staple for many in the recording and performing realm.

Dynamic vs. condenser microphones

This can get to be a relatively long explanation, but to put it simply, dynamic microphones do not need phantom power, are typically cheaper, handle a higher SPL (depending on the preamp for the condenser mic, however), and are more suited for instruments other than your voice (in terms of performing, not recording). They’re also a bit lighter and can be held more conveniently, not to mention are less risky taking on the road since they’re typically lower in price (in case you break it).

We like this article on dynamic vs. condenser microphones if you want some more info.

How to choose your dynamic microphone

• Your budget. Fortunately for you and I, dynamic microphones are relatively affordable. Compared to most professional quality condenser microphones ranging from $100-$1000, dynamic mics are at the lower end of the spectrum in terms of price point. However, there’s a huge difference between a $20 or a $150 dynamic mic, so we recommend saving up as much cash as you can. Also, are you buying in bulk? I know some people who have wanted to buy more than one (for numerous reasons, such as multi-instruments), so keep that in mind when you’re planning your budget of course.
• Your intended use. Are you performing? Recording? Performing something in particular? All of the above? Most dynamic mics are so versatile you can record or perform anything with them. There are a few exceptions, such as kick drum mics; but besides that, you’re good to go.
• Connectivity. A pretty big majority of dynamic mics come as XLR, but some are starting to come in USB as that connectivity becomes more prominent in the market.
• Additional accessories? Wind screens, pop filters, cables, mic stands, travel pouches, etc…there are many out there. Which are you needing? Some come with accessories included, others don’t.

The top 10 best dynamic microphones

The following is our list of the best dynamic microphones in the market today. Be sure to keep our above checklist in mind when sifting through the models, and remember, let us know if you have any questions or comments down below.

Shure SM58

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Clik here to view.This is one of the most famous dynamic microphones in the world. If we didn’t have this at least within our top 3, we wouldn’t be able to continue writing this article as we’d have lost all of our credibility. Also, those who are deep within the microphone game would have some words with us as  well! If you aren’t aware, Shure microphones are some of the best ever. This particular model was the first microphone I had ever bought. In terms of price points, it’s within the middle at typically a hundred bucks (depends on the site, check for yourself for exact price). You have a very nice build (I’ve dropped mine numerous times and it continued to live — although we don’t recommend doing that on purpose), a nice built-in shock mount system, and the grille is steele mesh. The frequency response is solid at 50 to 15 kHz, and the midrange is ‘brightened’ (what makes it famous) so it is specifically tailored for vocals but we feel the frequencies are pretty accurate.

We know this is a top 10 list for a reason, but whenever we’re asked which dynamic microphone to buy for vocals, we say the Shure SM58 with no questions asked. If you are looking to use your dynamic mic for other purposes such as acoustic guitars, guitar cabs or drums, scroll down a few for their other famous SM model, the SM57.

Check price\reviews of the Shure SM58: US | UK

Sennheiser E835

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Clik here to view.Here’s another name you may be familiar with. Sennheiser is typically well-known for their headphones, but this model has proven itself to be one of the heavy hitters in the market. The E835 comes with a solid metal housing, great feedback rejection, noise isolation (for what’s in front of it), and high SPL like most dynamic mics should. Great for vocal stage presence or even semi-pro recording at home. The frequency range is a tad bit wider than the Shure but it isn’t noticeable really. The mic also comes with a microphone clip as well as a pouch for some convenience traveling.

We would only grab this if it is cheaper around the net, otherwise we’d stick with the SM58. However, if it is cheaper, we would grab it because it would be a steal.

Check reviews\pricing of the E835: US | UK

Blue Microphones enCORE 100

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Clik here to view.Blue microphones continues to grow exponentially as the years go by. Although famous for their desktop USB microphones (I’m sure you’ve heard of the Yeti by now), this particular model has been chosen to be in the top 3 because of the superb quality. The highs are quite balanced (for those vocals of course), overall very clear sound quality and Blue always has some of the best builds of gear in the market. In terms of comparing with the prior two models, it really comes down to price again.

We’d still recommend the SM58 over most, however if you’re a Blue microphones fan and want to stick by them, this mic is sometimes a few dollars cheaper than the other top dynamic microphone models. Either way you go, you will not be disappointed. Once again, if you aren’t concerned with vocals, read the next on the list.

View price\reviews of the enCORE 100: US | UK

Shure SM57

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Clik here to view.Here’s the other amazing Shure dynamic mic we were talking about. The SM57 as stated previously is more geared towards applications that do not involve vocals, although this is quite fine for that as well. If we had to choose however, this would be our pick for best instrument dynamic mic. I’ve seen snares (for high SPL and frequency), acoustic guitars, electric guitar cabs, pianos, and more be recorded and performed with this thing.

Super rugged build, of course (I guess everyone calls their build that word, but this thing is a little piece of metal in your hand or on your stand that isn’t going to break easily), clean and rich sound, nice shock-mount system built-in and more. If you want a dynamic mic that is the most versatile (in our opinion), grab this and don’t second guess yourself.

Check reviews\price of the SM57: US | UK

Audio-Technica ATR2100-USB

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Clik here to view.Here’s a relatively new concept; a dynamic microphone that has USB connectivity. Audio-Technica is a favorite among audiophiles but have been in the microphone game for decades. You can also connect it via XLR so don’t worry if that’s what you still want — it’s nice to have the option however. You’re also getting a headphone output built-in to the mic as well as level control. This is more so a desktop microphone for home recording use since you get a little stand go along with it.

We’d recommend saving up the cash for one of the prior models listed if you plan on performing in a relatively large setting, otherwise this is a great lower price-point microphone with USB connectivity to use on your computer as well.

View price\reviews of the ATR2100-USB: US | UK

Behringer Ultravoice XM8500

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Clik here to view.Here’s one of our favorite budget-friendly dynamic microphones in the market. We love Behringer gear due to their lower price-points yet pretty high quality they offer. You’re not getting a Shure steele build or rugged metal make or anything, but you’re not getting a dinky model you’d get at your local grocery store either. For the price, you’re getting great quality sound with a mid-frequency presence rise, a decent shock mount system built-in, a spherical wind and pop noise filter and some noise isolation.

We’ve heard it used for some karaoke applications as well as home studio use. For big performances, we’d still steer towards our top 3 listed, although this will utlimately work (more recommended for smaller crowds). It would also be cool to grab if you’re getting more than one and need a budget-friendly solution to buy in bulk.

Read reviews\pricing of the XM8500: US | UK

AKG D5

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Clik here to view.Don’t forget about AKG mics! Go through any microphone top 10 list and you’ll see at least one of their models in there. This dynamic mic has a dual shock mount built-in, integrated pop filter and a nice steel mesh grille with rugged housing like the others. Sound quality is up there when compared to the budget-friendly mics previously listed, although it isn’t on Shure’s SM level. It still gets the job done if you want to save a few bucks. You can get the model with on\off switch if that’s what you need. You’ll also have to buy the cables separately.

There’s honestly nothing that stands out in terms of the others, besides perhaps the price point being in the middle of the Shure and the lower-cost models. However, if you’re a fan of AKG, you can’t go wrong with this one. If you can’t afford a Shure, this is your next bet since it’s well under a Benjamin.

View price\reviews of the D5: US | UK

MXL BCD-1

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Clik here to view.This is a bit more expensive than others, but it’s a very high quality model in terms of sound quality and build. It’s stated to be more of a “broadcast microphone”, but we can also see it being used to record some vocals in the studio if that’s what you do as well. The build is a bit more thick than others, so you have a larger mechanism built-in to handle a good amount of audio source. You can also mount it in a more traditional “broadcasting” way (the sell their stand separately).

It has great side rejection if you have some outside noise you want to get rid of, and although this isn’t ideal for performing vocals on stage as many of you may be here for, it’s an option to keep into consideration.

Check price\reviews of the BCD-1: US | UK

Shure PG58

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Clik here to view.Yes, just one more Shure model in here but it is for good reason. It’s about half the price of the SM models (double check the websites, it may change), and is available in versions with various cables or an off\on switch. You get a mic clip, zipper pouch and user guide along in the package. Although not as high quality as the SM models, you’re getting a well-made mic with a metal finish and grille. The construction is definitely rugged as compared to others in the market and the sound quality is quite suitable for even semi-pro environments considering the price.

Great sound rejection from the sides so it’s going to focus on what’s in front of it (such as with a band or others speaking\singing on stage). We’d grab this if you can’t afford the SM models and still want a solid dynamic mic with that Shure reputation in  your repertoire.

Read reviews\price of the PG58: US | UK

Pyle-Pro PDMIC58

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Clik here to view.We’re talking super, super budget-friendly here. If you want one of the cheapest dynamic mics out there, here’s what’s topping off our list. Pyle is a pretty good brand when it comes to gear, but they’re more known for the super cheap yet relatively decent options out there. This particular dynamic mic has a steel mesh grill, normal frequency response, decent SPL handling and it weighs only 1.5 lbs.

We’d recommend this one if you’re buying in bulk or need a cheap, easy solution. They have a lot of packages around websites like Amazon that come with multiple models as well as cases and various other accessories. It’s a great solution but probably a waste of money if you’re doing anything serious with it.

Check the bundles\reviews of the PDMIC58: US | UK

We love microphones, and in our opinion one of the most attractive features is the wide range of price points we can get from the niche. Even though professional grade models go up into the thousands, with the advancement of technology nowadays, there are some very attractive budget-friendly mics available to us. In this article we focus on microphones that are typically priced at $50 or lower. Which model you check out depends on a few needs of yours however, and we made sure to spell that out for you. Let’s get started.

How to choose your $50 microphone

• Your budget – Even though we’ve narrowed it down to $50 lower, there are still some differences between let’s say a $10 mic with an exactly $50 model. How low do you want to go?
• What microphone type? There are a few different microphone types. This means that some fit on your desk, others on your head, etc. The main types are USB (connect straight into your computer via the popular cable), XLR (another cable with three prongs that hook up condenser microphones to phantom power units or audio interfaces), or 3.5 mm (the most common cable in cheaper models of audio electronics – ie: the headphone jack into your smart phone). We don’t cover any headsets or lavalier microphones in here so read that article if that’s what you’re looking for.
• Additional accessories needed – Do you want a mic stand for this? Pop filter? Carrying case? If so, you’ll need to factor this into your budget, which may lead to going over our $50 goal. However, some models indeed come with some of these accessories and more, so we made sure to find those and let you know what they exactly come with.
• Color\style? Is this important to you? For some it is, others it is not. Some microphones give us some cool color choices while others are just a simple black.

The best microphones for under 50 dollars

The following are the best models of microphones typically priced under $50. For those of us on a budget, there are some solid options to take a look at. We made sure as to choose mics with different connectivity options as well as price points to ensure you have some options. Let us know in the comments if you have any questions or concerns!

Blue Microphones Snowball iCE

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Clik here to view.One of our favorite brands in the mic world is Blue Microphones because of the high-quality audio and build they provide. Up first in our article is their Snowball iCE, which is just priced at around $50 (double check the links to see exact price) and even if it’s a few bucks over, we still feel is worth the purchase. It’s a USB microphone so it is mainly compatible with your computer, but if you were planning on a PC\Mac mic that fits on your desk conveniently this is the model to get. It’s easy to use as you merely plug it in and it works, gives us 44.1 kHz/16 bit audio quality (pretty good for the price), has a cardioid polar pattern so will pickup what’s mainly in front of it and isolate the rest, and also comes with a mini tripod stand for easy placement.

Check prices of the Snowball iCE: US | UK

Shure SM48-LC

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Clik here to view.We all know how legendary that Shure brand name is, and this model here is a very solid dynamic microphone. It connects via XLR port, so if you want it to go into your computer you’ll have to buy an adapter. Otherwise, this microphone is great for live performances or even recording in a home studio (vocals and other instruments). It is great for sound isolation as well, has a built-in pop filter to take away from those pesky p’s and s’s, and is quite reliable in terms of build (if you take care of it, it will last you quite a few years).

Check price of the SM48-LC: US | UK

Samson Go Mic

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Clik here to view.This is one of the most popular and best budget-friendly USB microphones in the market. Go to any top 10 USB mic article and this will be in there. Samson is know for their lower priced yet decent quality audio gear for budget-friendly shoppers. It’s great for travel since it folds up and can be easily used with a laptop, or you can also keep it on your desk at home to use with your PC. We’ve heard of people using this for podcasts, gaming, conference calls and more. You can technically record some vocals if you’re planning making music, but it isn’t going to give you amazing eye-popping quality or anything. This thing is solid for at-home applications and is reasonably priced under $50 dollars. Sound on Sound’s Go Mic review was rated highly.

Check pricing of the Go Mic: US | UK

CAD U1 USB

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Clik here to view.Here’s another great option for a mic under $50 but this one is a mixture of the prior two models listed. It’s a dynamic microphone so it is versatile but it plugs in to your setup via USB. You get an on\off switch built into the unit, a pop filter, and a wide frequency response to cover all grounds of recording or performing. Dynamic mics are mainly designed for vocals\instruments, but this will also work as a decent solution for online meetings or podcasts as well. It’s ranked very high on Amazon so be sure to check it out and read some user reviews.

Check prices of the CAD U1: US | UK

Behringer Ultravoice XM8500

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Clik here to view.This is one of the cheapest microphone models under $50 worth looking at, so if you’re planning on saving as much as cash as possible this could be the model for you. Behringer is also known for their low priced yet decent quality audio solutions. You have a built-in shock mount system here as well with some wind and pop noise filter. There’s not too special about it but at the same time we feel that’s a good thing because it gives you what you need: a dynamic microphone with a 50 Hz to 15 kHz frequency response although it connects via XLR you can easily buy a converter to hook it up to your PC or Mac.

Check pricing of the XM8500: US | UK

Audio-Technica ATR-1100

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Clik here to view.Last but not least, we have our beloved Audio-Technica making appearance here. It’s another dynamic microphone but it connects via 3.5 mm out of the box. It’s the lowest priced model in this article so if you want an extremely cheap, lower quality option here it is. We’d still prefer this over the typical electronics store $5 mic. The specs include a 80 to 12 kHz response that isn’t necessarily as wide as the others but can still get the job done. You’ll have to buy a separate mic stand if you want it to sit up right, otherwise you can hold it up yourself.

Check prices of the ATR-1100: US | UK

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If you couldn’t tell, we obviously love microphones. They come in many different shapes, sizes and applications. Nowadays, many electronic solutions seem to be gearing more and more towards wireless capabilities. When it comes to our concern, microphones have been wireless for quite a while, but not until recently has technology allowed it to really take off when it comes to overall quality (and completely replacing wired mics when applicable). There are quite a few models out there worth looking at, so today we went through a bunch to pinpoint the top 10 best in the market to help your shopping endeavors. Let’s see what we found.

How wireless microphones work and their benefits

A wireless microphone works by connecting a microphone unit(s) to a wireless receiver/transmitter via radio frequency or digital signal. This allows us to cut out those pesky cables, giving us some obvious conveniences that come with not having to deal with wires. Receivers/transmitters come in different shapes and sizes. Some connect to a 3.5 mm jack and transmit the sound coming from the microphone to speakers/headphones that way, while others sit on a desk or table and hook up to the speaker system via a wire itself. Microphones can also come in all forms (the most popular being dynamic handheld mics, but we’ve seem some lav too). Which type of receiver/transmitter and/or microphone(s) really depends on your intended uses and needs when it comes to a wireless system. We also recommend Sweet Water’s wireless microphone buying guide for some extra help in learning more about choosing a system, otherwise continue reading for our top picks.

How to choose your wireless microphone

• Your budget – There’s a pretty big range when it comes to the wireless mic market. Some can go for a couple hundred dollars (giving you the top of the line, professional models) while other more affordable models will cost you within the $20 to $40 area. How much are you willing to spend? The more you invest, the higher quality (and longer lasting) the mic will be.
• How many mics? To our surprise, a lot of people researching for a wireless mic system are looking for more than one mic units in their package. This all depends on the next part of our list (intended use). If you’re needing multiple speakers, getting a package that comes with more than one mic unit will save you money. Otherwise, grabbing a high quality, single-unit with a transmitter model will suffice.
• Your intended use – We feel the use is relatively important when attempting to find the right wireless mic system for you. This also correlates with how many mic units you’ll need — have multiple speakers at a seminar? Singers and instrumentalists on stage for a performance? This is also important when determining other needs of your system as well, such as the needed wireless range, power, and more.
• Analog vs. Digital – Analog connects your microphone to the receiver via a radio frequency. Digital receivers (which are more expensive) uses a signal that is typically uninterrupted (like WiFi) to transfer the sound. Both work quite fine, but going digital gives you obvious benefits, albeit with a higher price tag. You can probably get away with an analog unit if you presume you won’t find many frequency interruptions where you’ll be or plan on being in a smaller environment (and also can sacrifice the chances of, although not too likely, your mic cutting out).

The top 10 best wireless microphones on earth

Shure SLX2/SM58

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Clik here to view.Well, if many of you are aware, the brand name Shure is synonymous with the word microphone. This particular model is the wireless version of the infamous SM58 (which made it’s ranks in our best dynamic microphone article) — it’s considered one of the best microphones of all time (we’ve even seen photos of the president using an SM58). So the unit is great, but what about the transmitting system? The SLX wireless system uses the patented ‘Audio Reference compounding technology’ with a setup that can synchronize automatically. It’s a great choice for performing live music, portable road cases, lecture halls, corporate boardrooms, houses of worship or really any wireless application you can think of. This wireless system is known to have clear transmission with their technology that offers a dynamic range for the microphone.  It is contrary to the existing competing systems that are normally restricted with a fixed compression ratio since it uses a variable compression ratio. The result is to eliminate the wireless artifacts in the quiet passage with a superior dynamic range. If you wanted an immediate answer for one of the most solid microphones in the market and only need one unit, take a look at the Shure SLX2/SM58 system and don’t look back — the reviews are too high to think twice.

Audio-Technica PRO-502

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Clik here to view.If we were to choose two heavy hitters to go at it in the microphone realm, we’d say it’s Shure vs. Audio-Technica with no questions asked. This wireless microphone is a part of the Pro Series 5 wireless line. Although it appears to be discontinued at this point in time, it’s still one of the highest rated wireless microphones in the market and they are still readily available around the internet. It offers professional features with the great sound quality at an affordable price. The package comes with a receiver, a handheld transmitter and a microphone. The best part is that one handheld microphone can be used with others of the same system. The system has over 8 frequencies to choose from and it has automatic scanning for its frequencies. Its diverse operations can be used to increase the reliability and the range of the sound. The system uses a LED channel display with an antenna together as well as AF Peak Indicators. The Audio-Technica PRO-502 brings great quality construction, sound quality and trust from a brand we all love and rivals the previous Shure model listed.

Shure BLX288/PG58

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Clik here to view.Here’s another one of Shure’s most popular wireless microphones. It usually comes down to this PG58 vs. the previous SM58 listed. This is a wireless microphone with a system that features a dual channel receiver with a pair of transmitters – each one comes with a Shure PG58 mic capsule. The transmitter not only has a PG58 mic capsule but also a reliable and rugged ABS polymer chassis with its frame. Other features include an off and on ergonomic push button switch, a single bi-color and a 10dB pad. It comes with a nice windscreen with a comfortable shape and size. The receiver is the tabletop design and it comes with QuickScan technology that examines a room to identify the different frequencies located there and will then choose the best option. The battery status is shown on the LED screen. We recommend grabbing the Shure BLX288/PG58 over the previous SM58 Shure model if you want two microphone units. It’s a lot more expensive but well worth the money if it’s what you’re looking for.

Pyle-Pro PDWM2100

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Clik here to view.This is known as one of the best wireless microphones that won’t break your wallet whatsoever. It features a rack mountable VHF base unit and it comes with two mic units. The system is great for smaller live performances on stage, weddings, professional engagements or religious events. We’ve even heard of people use this for karaoke nights and smaller house parties to have some fun over the speakers. The wireless microphone will give the user the mobility and the freedom needed when he has to do energetic and active performances.  It is good for the events where multiple speakers are needed. You’re not getting a crazy digital transmitter with rugged mics like the previous versions listed, but that comes with the price point territory of course — those others are nearly 10x the price of this. We recommend the Pyle-Pro PDWM2100 if you want the best budget-friendly wireless microphone and more than one mic units that’ll serve for smaller and at-home applications.

Audio-Technica ATR288W

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Clik here to view.Here’s another one of Audio-Technica’s highly rated wireless microphones. It has a miniature lavalier condenser mic to use for hands-free needs like newscaster style video, theater, dance and more. It at the same time has a dynamic microphone for the handheld uses like recording videos, talking or singing. It is compact and has an ultra-lightweight transmitter with a receiver that is powered by a single 9V battery.  This is one of the best wireless microphones that work in ranges between 100’’ up to 300’’ with the right conditions. It comes with a belt-clip for reliable and quick camera mounting for easier positioning and use. An antenna which is rubber coated and durable can be used in order to get even better reception. The system uses two user-switchable frequencies for an interference free operation. Take a look at the Audio-Technica ATR288W for a model that’s in the middle price-point and may be looking for both a dynamic and lav mic in one package.

Sony ECM-AW4

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Clik here to view.Here’s a nice appearance by Sony. This one was pretty high when it came to user ratings so we had to take it into consideration. If you have two people at play here, this mic system lets the user and the operator of the device communicate well, eliminating the need for another intercom system.  It’s great for filming, particularly DSLR cameras but any type will suffice. The receiver and the transmitter have a 3.5 mm headphone jack. A belt clip with an armband has been included to easily wear and mount the receiver and the microphone as well. The carrying pouch is used to protect a transmitter and aid in travel. This wireless microphone allows one way communication where it can pick up the voice of one subject so if you’re particularly interviewing, recording a single individual in action or merely want sound isolation in general, take a look at the Sony ECM-AW4 — it’s also a huge plus if you plan on using a video camera alongside of it. It isn’t too expensive, either.

GTD Audio G-380H

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Clik here to view.This is a wireless microphone system that we highly recommend if you’re not only looking to save some money but also need at least four mic units. The 4 channel receivers and 4 microphones have individual volume controls on every receiver. It can work around a 230 feet or 65 meters range which is a pretty decent amount. It has 1/4 inches for the mixed output with the four XLR individual outputs and has different frequencie options that are available for the user. The microphone units build are of pretty quality considering the price and it is reliable with its 4 Channel VHF and wireless handheld microphone system. It has the technology known as ‘surface mounted technology’, and it provides the quality surface with its mounted components in order to ensure reliability and quality. The GTD Audio G-380H is ideal for professional performance, at home karaoke or church use or any smaller application that asks for numerous speakers at once.

Shure PGXD24/SM58-X8

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Clik here to view.Here’s another Shure model that’s a bit similar to the first wireless mic recommended but still worth it’s own separate review. It features a system for presenters, guitarists, vocalists and more. The series uses the cutting edge 24-bit wireless technology. The microphone has ultra clean performance and easy setup and the system can scan and sync its features to be ready to be used at once. It can work in the range of over 200 feet and you have total freedom when it comes to the wireless usage. The system comes with a handheld microphone and its transmitter.  You will always find the right system to fit your needs. Look into the Shure PGXD24/SM58-X8 for another solid choice for those needing a high quality, top of the line wireless microphone and system made by Shure.

Behringer Ultralink ULM100USB

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Clik here to view.As we near the end of our list, we find some slightly different spins on wireless microphones. We love Behringer for their budget-friendly gear. This brings us some USB connectivity if you’re interested in hooking up that way. The receivers and transmitters are made with state of the art technology, and they can work with a 2.4 GHz frequency band, which is even better than some TV station or cell phone towers or others that lead to problems in wireless zones. When it comes to replacing the batteries in the wireless microphone it’s also pretty easy. These mics have the ULM USB series that ensures that the battery will last for a long period. The system has up and down buttons to set the volume right at the microphone itself. Check out the Behringer Ultralink ULM100USB for yet another solid wireless mic option.

Pyle-Pro PDWM96

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Clik here to view.This wireless microphone is used to capture audio to put on audio recorders and video cameras, and it is the most effective solution in many cases of the particular application. It is a lavalier microphone so a bit of a different spin on “wireless microphone”, however if you’re looking for this solution it may be perfect for you. It may be used in different environments like DJ setups, weddings, interviews and more. The receiver has a single channel operation, solid state electronics and it is built with a 1/4″ output jack.  The microphone has great quality for the price and it plugs directly into the mono jack of 1/8 inches found on its transmitter. The microphone system has been engineered for low noise coloration and distortion. The system offers a great solution for budget audio needs. As one of the best wireless microphones for it’s kind, the Pyle-Pro PDWM96 mic has both the frequency response and modulation to create solid quality audio. It tops off our list but isn’t necessarily last for a reason. It’s also super cheap.

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Clik here to view.As technology continues to grow, USB-friendly musical instruments are steadily taking the market by storm. One of the first “USB” types of gear was indeed the microphone. Back in the day, we remember buying one of those “stick mics” that hooked up to USB and we were in awe — how easy was it to merely plug-in a mic into a computer, not have to load any drivers and get to recording or playing games with friends? Today we decided to constrain your search to only USB microphones priced at under $100 or lower. Let’s see what we found.

What is a USB microphone and it’s benefits?

To brush up on the topic, a USB microphone is a handy recording device designed for hooking up to units like laptops/computers or gadgets to be plugged in and played. Using a USB port, the microphone is powered from the gadget’s battery or electricity and can be integrated with other devices like a camera or headphones. Some popular uses of USB mics include gaming, Skype calls, podcasting, recording music in a home studio, or merely any other application that entails recording onto a computer, laptop or smart device.

You’re probably well aware of the benefits of USB mics, which include quite a few factors — for one, they’re relatively budget-friendly (especially in this article for under $100), they don’t need any phantom power (as stated previously, they use whatever they’re plugged into in order attain their power), and very convenient to not only fit on your desk but take on the road with you if you’re traveling. Although they aren’t necessarily a condenser or dynamic microphone, nowadays with the advancement in technology, come with some very clear near studio-grade audio quality.

How to choose your USB mic under $100

• Exact budget – Although we’ve gotten down to USB mics under $100, there is still a difference between a model for just $100 and another around $20. How much are you willing to invest?
• Extra features? Some have a small gain (volume\power) boost, others volume control on the unit itself, etc. They aren’t necessarily musts — so which feature(s) are important to you?
• Needed accessories – We don’t want to bombard you with too much to think about, but when it comes to using microphones, there are a few accessories you may need to enhance your experience. A lot of these are included in the package (are typically priced higher because of this), while others you’ll need to buy separately. These include: pop filters, mic stands, USB cables, carrying cases, and more. Think about your uses now as well as the future — what are you going to need?

We love SweetWater’s USB microphone guide for some more info on buying this type of microphone.

The best USB microphones for under $100

Blue Microphones Snowball Ice

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Buy in US | UK

Every time we hear about a USB microphone, a Blue Microphones model is coming up in the conversation. To start off our list and if we were to give you an immediate answer on the best USB microphone under $100, this would be it. This model is designed to record or communicate voices with high quality and can be used on both a Mac or PC without using any software. The colors that are available are white and black. You get a sample rate of 44.1 kHz/16 bit and a cardioid polar pattern to give it a nice condenser microphone feel with USB connectivity. It obviously isn’t a professional microphone for a major studio, but we’d even recommend this if you’re recording some tunes in a home studio. The price is not too expensive, and it is easy to use with a unique design that creates surprisingly high-quality sounds at a budget-friendly price. It also comes with that little tripod if you were looking for a stand.

Samson Go Mic

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Buy in US | UK

The Go Mic by Samson is one of most reviewed and highest rated budget-friendly USB mics in the market by far. As expected, it is easy to use with its USB plug-and-play connectivity – you just need to plug the USB in to a Mac or PC. The complete package of the Samson Go Mic includes a USB cable and stand mic. The frequency resolution is 16-bit/44.1 kHz so you’re getting the standard quality for most of these USB microphones for under one hundred bucks. On the design, the Samson Go Mic is a little tinier but still heavy enough to have a decent construction. It’s not too expensive for the quality because the Samson Go Mic is really useful for what we need to make a suitable produced sound in most mic applications. There will be no regret in choosing this great product with many exciting functions, especially if you plan on traveling a lot since it comes with that folding wallet looking stand that can fit in most laptop bags.

Audio-Technica ATR2500-USB

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Buy in US | UK

We’re huge Audio-Technica fans, and the ATR2500 is recommended for those who are looking for a USB microphone priced just under $100 with some of the best audio quality among the list. It has the same functions as many other USB microphones for recording, podcasting, live recording, or even field recording.. Like the others, there is no need for any software to plug and transfer sound to your computer or smart device. The frequency resolution used by the ATR2500 is 44.1 kHz -48 kHz / 16-bit which is a tad bit higher than competitors in the category. The design of the mic is classy but heavy, resembling a typical professional microphone. The ATR2500 is worth it for its price because it is easy to use and although we recommend condenser mics for recording in a studio, is considered a helpful tool for those who need to make great quality sounds in lower-tier recording studios.

CAD U37

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Buy in US | UK

Here’s our top pick for the budget-friendly USB microphone. It has that same look as the previous A-T model listed in terms of resembling a traditional mic. With the simple and user-friendly design, the CAD U37 is also able to perform out of the box since its extended frequency response can result in smooth vocals for your singing, instruments, speech, desktop recordings or podcasts. The cardioid polar pattern and ‘Bass Reduction’ feature are very useful to reduce feedback and background noise. You can also reach the best sound quality by switching to the -10 dB setting. This USB connected microphone is also compatible with any Windows or Mac computers. We love the extra few features this one has, and the user reviews back this up to give you confidence in the purchase.

Samson Meteor

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Buy in US | UK

Here’s another Samson USB microphone under $100 to take a look at. It can even get along right with your iPad (with Apple’s USB connector). Although this might not produce the top-notch studio quality, we undoubtedly include it as one of our choices since this microphone is able to give you quality audio results for it has one of the largest condenser diaphragms with a 25 mm size. This mic offers great audio results not only for recording but also when doing Skype or iChat. Highlighting the classic design, the Meteor Mic has folding legs which are capable to provide you with the ideal positioning every time you’re doing recordings or if you plan on traveling with the device. It comes in a few color options, too.

Blue Microphones Snowball

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Buy in US | UK

Last but not least, we have yet another Blue model. The snowball has a nifty little design — It offers decent audio quality and you can set the microphone to any position you like with its adjustable tripod. It’s very easy to set up, of course, either with Windows or Mac. You’re ready to record by just plugging this microphone directly into any computer without complicated drivers to operate. The Snowball built-in tech ensures that your recordings are free from background noise, echo, feedback or distortion. You have the option of using this microphone’s cardioid pick up or omni-directional mode so if you’re looking for some versatility this may be your choice.

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As we continue to survey the best types of microphones of all shapes and sizes, a condenser microphone is a highly sought out device, especially when it comes to attaining supreme recording quality of many different instruments (including your own voice!). Condenser mics are able to follow sound waves of all frequencies more accurately in contrast to other popular types of mics. Therefore, their sound is more natural, transparent and clear in result. The best condenser microphones generally have a broader frequency response, hotter output, and a faster transient response than others, so today we found the 10 best to help your recording endeavors.

Sensitivity is a special characteristic of the condenser mic and this is the reason they are most often used in professional and home recording studio scenarios. They give the best results for vocals, electric guitar, acoustic guitar, kick drum, toms, snare drums, overheads, grand piano, upright piano, electric bass, upright bass, brass, woodwinds and string instruments. As compared to dynamic microphones, these are not considered good for live sound or concert gatherings, so be sure to read that shopping guide instead if that was your intended application.

Choosing the best condenser mic for you

• Price range – There’s definitely a noticeable range when it comes to condenser mics, so when attempting to find the best for you, your overall budget will come in to play. The higher you go in price, the better quality you’ll be coming in contact with. However, there is a threshold when it comes to microphone quality (especially if you’re in a home recording studio, a middle price-point condenser mic will suffice), otherwise the higher you go the more professional sounding your tunes will be.
• Connectivity – With USB microphones becoming more popular, keep in mind which type of connectivity you’ll be wanting. The main choices are either the traditional XLR or USB. If you grab an XLR microphone (which most of the popular and professional condenser mics have), you’ll need some external power source aside from your computer since they require phantom power. Some come with an external power supply, while others don’t (you may have to buy one separately, so factor that into your budget as well). USB mics on the other hand are powered by your computer only and do not require an external source (although some use it anyway).
• Intended application – Are you recording strictly vocals? Acoustics? Strings? Amplified electric guitar? When it comes to your intended use, condenser mics can ultimately record everything and anything you want to transfer onto your computer or mixer. However, keep in what Sound Pressure Level (SPL) each mic allows if you’re planning on either recording something super loud in volume (aka higher pressure) or screaming\louder vocals. Many prefer ribbon microphones for higher SPL (they also have a bit of a different feel than condensers). However, there are some solid condenser mics in here with nice SPL handling that we’ve included, too. Either way, this is getting a bit more detail-oriented, and any condenser mic should be fine for most applications, especially in a home recording studio.
• Additional accessories? Audio interfaces (for phantom power and additional inputs for other instruments), mic stands, shock mounts, windscreens and more — keep this in mind if you still need to buy them when factoring your budget. Some of these mics even come in combo packages that may be better for your personal needs.

The top 10 best condenser microphones

Rode NT1-A

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Clik here to view.This is the condenser microphone that has become an exclusive industry standard as it delivers warmth as well as a dynamic range, not to mention it’s quite affordable as compared to others within its class. This has been considered the best condenser microphone for quite some time now as it features a super clear sound with a high SPL (sound pressure level) capability, a warm feel to the recordings as well as a sturdy build that will last you quite a long time if you take proper care of it. When it comes to brand trust, Rode is one of the leaders when it comes to recording gear, especially microphones (another one of their models is listed below as well). The NT1-A is one of the quietest studio microphones among its competition with a 5 dBA self-noise level and this excellent feature of the mic makes it ideal for recording vocals, guitars and percussion. The item has a large one inch capsule with a gold-plated diaphragm and is the preferred choice of many professional, semi-pro and home vocal recorders.

Check pricing of the NT1-A: US | UK

M-Audio Nova

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Clik here to view.Up next, we have an appearance by M-Audio and this one is another relatively budget-friendly condenser mic to take a look at. Let your recordings breathe new life from the large capsule condenser microphone. The Nova has been listed by many as the best condenser microphone that ensures clear recordings that are faithful to the original source as well as free from unwanted coloration of the sounds and distortion. This condenser mic is able to mix low-noise Class A electronics with an evaporated gold diaphragm over 1 inch in diameter. It has excellent features for reliability and protection in the form of a solid brass body and capsule if you can keep it in a safe place when you’re not using it and the item is not too heavy with a weight of only 2 pounds. The M-Audio Nova comes with a hard mount and a soft case as well, so you’re covered in a few additional accessories if you needed them. It won’t break your wallet as compared to some other condenser mics out there, however if you do want a bit higher quality mic, keep reading down the list.

View prices of the Nova: US | UK

Blue Microphones Yeti

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Clik here to view.This is by far the best condenser microphone with USB connectivity that is in fact capable of capturing audio in more than 16 bit/48 kHz resolution. The Blue Yeti USB microphone has more positive reviews than we can count and it provides the user a variety of selectable polar patterns in order to generate flexibility in recording. This microphone also comes with an integrated headphone amp along with some gain control on the actual unit itself. You’re also getting an instant mute function right on the face of the device. The best thing about the Yeti mic is that it is compatible with both Mac and Windows and includes a USB cable so you can use it right out of the box. The microphone can also be folded down to carry as well as for storage or stand up on its own (if you’re placing it on a desk that is). It also made into our best podcasting mics guide because of its versatility for a super long list of recommended applications. It’s pretty affordable, too.

Check prices of the Yeti: US | UK

Rode NTK

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Clik here to view.If we had to choose the best microphone in the world and your budget was a bit higher than the previously listed models, this is one that stands out from the rest. We’re starting to get into the middle price-point of condenser mics here but the quality is unmatched by many. The NTK is stated by many to be designed to provide warmth with incredible detail in the studio. With its cardioid polar pattern, it is considered the best condenser microphone for a number of single instrument recording situations. The item includes a hand-selected twin triode 6922 valve as well as audiophile grade components. The build is also that of a tank so it will last you numerous years if you take care of it. It is featured with low noise, an ultra-wide range and stunning tube warmth — the quality is really what makes this stand out. It’s a nice balance between a clear and concise sound with some vintage quality as well. It is a perfect tool for vocals, drum overheads, acoustic instruments, pianos and more.

View pricing of the NTK: US | UK

AKG Pro C214

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Clik here to view.This is a great professional large diaphragm condenser mic which is especially designed as a great cost-effective substitute to the high end C414 family. AKG Pro is one of our favorite brands when it comes to mics. The C214 provides the user an exclusive 1” capsule on the integrated suspension in order to reduce conventional mechanical noise. It offers a switchable 20 dB attenuation pad that provides the facility for recording loud sources up to 156 dB SPL. The body is also a bit wider in terms of field of recording, which is great for picking up more of what’s in front of it. It also possesses a switchable bass-cut filter that is quite helpful for close-up recordings without any proximity effect. It’s recommended not only for vocals but most instruments you’ll need to isolate in a recording environment. It’s a bit cheaper than the NTK so if you wanted a middle price-point condenser mic but the previous model was too expensive, double-check the price of this and it fits within your range, it’s well worth it.

View prices of the C214: US | UK

Neumann TLM-102

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Clik here to view.When it comes to top-of-the-line condenser microphones that are starting to hit within the higher price-points, any Neumann model  you come about will fit the build. Now we’re starting to get into the beasts of the mic realm and this one isn’t a joke. This is a super high quality cardioid pattern, large diaphragm condenser mic that has the ability to withstand very high sound pressure levels. Paired up with its clear and crispy sound and high SPL rating, the capsule of this microphone allows the excellent recording of drums, amplifiers, percussion and many other loud sound sources. It’ll pick up your vocals very well too, but this is also geared towards those with louder voices\instruments. The TLM-102 has a very quick transient response due to which it can brilliantly record the lower volume sounds efficiently. The user can make a great vocal presence as well as a clearly defined bass range. It’s almost priced at a grand for a reason, but if you can afford this one, you’ll be easily hitting the near-professional level of music and sound recording.

Check prices of the TLM-102: US | UK

Blue Spark

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Clik here to view.As we saw their extremely popular USB condenser mic Yeti make an appearance earlier, here’s Blue’s most popular traditional condenser mic in the market (and highly rated at that). This brand has really tied in quality sound along with versatile circuitry, allowing the user to get excellent recordings with true-to-original frequencies. With its nice orange body and excellent chrome accents, it makes the Blue microphones brand make quickly recognizable if you’re into aesthetics (we love how it looks super-vintage). It has a solid large diaphragm condenser capsule with a proprietary preamp built-in that allows excellent sound (you’ll still need an audio interface or phantom power supply). This condenser mic also has a ‘focus button’ through which the user can switch to a more up-front sound to its full-range response, which really depends on how you’re going to use it. We love this one and the reviews don’t lie, not to mention it’s priced at a pretty budget-friendly tag.

Check pricing of the Spark: US | UK

Sterling Audio ST55

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Clik here to view.The ST55, a FET condenser microphone (compared to many others out there being ‘tube’), has stood the test of time since it came out nearly a decade ago. If you’re looking for a mic with user reviews that back up its longevity, check this one out. It comes with a huge capsule along with a sleek and thin 3-micron evaporated gold Mylar diaphragm. This condenser mic has been built with a unique process that is used to allow high frequencies as well as improved details. Moreover, it extends the depth on both instrument and vocal recordings. The recorder can enjoy a smooth and warm sound through FET Class-A electronics which is argued by many to be preferred with condenser mics because of the circuit quality. The ST55 employs a number of advanced technologies separating their large diaphragm condenser microphone from the rest of the pack (its ‘Desk Resonator system’ is a different advancement in the field of mic technology). Check this one out if you want a sturdy, dependable condenser mic that’s within the lower-end of the middle price-point.

View price of the ST55: US | UK

Audio-Technica AT2020USB

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Clik here to view.This is the latest and best USB microphone that consistently rivals the previously listed Yeti. It can be plugged directly into the USB port of your computer so that the user can go seamlessly with their favorite recording software and not need an external source of power. The AT2020USB is considered perfect for recording in a home studio and you’re looking to keep it strictly digital. It is also very helpful in podcasting, field recording and voice-over use. This exclusive condenser mic is designed on the base of Auto-Technica’s AT2020 cardioid condenser mic. This microphone features a low-mass diaphragm for extended frequency response as well as superior transient response. Its featured with low self-noise. There’s also a AT2020 version that connects via the traditional XLR, so if you were in need of an A-T model with a similar build but wanted to use an audio interface instead, check that one. We’d also consider this one budget-friendly since it’s pretty low in the price-point category of condensers. Grab it if the Yeti was too expensive for you.

Check prices of the AT2020USB: US | UK

MXL 770

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Clik here to view.Last but not least, we have one of the cheapest mics out there that’s worth keeping mind when shopping. It is a perfect mix of a solid construction, great sound quality and budget-friendly price tag to help for those looking to save some money and aren’t planning on building a super professional studio. The MXL 770 has solid bass, an upfront high-end and a multipurpose small diaphragm capsule. It is also very supportive for vocals, strings and pianos. The sound is warm with surprisingly great clarity at the top-end. It’s a great solution for those looking for a budget-friendly studio condenser microphone that won’t break their wallets yet still provide some great quality for their recordings. It isn’t necessarily listed last, but found it’s way down here since it’s a bit cheap and the quality isn’t on par with most higher-priced models, but still a great solution nonetheless.

View pricing of the 770: US | UK

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The best ribbon microphone to buy really depends on a few factors, and you’ve come to the right place if you wanted some reviews and comparisons on the best in the market. Although we ultimately think the MXL R144 is one of the best ribbon microphones out there, today took the time to find 10 models to help you compare and contrast when it comes to your personal needs in a mic. Which is best for you is dependent on your budget, preference of connection, intended use, as well as additional accessories you think you may need.

What is a ribbon microphone and its uses?

A ribbon microphone is a unique type of microphone that many mic enthusiasts praise when it comes to the overall recording accuracy of the sound it captures. Not only do they offer a specific type of recording feel and quality, but the overall look of most ribbon mics are awesome, vintage, and professional-looking (at least in our opinion). We know many who state it’s a ribbon mic or bust when it comes to recording, and although it’s ultimately up to the ear we’re having listen to the sound, have rarely heard arguments when it comes to the accuracy of what you’re recording.

As compared to condenser microphones (great for recording every and anything) or dynamic microphones (preferred for performing), they’re a bit more constrained to a particular use. Ribbon mics are most popularly used for recording vocals and acoustics, broadcasting for radio shows and podcasts, as well as other types of strings (although ultimately you can record anything, especially with a high Sound Pressure Level).

Picking the best ribbon mic

• Budget range – How much cash are you thinking of spending on your ribbon mic? This will definitely steer you in a particular direction — and we made sure to find the best ribbon mic in most common price-points of these things. Who knows, you may end up finding a ribbon mic you desire that’s a bit more money and will have to wait some time and save up. On the other hand, there are some great budget-friendly ribbon mics that may save you a few extra bucks.
• Connectivity – Most of these ribbon microphones use the popular XLR input (as usually seen in condenser microphones), which also entail the purchase of some external phantom power. However, there are a few mics out there with USB connection that can plug-n-play with your PC as well. We ultimately feel that USB connection decreases some quality and performance,but it all depends on your preference.
• Additional accessories? When it comes to microphones in general, there are some extra accessories you’ll need if you do not have them yet. Although it ultimately depends on your intended use or overall studio setup, the popular necessities you’ll need include a mic stand, shock mount, pop filter, audio interface\phantom power (if you end up going the XLR route), and more. Keep in mind what you’ll need when factoring your budget as well.

The top 10 best ribbon microphones

MXL R144

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Clik here to view.As we had previously stated, the MXL R144 is one of the best ribbon microphones in the market today. If you are looking for near-professional performance and a super affordable price-point, this is a model to grab without looking back. It comes with a Figure-8 polar pattern as well as an excellent 1.8-micron aluminum ribbon. This ensures great sensitivity as well as some super clear sound for instrument (and acoustic), vocal recording and broadcast use. With its great SPL ability, accurate directivity and true side rejection, it will justify our markings as being one of the best ribbon microphones. It comes with -56 db sensitivity, 250 ohms impedance, and rated load impedance of over 1500 ohms, which all add on to its previously mentioned solid capabilities and qualities. Lastly, it has a ribbon length of 47 mm; it is a compact and lightweight microphone with an elegant chrome and purple metal finish.

Check prices of the R144: US | UK

Rode NTR

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Clik here to view.The Rode NTR is another one of the best ribbon microphone models if you are looking for a custom design and an included transformer for varied performance. It comes with a 2-directional polar pattern as well as a 1.8-micron aluminum ribbon that helps give us great sensitivity as well as nice sound for recording and broadcast use. With an internal system for shock mounting and ability to handle high SPL, the Rode NTR (manufactured in Australia) can definitely be classified as one of the best ribbon microphone options for high quality recording in different scenarios, especially if it’s within your budget (a bit of a jump as compared to our previously recommended model). It comes with a 20Hz to 20 kHz range and 200 output ohms impedance, which is good technical proof of its mentioned great abilities and qualities. The Rode NTR is designed with a matte black metal finish and a heavy-duty appearance. If you grab this, your sound is without a doubt going to be professional.

View pricing of the NTR: US | UK

Avantone Audio CR-14

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Clik here to view.Up next, if the look of this thing doesn’t catch your eye, the quality and middle price-point most definitely will. The Avantone Audio CR-14 is a 14 ribbon mic that delivers a smooth and high-quality sound. It provides great SPL handling of up to 145dB for excellent studio vocal and instrument recordings. Like the others, it also delivers front and rear Figure-8 polar pattern and minimizes residual noise. The frequency response ranges from 30Hz to15kHz, with a distortion of +/-3dB which is quite high for a ribbon mic in this class. The Avantone Audio CR-14 mic’s output impedance is under 600 ohms and the sensitivity is -52 dB, which makes it one of the best in the price range when analyzing the overall specs. This lightweight microphone comes with an elegant and retro design in a metallic wine red, nickel trim and heavy-duty dark grille. If you were concerned with aesthetics and didn’t want to spend an arm and a leg on your ribbon mic, this is a safer bet.

Check pricing of the CR-14: US

Royer 121

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Clik here to view.The Royer 121 has been a favorite ribbon microphone since it was first released in 1998. The mere fact that it has (successfully) been on the market for many years (and has won a number of important quality awards) definitely puts it on our list of the best. When it comes to technical verification for its classification as a best ribbon microphone, let’s mention its figure-8 polar pattern, flat frequency response of 30 to 15,000 Hz (+/- 3dB), and output impedance of 300 ohms. It delivers a smooth and very realistic recording of both vocals and instruments. The Royer 121 comes with a unique offset ribbon transducer, which ensures a very accurate frequency response when you want to record with high SPL. Due to the longevity of this thing, we have a lot of user reviews backing up our confidence in a long-term investment. If you have the money, this thing is amazing.

View prices of the 121: US | UK

MXL R40

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Clik here to view.The R40 is another highly popular ribbon mic by MXL, and it is an elegant model with passive circuitry that ensures a very clean and smooth signal. It’s a Figure-8 polar pattern mic that comes with a ribbon motor and transformer and it delivers a classic and smooth sound. It’s priced pretty low as compared to the others in here, and it doesn’t have switches in the circuit path but an XLR connector at the base instead. The R40 delivers amazing vocal and instrument recording for the price, as well as acoustic instrument recording. The frequency range of the R40 is from 20 Hz to 17 kHz, which makes it an excellent choice when you want to record with higher SPL. It is a lightweight and durable microphone with a cool metallic and electric blue finish. Just another option to take into consideration here, especially if you were looking for a cheaper priced mic by MXL that still provides some great sound and build quality.

Check price of the R40: US | UK

Golden Age Project R1 MK2

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Clik here to view.If you are looking for a mic with a super vintage (and awesome in our opinion) look that will deliver that characteristic ribbon sound quality, then the Golden Age Project R1 MK2 is definitely one of the best ribbon microphone options to choose. It has clear high and prolonged low sounds. It comes with a 55 mm ribbon that is 2 microns thick that will ensure a quick and realistic transient response as well as high SPL (up to 160 dB). Like all of the others, it is equipped with a figure-8 polar pattern and can be used for vocal and instrument recording as well as acoustic instrument recording – and even live use if you plan on using yours for it. Another quality that puts the Golden Age Project R1 MK2 among the best ribbon microphone choices is that it can be used with all the classic mixers and preamps — the price tag is also pretty affordable, considering it lands within the lower-end of the rest of the mics in here.

View price of the R1 MK2: US | UK

Beyerdynamic M160

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Clik here to view.Versatile and adaptable, the Beyerdynamic M160 is definitely one of the best ribbon microphone models for instrument, vocal, and acoustic instrument recordings. The Beyerdynamic M160 comes with a double ribbon design for classic ribbon sound quality. Its hyper-cardioid pattern and double ribbon transducer removes off-axis sounds and ensures smooth and classic sound quality. With a frequency range of 40 Hz to 20 kHZ, an output impedance of 200 ohms and load impedance of over 1000 ohms, it will ensure great recording with high SPL. Lightweight (just 0.8 pounds) and with a classic, long design (chrome and black finish), this Beyerdynamic mic will surely serve you well in different settings, delivering a clean and well-defined sound. It is also great for stereo recording.

View pricing of the M160: US | UK

Blue Microphones Woodpecker

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Clik here to view.Blue Microphones are always expanding their production line and here we have a very interesting ribbon microphone with great qualities. As you can see, it also has an interesting design with a cool wood finish that definitely places it on our list as one of the best ribbon microphone candidates. The Woodpecker is an active ribbon microphone with a figure 8-polar pattern. Its frequency response is from 20Hz-20kHz, which qualifies for recording with high SPL (max 136 dB); it is capable to deliver a clean and smooth sound for both vocal and instrumental recordings. Its noise level A-weighted will deliver under 22dB if that’s what you need as well. The Blue Woodpecker comes with an output impedance of 50 ohm and with its retro wooden design, it will be an interesting addition to your microphone collection. They’ve made it into countless articles of ours for a reason — Blue Mics knows what they’re doing.

Check pricing of the Woodpecker: US | UK

MXL UR-1

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Clik here to view.Yes, another MXL model listed but for good reason! The UR-1 is a USB ribbon microphone that combines clear frequency response and sensitivity as a classic trait of the best ribbon microphone transducers along with the practical element of a direct USB connection. Aside from the standout USB connectivity, it has a figure-8 polar pattern that delivers great side rejection that will protect you from undesirable noise while at the same time enabling excellent recording quality of both vocals and instruments. The MXL UR-1 has very low noise preamp and comes with a built-in headphone jack. You will also get recording software to instantly put all of its abilities into function if that was something you were still looking for. The MXL UR-1 has a frequency range of 20 Hz to 18 kHz and a signal to noise ratio of 89 dB. It’s a great ribbon mic for the price and highly recommended for beginners (although a bit costly for the average starter’s budget) or those who wanted some USB connection to avoid the hassle of an audio interface\phantom power external unit.

View price of the UR-1: US | UK

Nady RSM-4

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Clik here to view.The Nady RSM-4 is the last of the best budget-friendly ribbon microphone candidates on our list, and it holds a versatile design and qualities for different recording applications: most vocal, instrumental, and acoustic uses. It delivers a pretty smooth recording sound with its low-tension, 45 mm long, 6-micron thick aluminum ribbon. It also makes for one of the best ribbon microphone options since it’s like the other popular models in the market with a figure-8 polar pattern ribbon microphone. It has a decent transient response and high 165dB SPL and delivers an off-axis high frequency response on the sides as well. The RSM-4 is a great choice for those interested in stereo recordings and a mic that is super cheap; its sturdy machined housing with great internal shock mount construction makes for a really quality choice, especially when you consider the budget and to quality ratio. Nady is known for the drum microphones in particular (made it into our best kick drum mic post), but this is great for a span of numerous choices.

Check prices of the RSM-4: US | UK

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Whether you’re on a PC or Mac, the question of what is the best computer microphone leaves you with a few options to take into consideration. It all depends on your budget, microphone type, and intended use. Our ultimate choice for a variety of uses would be the Blue Yeti; however, we know there may be others whose personal preferences may fall outside of the average user looking for a top microphone for their computer. Let’s get into the reviews and comparisons of the top 10 best computer microphones below.

Picking the best microphone for your computer

• Your budget – Computer microphones aren’t too expensive, and the range between the best budget-friendly models and the higher-end mics isn’t too bad either. This will be your obvious first factor in deciding which mic is best for you, so keep in mind not only how much money you have saved up to invest but how much you may want to save up after reading our guide.
• Microphone type – There are a few different types of microphones most commonly paired up with computers. The most common type of microphone for computers is USB, 3.5 mm standard, as well as various condenser mics (lower-end). Which type do you prefer? We include a lot of USB microphones in here, but give a few others for some options as well.
• Mac or PC? Luckily, both computer types and operating systems have a very common form of connectivity: a USB port. In that case, and paired up with the fact that technology is continuing to advance, we are getting some solid quality that wasn’t once available with USB mics. The other types of mics are also pretty versatile when it comes to PC or Mac — so to answer your question, it honestly doesn’t matter what type of computer you have. If there is a difference in compatibility with one of the computer microphones listed below, we’ll let you know.
• Your intended use – What do you plan on using your mic for? Some popular computer microphone applications include podcasting, vlogging, gaming, skype chats, group calls, voice-overs, music\vocal and instrument producing\recording (although we ultimately recommend some professional condenser microphones for that, you may be able to get away with some of these mics in here if you’re a beginner).

The top 10 best computer microphones

Blue Yeti

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Clik here to view.The Blue Yeti is considered by us as one of the best microphones for computers thanks to its versatility and super clear audio quality. This microphone will create some near-studio recording quality due to its tri-capsule technology and 4 available pattern settings (you also get some customizing with these settings). These features make it the best computer microphone because you can easily and flexibly record music, vocals, podcasts, interviews — easily adapting to individual needs with this single mic. It comes with controls for pattern selection, headphone volume, microphone gain and instant mute all on the front of the unit for some easy access. The Blue Yeti can also be folded, pivoted and adjusted – it is really versatile and adaptable. It requires 64 MB of RAM (so you’re good for pretty much any computer these days) and is compatible with Windows (XP and higher) and Mac OS X (10.4.11 or higher). You’re also getting some color options to choose your style. It’s often included in many microphone best-of’s, including Gizmodo’s best budget USB microphone article. This thing is one of the best computer microphones and won’t break your wallet, either.

Check prices of the Yeti: US | UK

Samson Go Mic

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Clik here to view.Samson is another one of our top picks when it comes mic brands, so it is no wonder that the Samson Go Mic is often declared as one of the best computer microphone options for a wide array of users. It is a plug and play mic, which means you can merely attach it to a PC or Mac (assuming they have a USB port of course) and start using it immediately – no drivers needed. You can use it for recording vocals, music and podcasts, Sykpe calls, or really anything (aside from perhaps professional music recording) which really makes it a versatile and capable microphone for a lot our readers. The 16-bit resolution with a frequency response from 20Hz to 18 kHz delivers some great (but not necessarily professional) audio features in a functional and compact design. We’d consider it one of the best microphones for your computer if you intended on traveling a lot, or if you merely want a snug mic to sit at the corner of your desk conveniently. It’s also a bit cheaper than the Yeti so if you’re willing to sacrifice customizing options as well as some audio quality, check this one out.

Check pricing of the Go Mic: US | UK

Razer Seiren Elite

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Clik here to view.The Razer Seiren Elite is one of the best computer microphones out there, especially when it comes to gaming. This is because Razer is an obvious heavy-hitter in the gaming gear market, but also due to its ability at covering our recommended necessities computer mics: versatility when it comes to uses, great audio quality, USB connectivity, stable build. and a built-in stand for out-of-the-box usage. In terms of the mic build, it comes with an aluminum stabilizing base which is excellent for recording and streaming in different situations and surroundings — it definitely won’t be breaking on you easily (if you take care of it, of course). Like the Yeti, the Seiren Elite allows you to use four different polar pattern recording configurations thanks to three custom tuned condenser capsules inside of the unit. It comes with exceptionally high recording resolution of 192 kHz and 24-bit (the highest audio resolution in this guide), which makes it the best microphone for computers if you were concerned with the audio quality it’ll give you. It also comes with a built-in headphone amplifier and zero latency output. Paired up with the base, there is also a shock mount feature to minimize the noise and further improve the longevity of your investment. If you have the budget, this rugged mic will bring your computer a very nice build and some super clear audio quality.

View price of the Seiren Elite: US | UK

Floureon BM-800

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Clik here to view.Up next, the Floureon BM-800 is one of the best computer microphones if you were looking for a cheap solution to save some money. It’s a condenser mic that comes with a shock mount (helps to reduce mic vibration and extra noise) in the package. It comes with very low self-noise and nifty cardioid pattern, which makes it an ideal choice for acoustic instrument recording, online chats, broadcasting, and VoIP. With 20 Hz – 20 kHz and a sensitivity of 45 dB plus\minus 1 dB, it won’t be bringing you professional or even semi-pro recordings but at least the essential needs of these specific specs. This one’s great for sound isolation, so there will be little outside noise and because it also comes with a foam cover that can be removed, it will do a great job at protecting your source from surrounding wind interference noise. This is an excellent condenser microphone that will actually exceed the needs of an average user if you were looking to save some cash in your search for the best microphone for your computer.

Check prices of the BM-800: US | UK

Shure MV5

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Clik here to view.The Shure MV5 is still pretty fresh in the market and we were very excited when they first come out with this. It has some excellent sound quality packed in a cool classic design. It is a great choice if you are looking for a high-quality USB condenser microphone that has the versatility to record audio, instruments, podcasting, video chatting and more. As read in our Shure MV5 review, it is the best microphone for computers due to its versatility, i.e. it can work with personal computers, Mac, and more. It comes with three DSP modes, two color choices as well as headphone monitoring options. As seen in the photo, there is also a convenient stand, and the box also comes with lightning and USB cables for easy connectivity in different settings. It comes with a max sample rate of 24-bit 48 kHz, which means that your recording will be of quality that’s up there vs. competitors (the same as the Yeti and Seiren Elite). Shure microphones won’t disappoint — I mean, we concluded that they make the best dynamic microphones in the world. It’s a little cheaper than the Yeti, so if you wanted a different option yet similar build and quality while saving a few bucks on top of it, this is a great option to consider.

View pricing of the MV5: US | UK

Blue iCE

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Clik here to view.The Blue iCE is another one of the best computer microphones by Blue, and it’s a great option if you are looking for a reliable, smaller-sized and self-sustaining USB condenser microphone. Aside from the previously listed Go Mic, we’d choose this as one of our top picks for best budget-friendly computer mics in the market today. It’s powered by a cardioid condenser capsule and will deliver some suitable quality of sound in different settings – smaller voice-over uses, podcasts, chats and even gaming. A frequency response of 20 Hz – 20 kHz and sample rate of 44.1 kHz/16 bit ensures your needed range for a mic, and the recording quality paired up with some omitting surrounding noise does an efficient job at portraying what you want to convey to others. What stands out about this one is the size, included desk-stand as well unique look. It doesn’t have any control on the unit and the polar patterns aren’t interchangeable, but if you can get by that, you can save some money here. As you can tell, we’re big fans of Blue Microphones.

Check pricing of the iCE: US | UK

Syba CL-ME-606

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Clik here to view.We couldn’t bring ourselves to include a cheap $5 stick mic for your computer, so this will suffice as a great option for those who didn’t want anything more than a simple solution to convey some sound into their computer. The Syba CL-ME-606 is considered the best option thanks to its ability to do only what we want and also offer a sleek and durable design. This omnidirectional condenser microphone is portable and simple to use; it comes with a convenient plug and play feature, which means you can use it on different devices without the need to download any additional drivers or software. It comes with a 3.5 mm stereo plug that is appropriate for the majority of laptops and PCs. With -38 dB +/- 2 dB sensitivity and a frequency range of 100 Hz – 16000 Hz, the Syba CL-Me-606 does just what a simple microphone should do — hook up to our computers easily and record\portray some sound to others.

Check prices of the CL-ME-606: US | UK

Samson Meteor

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Clik here to view.The Samson Meteor is a versatile and all-encompassing condenser microphone with a number of excellent features that make it one of the best microphones for computers for some. It comes with one of the biggest diaphragms (25 mm) of all USB microphones in the market. The Samson Meteor microphone has a clean frequency response, cardioid pickup pattern, and 44.1 – 48 kHz resolution, which ensures some clear recording quality. In the box, you’re getting a USB cable and a plug and play feature, which means you can use it anywhere and on every IOS, Android and Mac device. The front of the unit also has a volume control, which is super convenient as many would agree. Samson is great for middle-priced mics with great builds and quality. It made it into our best USB microphone under $100 for a reason.

View prices of the Meteor: US | UK

Tonor TN12326

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Clik here to view.Here we have another fan-favorite for mics that appeal to those on a strict budget. The Tonor TN12326 is a portable condenser microphone that is easy and convenient to use. It comes with a simple plug and play option and a 3.5 mm stereo plug that fits the majority of laptops and computers. You’re not getting USB connectivity with this one, but if you were able to use a 3.5 mm instead, it’s going to help you save a few bucks. The cardioid pickup pattern and clear frequency response will deliver excellent quality of recording sound in a variety of settings, such as voice calls, skype chat, etc. The TN12326 also comes with a small and flexible head that turns around 360 degrees and tilts up to 90 degrees which is convenient for those who think it’ll be a need in their intended application. There is also a convenient mini tripod for added ease of use. Just a microphone for computer here that gives you the raw essentials without much pizzazz.

Check prices of the TN12326: US | UK

Focusrite Scarlett 2i2 Studio

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Clik here to view.The Focusrite Scarlett 2i2 Studio gives us a big change of pace in regards to comparing this option to the others in here, but we wanted to put it last just in case it appealed to you. This is an obvious package that may be perfect if you’re in need of some headphones and an audio interface alongside your microphone (audio interfaces help provide external power and additional ins\outs for your headphones and other audio gear). It will reliably and with high clarity record voice, instrumental, and chats. Although we still recommend browsing our other guides if you’re into music production and recording, this is a solid options for beginners and starters. Thanks to it’s incredibly low latency and 20 Hz – 20 kHz frequency response, you will discover that the sound quality can be significantly better many others in here (for good reason — it’s a bit more expensive). Who knows, this may inspire you to grab a new pair of headphones, start that music career or merely make you stand out from the others in your additional computer microphone applications.

View price of the 2i2 Studio: US | UK

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Clik here to view.What is the best microphone stand? Which stand should I buy to keep my microphone safe and secure? Now that you have your microphone and studio or live setup ready to go, you need a nice stand that will top it all off (unless you’re into holding your mic in the studio or on stage). Our ultimate pick ended up being the Pyle-Pro PMKS5, but since there are a few different shapes, sizes and types of mic stands, we found a few more and listed their highlight features, specs, and why you should buy it to help provide some options.

Picking the best microphone stand

• Money – Although the best microphone stands aren’t expensive at all, the overall total of your microphone, stand, and other needed accessories may start to add up. We do recommend going with a higher-end model (like the Pyle-Pro) since it’s only a few bucks more than the super cheap stands out there, and it provides a lot better quality, will give you longevity, and keep your work flow going steady.
• Intended use – The two main differences in mic stand uses will be either recording in a studio or performing live (this assumes you travel with it as well). We give you our pick for each. Not so fast, however — there’s another great option for those who will be using their mics at their desks, which we list as well.
• Extra mic accessories? Pop filters, shock mounts, carrying cases and more. Which necessities do you also need to complete your setup? A lot of these only come with the mic stand, so keep that in mind.

The best microphone stand

Pyle-Pro PMKS5

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Clik here to view.At number one, we feel the Pyle-Pro PMKS5 fits many microphone user’s needs (at least those looking for a traditional stand) and is also highly rated by many when it comes to the effectiveness of the build and features it provides. The PMKS5 holds a die-cast and steel construction, very nice sleek black finish, a decent light weight (not too light) at 8.8 lbs if you intend on traveling with it or need to move it around frequently, as well as an included mic holder (will definitely keep those condenser microphones sturdy). In case you have multiple users, feel like sitting down at times or play multiple instruments, you also have a nifty height adjustment from 33.5″ to 60.24″. We love the Pyle-Pro PMKS5 because of its affordable price yet it isn’t too cheaply made as compared to some other low-budget mic boom stands out there. We feel that this is the best one to buy, especially if you’re in a studio (or perhaps perform live at times — otherwise, our next pick is the best for being on stage).

Samson MK-10

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Clik here to view.Here’s one of our top picks for the best microphone stand for performing live. Some other notable uses we’ve seen are karaoke, education, and house of worship. The style of the Samson MK-10 is a bit different from the previous model listed. The Pyle-Pro has a large, steel circular plate as the base (a bit harder to travel with), while this MK-10 model is a collapsible boom stand (makes it extremely easy to transport) down to 25″ (as seen in the photo). The constructed design is also of steel and the nice black finish makes it aesthetically pleasing, regardless if it’s in your studio on the stage and it’s compatible with those popular dynamic microphones for those who perform. The package also comes with a mic clip for extra help. Also keep in mind that you won’t be forced to only perform live with it, and it’ll be more than feasible to use in your studio as well.

Neewer Suspension Scissor Arm Stand

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Clik here to view.Here’s an amazing solution for those who weren’t into the traditional tall microphone stand. If you’re planning on merely sitting at your desk and need to keep that microphone positioned well on your tabletop, here’s a great solution. The Neewer Scissor Arm Stand clamps (it comes with the clamp) to your desk wherever you’d like, has a max diameter of 32 mm, and has an adjustable scissor arm to help your custom needs (also makes it easy to travel with if you want). This is one of the best microphone stands if your use doesn’t involve standing and you need some added convenience to your setup. It’s ideal for podcasting, vlogging, gaming, broadcasting video and phone chats and more (really anything you’ll foresee yourself doing while sitting down). You can also check out their Neewer NW-35 (a bit more expensive but it comes with a built-in XLR cable as well as shock mount).

On Stage Stands MS7701B

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Clik here to view.This a similar design to the previously listed MK-10 model, and it’s especially great for those who prefer the tripod bottoms that collapse. With the On Stage MS7701B, you have a boom length of 30″, height adjustment of 32″ to 62″, and a base spread of 24″. The midpoint crutch is steel and can lock to make sure it doesn’t fall on you during your recordings and performances. It provides us the essentials of the best mic stand: a solid build, some adjustable height, and folding mechanisms to help with travel or storage. When it comes to this model vs. the previous Samson mic stand, we’d say grab whichever is cheaper at the moment. This is just another option for a traditional mic stand in case you weren’t feeling the previously listed models.

Hamilton Nu-Era KB810M

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Clik here to view.Up last, the Hamilton Nu-Era KB810M is another convenient solution for a desk top if that’s what you’re looking for in a microphone stand. Here’s one of the lightest (and cheapest) microphone stands worth taking a look at. The smaller and lighter size may actually be what you’re exactly looking for. You have an adjustment of 10″ to 16″, a weight of 10 ounces, and it also comes with a nice package: mic clip, mic pouch as well as bag are included. If this thing is compatible with your microphone is really a question for you to consider — we’ve heard a lot of the popular condenser microphones not working with this since they’re too heavy (rightfully so, it only weighs 10 ounces), so keep in mind what mic you have (or mic you will be buying) and if they will be compatible with each other. If your microphone is going to be too heavy, we still recommend grabbing one of the other stands we listed, otherwise this may be the perfect solution for you if it’s suitable for what you have.

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So you’ve finally grabbed the perfect microphone to begin recording or performing, but still need a specific device to power it up? The best microphone preamps in the market today come with many capabilities aside from merely providing some phantom power to allow your microphone work, and depending on which route you go, can do wonders for your current setup in terms of expansion, upgrading, and standing out from the rest. Today we took the time to review the top 10 best microphone preamps out there worth looking at, however come with a few extra factors when it comes to determining which is best for you.

Picking the best microphone preamp

Before getting into our list of the best microphone preamps, there are some requirements to look into first. Although our two favorite resources (Sweetwater’s mic preamp guide as well Musician’s Friend’s preamp buying guide) explain this in a bit more detail, we’ve done our own research from multiple educational sources to give you some insight into the preamp selection process before you pick the best model for you.

• Price-point – This will begin our preamp requirement since money is always first. Since there are so many options out there in the preamp world, the amount of money will steer you in a particular direction (or perhaps encourage you to save up a bit more before buying yours). There are some (and only a few) within the $100 rage, while others can be 2, 3 and even 4 times this amount (most of the professional solutions hit a grand or more).
• How many channels? Aside from price, here’s the most important factor of your decision. The most popular microphone preamps come with either 1-channel (for one microphone at a time), 2, 4, 8 and more. To put it simply, however many mics you plan on using (keep in mind at the same time) with your preamp will need their own channel. Are you performing live with a big band? You’ll need a bunch. Recording in a studio with a few instruments at a time? Perhaps 4-channel or even 2-channel may suffice, since recording the different instruments\members can be done separately and not simultaneously.
• Type of preamp – The most popular and best microphone preamp models come in either a tube, solid state or hybrid type. This will largely affect the overall sound of your output. Tubes are known to be harmonious, while solid-state are more “digital-sounding”, crisp and clear. Hybrids on the other hand entail both of these (for quite a bit more money). We tried to include a variety below.
• Ins and outs – Aside inputs and outputs in a mic preamp in terms of count, there are also different types of I\O’s out there (some with hi-Z direct input for a bit more money as opposed to standard). If you’re unsure of the types of I\O and don’t see yourself being concerned with this, just keep in mind how many ins and outs you’ll need (now as well as the future). Are you recording or performing bass, guitar and additional instruments that require something aside from your desired microphone XLR input channels? Keep the count high.
• Extra features? Aside from preamp types, ins and outs as well as channel count, there are some additional features they provide that may or may not be of use to what you foresee yourself needing. Here are some popular features people tend to lean towards: VU meters, large impedance ranges, ADAT output, hi-Z switches, rack-mount compatibility, low and high-pass filters, and more.

The top 10 best microphone preamps

ART Pro MPA II

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Buy in US | UK

If you are looking for one the best microphone preamps in the market today, then the MPA II is a very solid model that’s reviewed highly by many. We went with a simple dual-channel tube model to begin our list since it will fit the build for a majority of preamp searchers; however, keep in mind we found it difficult to choose an exact best since (as stated previously) since it really depends on a few needs of yours. To highlight, and although highly affordable (at least compared to other 2-channel tube preamps), there are lots of powerful professional characteristics which will make this mic preamp a positive addition to any studio for projects or mobile recording\performing. It is a 2-channel tube model powered by a 48-volt phantom engine, has big VU meters and impedance with selectable input as well as stereo and dual mono support. There’s a convenient mid-side mic switch that will enable versatile and flexible usage and with the variable impedance (ranging from 150 to 2400 Ohms) you’ll also be getting a flexible mic sound. Aside from this, there is also a low-cut filter for each channel that will help sort out possible problems with background noise and rumbling. For build, you’re getting a solid chassis here that won’t break on you easily, and this mic preamp also comes with an appealing color LED front-display and lit up switches of functions for easy and practical visibility over the controls. The ART Pro MPA II is an amazing solution for those looking for a 2-channel tube microphone preamp that comes at a pretty affordable price-point that we highly recommend if it fits your checklist.

Cloud Cloudlifter CL-1

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Buy in US | UK

Up next, we wanted to keep the beginning of our list relatively simple, and here we have one of our favorite single-channel microphone preamps available in the market today. When it comes to desirable qualities of the best microphone preamp, you probably want to hear about impedance and gain, and this one helps us out in that regard well. It provides passive mic signals with a powerful inline boost of up to -25 db gain. You are also getting perfect self-sustainable phantom power, which is great for ribbons and dynamics mics to provide some pretty professional-sounding and clean sound without background noise. The Cloudlifter CL-1 is easy to use and will perfectly support all passive mic models, improving the function of mic signals by pushing solid sound through your long XLR cables. This makes it an ideal choice for live performance and broadcasting but pretty versatile for studio usage as well. A few more highlights of this is the fact that it comes with JFET circuits that ensure crisp gain while at the same saving all the natural sound qualities of the resource. Designers have gone one step further and gave this mic preamp a rugged and stylish design that will be considered a long-term investment if you take proper care of it. The Cloud Cloudlifter CL-1 is perfect for those looking for a simple solution, single-channel mic preamp that also helps you out with a few essential features you’ll be needing to accommodate your microphone setup.

Focusrite OctoPre MkII

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Buy in US | UK

Up next, we begin to delve into the larger channel counts and digitally enhanced microphone preamps in the market today. If you are looking for the best microphone preamp in terms of multiple channels affordability, then the Focusrite OctoPre MkII is definitely one to take into consideration. It comes with 8 pre-amplification channels and inbuilt ADAT output with 24-bit and 96 kHz power for excellent sound quality in different settings (usage in a studio, a live performance, broadcasting, seminars, etc.). This will enable you to get the best out of ADAT inputs, which makes it perfect for a variety of preamp inputs on the interface. You’ll be provided with will provide 20 Hz – 20 kHz (+/- 0.1 dB) frequency response for clean sound and minimal presence of background noise (EIN larger than 125 dB). The mic gain is in the range of plus 10 dB to plus 55 dB and will provide four channels per individual port (at 88.2 and 96 kHz, which means that you are getting more than enough phantom power for all the preamp needs you have). The build is also fantastic, with easy-to-use rotary knobs on the front that won’t breaking anytime soon. The Focusrite OctoPre MkII is awesome not only because Focusrite is a brand we can trust, but the quality of this is unmatched, especially if you’re in need of 8-channels.

Grace Design m101

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Buy in US | UK

Up next, we have one of the best microphone preamps out there right now that’s great for those in need of only one mic channel but are very concerned with power and sound quality. It comes with a trans-impedance topology of circuits that is at the same time well-balanced without the use of transformers. This thing will deliver some very clear sounds with minimum background noise thanks to its amazing headroom and bandwidth (unmatched by many other single-channel preamps out there). The gain ranges from 10 dB to 75dB and the m101 notably comes with a unique universal switch off, which will take a large range of voltages from 100 to 240V. The front panel is designed with a black anodized and laser black surface, which gives us sleek usage in different visual situations (super sturdy for longevity as well). Additionally, all switches come with indicators in LED lights as well as a HPF switch and 48V phantom power. The Grace Design m101 comes with a ribbon microphone mode that will bypass decoupling input capacitors and raise input impedance in case you’re using that type of mic. As you can see, the Grace Design m101 is definitely one of the best microphone preamp options for near professional usage in the studio or live performances. We’d say grab this over the previous single-channel preamp pick due to the obvious increase in overall quality — just make sure it fits your budget and you’ll be using the features that justify it’s price.

PreSonus BlueTube DP V2

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If you haven’t heard of PreSonus yet, they’re quite popular in the audio interface game, and this mic preamp continues their excellence when it comes to overall quality and build of their music gear. This is a 2-channel, dual-path mic/instrument preamp. It’s super compact (rivals audio interfaces and even looks like one), pretty affordable, has a nice range of tones to give you a wide area to work with. With the two independent channels, there are XMAX Class-A solid-state preamps for each, allowing you to choose whether or not you want your sound to go through the tube preamp. We love this little feature since it gives you some more room for creativity and tweaking of sounds if you like to experiment. In terms of I\O, there are two combo mic/instrument inputs and unbalanced 1/4″ and balanced XLR line outs. You of course have phantom power but also a -20 dB pad for hotter input signals, some polarity reverse as well as a black VU meter. The PreSonus BlueTube DP V2 is awesome for the price, especially if you only needed 2 channels to work with your microphones.

Solid State Logic Alpha VHD

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Before we begin with this one, check out the price first, but also understand that it is justified for numerous reasons. What makes the best microphone preamp for a variety of uses if money didn’t exist? How about getting a preamp with 4 channels, more variable controls than we can count of the harmonic drive (four independent variable harmonic drive systems), hi-Z switches, phantom 48V power and 20 dB pad? These are features of the Solid State Logic Alpha VHD, which will deliver transparent and clean audio and a variety of audio characteristics for studio use, live performance or broadcasting. As we delve into the professional realm of mic preamps, the four channels of this one enable up to 75 dB of gain and variable circuitry will deliver versatility on the signal chain, providing harmonious distortion of the source sound. The VHD Controls are located on the front panel and the wiring is on the back to remove all the mess and enable comfortable, easy usage. All of the controls are LED illuminated and there are individual inputs and outputs for each of the 4 channels, which allow a sharper control across the channels as opposed to what many other preamps can give you. The Solid State Logic Alpha VHD is a beast.

DBX 286s

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Here’s one of the most affordable 4-channel mic preamps that includes a surprising amount of additional features needed for a variety of uses. There is input gain control, 48V phantom power that can be switched, as well as an 80Hz high-pass filter that will definitely cut off any humming sound on lower frequencies. The unique ‘OverEasy compressor’ in this preamp will allow you to smoothly overcome all low quality acoustics on tracks or during live performance — something that not every preamp can handle. The DBX 286s comes with a nifty little ‘De-Esser’ that can be tuned based on frequency to give you a little more freedom when customizing those vocal tracks. The ‘Enhancer HF’ equips you with being able to further fine tune the sound to adjust the quality per your interest. You can make it smooth or extra crispy with highs or bassy lows – a lot of custom tweaking here. The DBX 286s is an excellent microphone preamp that will deliver us very solid quality of studio amplification, which will enable you to reach studio quality of sound. We recommend it if you wanted 4-channels while still saving some money and plan on being around vocals frequently.

PreSonus DigiMax D8

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Here we have another appearance by the lovely PreSonus, and here we have another 8-channel mic preamp here, and it rivals the previous Focusrite model listed since it’s often found for a bit cheaper around the net. Thanks to its technically advanced features, this is definitely one of the best microphone preamp options for different types of uses: in the studio, during live performance or for broadcasting. Aside from the whopping eight channels, it comes with a 24-bit ADAT output, 24-bit / 48K resolution (A/D converters), class-A preamp (with balanced analog output), and is 1U rack-mount compatible. These elements will ensure great front end or expansion for other digital audio devices. It also comes with a mic preamp boost that will add up to 400 times the microphone’s level to get smooth, quality highs and deep lows for some very clear and accurate sound quality. It provides the essentials in a preamp, with 48V phantom power, quick LED meters as well as 20dB padding. There is also a lot of I/O for variable control for every preamp channel in case you were concerned with that as well. The PreSonus DigiMax D8 is an excellent choice for  high-quality digital audio, and is quite affordable considering it gives us numerous additional features, ins and outs as well as eight channels.

Art Tube Opto 8

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As we near the end of our shopping guide, we have a little gem here in the preamp world. The Art Tube Opto 8 is an eight channel model with a 24-bit ADAT I/O, quite a few 1/4″ ins and outs and nice 70dB of gain. This is a flexible preamp that will enable you to really pump up the sound quality during studio recording and live performance. Every one of the 8 channels comes with an excellent vacuum tube mic preamp and XLR inputs for a ton of the flexibility that is sometimes asked for those sound engineers. The Opto 8 easily integrates with your studio gear — you can quickly connect all eight channels to any ADAT-equipped audio interface thanks to it’s built-in light pipe. There are also word clock connectors that will help harmonize all of your digital gear. On top of all that, the Opto 8 comes with two hi-Z instrument inputs that are located on the front panel. All the other wiring is on the back so that you don’t have to mess with numerous wires during usage. The ART Tube Opto 8 is definitely one of the best microphone preamp options for all of the technically advanced features it brings aside from the needed amplification. It’s also pretty affordable and competes with the others in its class when it comes to price point.

Behringer Ultragain PRO MIC2200

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To top off our list, here’s one of the best budget-friendly microphone preamps out there right now, and it’s no surprise we see that Behringer brand name here. We love their music gear for home studios and those looking to grab affordable music equipment that still provides a pretty powerful punch. This discreet and noise minimizing preamp comes with a built-in 12AX7 tube that will ensure very musical, harmonious and decent-quality sound. In terms of the internal build, it comes with conjugate transistor paired circuits and a very wide bandwidth (range from 10 to 200 Hz for very diverse, open sound quality). There are also parametric full EQs that come with determined central frequency, level and bandwidth controls. You have a line driver that can be independently controlled to cover from -10 dBV up to +4 dBU level, which provides just the essentials for those needing a little boost in their mics. You can easily and confidently tune and switch the 12 dB filter, and the phase reverse that can be switched will help solve any problems in that regard if they arise. As you can see, it also comes with LED metering with 12 segments that will level the output, which is always a plus. The Behringer Ultragain PRO MIC2200 is a simple solution for those needing a little boost to their tracks for recording or performing.

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Clik here to view.When it comes to filming those beautiful YouTube videos, there’s more to just having some 1080p HD or even 4K video quality. Many of those who make YouTube videos semi-pro or even professionally at times may forget about an entire half of the equation — what about the sound? Fortunately for us in this day and age, microphones for YouTube videos come at a pretty affordable price (depending on what you’re after). Since we’re mic experts, we wanted to cover the base for all YouTubers when it comes to elevating that sound quality for your videos. Let’s get into the top 10 best.

Selecting the best YouTube microphone

• What kind of YouTube videos? This is definitely one of the most important questions we’ll ask before you continue reading, being that the “best microphone for YouTube videos” may span to quite a few different directions. The reason you’ll need to review what kind of videos you’ll be filming for YouTube is because it will entail you to look into what type of microphone you should buy. We cover most of the indoor uses in our list since we have some separate guides for the more rare types, which we explain below:
  • USB microphones: Remaining one of the most popular microphones for more than half of the video types in the YouTube video world, we list this first and many in our top 10 due to the popularity. They’re great for anything you’ll be filming at or near a computer: podcasts, vlogging, gaming walk-throughs, interviews, and more.
  • Camera microphones: Those filming outside with their camera or even indoors without a computer near may need an external microphone for their unit. Check out that guide as we have quite a few different solutions if you’re a YouTuber interested in the application.
  • Lavalier microphones: These are the little clip-on mics we’ve seen more common in non-intrusive interviews, seminars and performances, and more. Although they aren’t as common, you may be interested in filming some videos outside where the mic can’t be seen (perhaps pranks as well).
  • iOS microphone: Even though it’s definitely rare, we do know of quite a few YouTubers who make their videos on their phones! Check out that guide for some more in-depth info on smart device mics if that’s you.
• Your budget – Now that you’ve decided what type of microphone you need for your YouTube videos, now your budget will come into play. There is a pretty big range here since it really depends on what type of mic as well as the overall quality you’re looking to grab. We cover all price-points in here to give you a feel for what’s out there (in case you decide to go lower or even save up some more cash if you aren’t satisfied).
• Additional accessories – Do you have the rest of your gear? Microphone stands, shock mounts, pop filters, cases if you’re traveling, specific microphone patterns and more may come into play when you’re factoring in your budget since some of these come in packages, while others sold separately. We’ll list if they do come with some extra gear to help your decision.

The best microphones for YouTube videos

Blue Yeti

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Clik here to view.If you are looking for an immediate answer to the best microphone for YouTube and need a USB mic for the types of videos you’ll be filming, you should definitely consider the Blue Yeti. The reputation this thing has alone gives us confidence to mention it time and time again in many of our guides. Although the price-point isn’t necessarily “cheap”, the quality it delivers for competitors in its price-range is unmatched. It comes with 16-Bit/48 kHz resolution and the option to choose between four different polar patterns (stereo, omnidirectional, cardioid or bi-directional) – elements that will give you versatility and excellent results if you intend on either using it in different applications or want to mess around with the feel of it. This microphone comes with a built-in headphone amp that has great gain, which will provide you the option to monitor results without latency. For easy and intuitive usage, right on the microphone you have controls for mute and gain control. The USB microphone comes with a little stand and the option for folding that will enable easy positioning and transport. Another convenient detail that makes it one of the best YouTube microphone choices is its compatibility with both Windows and Mac. It’s amazing for vlogging, commentary, and more — we even know some who record their songs with this thing. It also made it into our best computer microphone guide.

Check pricing\reviews of the Yeti: US | UK

Apogee MiC 96k

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Clik here to view.The Apogee MiC 96k is another one of the best microphones for YouTube if you’re at or near a desk and a USB mic is what you’re after. It will deliver excellent quality of sound very similar to what you expect in the studio (we’ve heard quite a few musicians use this for some vocals or acoustic recording). It connects to Windows and Mac devices as well as any smart device with a 3.5mm, which will enable easy recording of some high-quality external sound for those videos regardless of what you’re using (you can get away with using it with cameras as well, perhaps just not outdoors). For technical specs, it is equipped with cardioid polar pattern and an easy USB connection for great plug-n-play ease of us. You have up to 96 kHz/24-bit HD recording, ‘PureDIGITAL connection’, and combines a microphone, microphone preamp and an A/D converter into one device. What also qualifies this microphone as the best mic for YouTube is its versatility for different types of voices and uses. Engadget’s MiC 96k review has some more information on it.

Check reviews\price of the MiC 96k: US | UK

Focusrite Scarlett Studio Pack

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Clik here to view.Coming in as the best YouTube video microphone combo package, the Focusrite Scarlett Studio Pack is definitely one of our favorites not only because of the quality it brings but the money you’ll be able to save if you needed headphones and an audio interface as well. It is equipped with the famous Scarlett 2i2 audio interface, which works as not only some preamp and phantom power for the mic but also a unit to keep your numerous ins and outs handy (you can adjust gain on there, too). In terms of the microphone, it isn’t necessarily a fancy studio-quality beast, but is a viable condenser microphone that comes with everything you need for up to semi-pro quality recording that’ll up the ante for any type of YouTube video audio. You are lastly getting some monitor headphones which are arguably mandatory for a produced sound quality check — they’re comfortable and get the job done. The Focusrite Scarlett Studio Pack can be connected to either Windows or Mac for technical freedom, and in the package you will also get a helpful low-noise mic cable for interface and mic connecting. This may be the perfect solution for you, while for others a bit too excessive.

View pricing\reviews of the Studio Pack: US | UK

Rode NT1-A

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Clik here to view.Now we start to get into the studio recording microphone realm, so if you were first and foremost concerned with achieving the best sound quality available at the moment, here’s a start. The Rode NT1-A is one our favorite condenser microphones — a high-quality YouTube mic that will offer you excellent vocal recording and playback capabilities thanks to its advanced functionalities and stable build. It is equipped with a large one inch capsule and allows a cardioid polar pattern, which makes it an excellent choice for vocal usage in any type of video application (really out-duels any standard USB mic in this regard). What also could make it the best mic for YouTube is the fact that it is an extra low noise mic with just 5 dB of self-noise, which makes it a great choice for recording to prevent as fuzz or hiss. With this microphone you are getting lots of dynamic range and a true condenser capsule. Just keep in mind you’ll either need some extra phantom power or an audio interface to make it work (it comes with a little phantom power unit in the box). Grab it if you want near-professional sounding video quality.

Check pricing\reviews of the NT1-A: US | UK

Razer Seiren Pro Elite

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Clik here to view.The Razer Seiren Pro Elite definitely qualifies for the category of the best microphone for YouTube videos if you wanted a higher-end USB mic, especially if you’re gaming as well. With its built-in three 14 mm condenser capsules that are custom tuned in order to offer four recording patterns (cardioid, stereo, bidirectional and omnidirectional), you’ll be able to use this mic with equally excellent results for a variety of purposes: voice-overs, interviews, vocals, acoustics, etc. The Seiren Pro Elite is also equipped with a built-in headphone amplifier that will work with any and all 3.5 mm connected headphones. Thanks to its capability to deliver near-zero latency output when plugged directly into the mic, you can count on an accurate recording in every situation. The XLR output is another thing that makes this mic the best for YouTube because it allows you to connect several microphones to a mixing board or audio interface if you already have one or plan on buying one along with it.

View price\reviews of the Seiren Pro Elite: US | UK

Rode NT-USB

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Clik here to view.If the previous Rode NT sparked your interest but it was a tad bit too expensive for you or you still wanted a USB solution, consider the Rode NT-USB. This is a great solution that works with both Windows and Mac and bit more fresh in the market as compared to others in the category. The fact that it comes with loads of equipment also makes it considered by many as a solid solution: you are getting a mic mount, desk stand, pop filter, pouch for storing and USB cable together in a nice combo package to take away dealing with buying additional gear. The front-unit 3.5 mm stereo headphone jack that will ensure zero latency for some great accuracy as well. The NT-USB also comes with mix control directly from the mic and source, which enables easy and convenient usage. With a great frequency range from 20 Hz to 20,000 Hz, you can count on some decent sound quality for all of your recordings. We’re not saying you should buy it just because it’s made by Rode, but that brand name definitely helps give us confidence if you were concerned with legitimate build and sound quality, regardless of the price-point.

Check reviews\prices of the NT-USB: US | UK

Samson Go Mic

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Clik here to view.The Samson Go Mic is an excellent addition to the array of their microphones and has been for quite some time now. This USB microphone surely qualifies as a contender for our budget-friendly and traveling mic pick. It can be used both with Windows and Mac computers, and its technical capabilities make it an excellent choice for those who aside from their YouTube videos are using it for podcast recording, music or interviews, online chats, conference calls, etc. With this microphone you are getting decent-quality condenser capsules that offer two recording patterns: omnidirectional and cardioid, which gives you a custom approach for different recording scenarios. Another thing that makes this microphone one of the best microphones for YouTube is it’s ability to fold, resembling the size and shape of a wallet. Its wide frequency response from 20 Hz to 18,000 Hz as well as its 16-bit resolution also helps, which combined together guarantee satisfactory results considering the price. Sound On Sound’s Go Mic review explains it in more detail, but we’d definitely recommend this one if you’re traveling and wanted something easy on the wallet.

View pricing\reviews of the Go Mic: US | UK

Audio-Technica AT2035

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Clik here to view.Up next, the Audio-Technica AT2035 is a versatile mic by another one of our favorite audio brands that will function equally well in both semi-professional and home usage, which is why many people consider it to be the best YouTube microphone if you weren’t feeling our previous picks. It’s just another option for those needing a more studio-like condenser mic feel. You can switch between the 80 Hz high-pass filter as well as the 10 dB pad, which means that it will reliably take care of high sound pressure levels (more geared towards louder instruments like drums or those who sing\rap loudly, but it won’t hurt). This microphone has a big diaphragm that will ensure pick-up of what’s in front of it at the same delivering a very natural, warm and clear sound. It also provides a dynamic range that is quite wide. Sound isolation is ensured by its unique internal build and is additionally backed up with a built-in cardioid polar pattern that in the end makes this mic a great option for a variety of YouTubers out there.

Check reviews\price of the AT2035: US | UK

AKG C214

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Clik here to view.Here’s another one of our favorite studio-grade condenser microphones, and with this one we have an ultra-wide diaphragm to pickup any and all of what’s in front of it. The AKG C214 is not only famously reviewed by many due to its longevity and sound feel, but this microphone presents an excellent ratio between quality and the price you are paying for it. It comes with a dual capsule system and a unique back-plate design that ensures some excellent production quality. It is equipped with a 1” capsule with built-in suspension that will aid to reduce outside noise and the 20dB attenuation pad can be switched to enable recording of loud sound sources or conversation (up to 156dB). Another element that might make this one the best mic for YouTube is its unique bass-cut filter that allows recording from a close proximity with barely any negative effect. This thing was rated extremely highly in the AKG C214 user review we just read as well. It’s a bit more expensive than our previously listed studio condenser mic but well worth the money if you wanted something higher in quality.

Check pricing\reviews of the C214: US | UK

Blue Snowball

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Clik here to view.The Blue Snowball tops off our list as another one of the most popular mics by Blue. It’s a bit smaller in size than a few others in this guide, and we highly recommend it if you’re filming YouTube videos at your desk and want something snug to fit right in the middle of your other gear. It comes with dual pattern recording options (cardioid and omnidirectional) and convenient USB connectivity for easy access and transfer of your recordings on a Windows or Mac. The switch with -10 dB Pad confidently enables minimization of distortion in situations when sound is at a high level. The Snowball comes in a package together with a stand and the mentioned USB cable that will enable you to get right into action right when you open the box, and at a cheaper price than most (rivals the Go Mic by Samson), surely qualifies this one as yet another one of the best mics for YouTube videos, especially if you’re on a tighter budget and can’t afford to spend hundreds on yours.

View prices\reviews: US | UK

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Clik here to view.Searching through the rubble to find the best microphone under $100 can be tough, so today we wanted to focus on this specific price-point to help your shopping endeavors. As we’ve seen thus far in many of our shopping guides, microphones come in many different shapes and sizes to help accompany many different types of applications and people. That’s why finding the absolute best microphone under $100 may be a tough answer to completely answer, so today we found a list of our favorite mics of all time that fall under a Benjamin. Let’s take a look at what we found.

Picking the best microphone under $100

• Your exact budget – We saw in our best microphone under $50 that even in the lowest price-point of mics, your exact budget will be important. Do you want a mic that hovers at or around exactly $100? Perhaps a budget-friendly near the $50 mark? You may even change your mind after browsing the selections to end up saving up some more cash before making your purchase.
• Type of microphone – There are quite a few different types of microphones in the world today and as stated previously, we’ve found a bit of everything under $100 to give you some options. USB microphones are great for most computer applications, condenser microphones for recording in studios (vocals and instruments), dynamic microphones for performing live on stage or recording louder instruments (such as drums), etc.
• Extra gear? Since we’re on a strict under $100 budget here, we want to make sure you have the necessary gear planned ahead. It does ultimately depend on what type of microphone you buy (since a lot of USB mics are plug-and-play and come with their own stands), keep this in mind as you factor in your budget and envision your microphone setup. Some popular extra microphone equipment includes microphone stands, shock mounts, cables, windscreens and more.

The best microphones under $100

Blue Snowball iCE

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Clik here to view.If w had to choose one of the best microphones for under $100 to list first, the Blue Snowball iCE just takes the cake. Blue Microphones is a very popular brand nowadays, especially when it comes to USB microphones. The iCE is rated super high among users due to the quality to price ratio we get with it. It comes with 16-Bit/44.1 kHz resolution and the option to use a cardioid polar pattern, which will deliver some solid versatility and audio quality results. It comes with a desktop stand, USB cable and simple to use plug and play option. Another convenient detail that makes it in our opinion the best microphone under $100 is its compatibility with both Windows and Mac. This is a versatile microphone that will deliver crisp and clean sound thanks to its condenser capsule that has been custom designed. In regards to application, it’s suitable for those mic users in different types of usage (which is why we listed it first) – while recording vocals (home studios, although we still recommend a condenser mic for this), instruments or band music. It also made it into our best computer microphone guide so if you were planning on incorporating this into your office setup, it fits quite snug on your desk for podcasts, gaming, Skype calls and more. The only use we wouldn’t really recommend the iCE for is recording vocals for music or performing on stage, which we list further down.

Check pricing\reviews of the iCE: US | UK

Audio‑Technica AT2020

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Clik here to view.The Audio‑Technica AT2020 is a high-quality condenser microphone with not only an amazing reputation but quality that will offer you great vocal recording ability thanks to its numerous functionalities. We do want to note that there is a possibility this one hovers above our price-point, but we included it because we’ve seen it under $100 frequently (you never know with websites fluctuating prices). The AT2020 gives us a cardioid polar pattern, which makes it an excellent choice for vocal usage because it minimizes rear and side sound pick up, enabling the user to focus on the desired sound resource. What also makes it a contender for the best microphone under $100 is the fact that it is a really low noise mic, which makes it an excellent choice for recording with some additional equipment (you’ll need at least an audio interface since it’s an XLR port). With this microphone you are getting a lot of dynamic range to record most instruments you may have alongside your voice (the only instrument we wouldn’t recommend is drums, although you can get away with it if you have to). Along with this excellent mic, you are also getting a pivoting stand mount in the box. Definitely check this option out if you are looking for the best microphone under 100 dollars and wanted a high-quality condenser microphone. You can also check out their USB version of this mic, the AT2020USB.

Read reviews\price of the AT2020: US | UK

Shure SM58

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Clik here to view.The Shure SM58 is one of the most famous microphones of all time. It definitely qualifies for the category of the best microphone under 100 dollars if you’re looking to perform live or record instruments with a high sound pressure level (SPL). With its 50 Hz to 15 kHz frequency range that will perfectly suit vocal recordings and more, you will be able to use this one with solid results for a number of other purposes as well: voice-overs, interviews, events, acoustics, etc. The SM58 is manufactured with quality in mind, and you can see it at first glance, especially the build (this thing can potentially last you decades). It’s equipped with a shock mount system and built-in pop\wind filter for ultimate reduction of background sounds and offers a built-in dynamic cardioid pickup pattern. The stand adapter that is rugged and resistant to breaking also makes this mic the best microphone under $100 because it permits the user to connect several microphones to a mixing board if that’s what you intend to do. Even if you choose something else, many consider the SM58 but something like a hammer to a garage — we all need at least one in our arsenal.

Check price\reviews of the SM58: US | UK

Samson Meteor

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Clik here to view.Although it is on the middle-end of our target budget range, the Samson Meteor will deliver excellent quality of sound for a smaller-sized USB microphone. It connects to both Windows and Mac devices via plug-and-play as long as you have a USB cable, and since it has a stand built-in to the mic itself, you’re good to go without needing to buy an extra grear. The Meteor is equipped with a cardioid polar pattern and has great versatility for different recordings: podcasts, online calls, gaming, even lower-end studio vocals. Although it isn’t an obvious expensive condenser mic, the sound will always be pretty clear and free of distortion. The converter and preamp of the Meteor will aid in replicating the sound of your instruments and allow you to create really magnificent audio for voice-overs, music, interviews or podcasts. This one’s great if you wanted a USB mic and had a bit of a strict budget as compared to others.

Read reviews\prices of the Meteor: US | UK

MXL 990

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Clik here to view.If you are looking for the best microphone under $100 and wanted a tank-like build in a condenser mic, the MXL 990 is definitely a good choice. It is equipped with a FET preamp and a big diaphragm, which makes this microphone everything you need for studio quality recordings of all types. This mic will pick up sound from your instruments and vocals to create a crystal clear end result. This mic comes with wide frequency response, ranging from 30 Hz to 20.000 Kz. The MXL 990 can be connected to either Windows or Mac for complete technical freedom, and its design is very attractive – vintage-styled in a retro champagne color. Just keep in mind you’ll need some type of phantom power or audio interface to power this thing up. Another important element that could make it the best microphone under 100 dollars is that it reproduces highs and lows with excellent clarity, something all should look for in a studio microphone.

Check pricing\reviews of the 990: US | UK

Floureon BM-800

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Clik here to view.Talk about affordability. This one is definitely the cheapest condenser microphone we’ve seen worth looking at, and although we recommend going higher if you’re looking to record at least in a home studio setting, this can get the job done if need be. The Floureon BM-800 is a highly rated condenser mic that can be connected via XLR and it works with both Windows and Mac, making it a versatile microphone for all of your recordings. Since it isn’t one of the heavy-hitter brand names in the microphone market, this paired up with the fact that it comes with a shock mount makes it often considered as the best microphone under 100 dollars for looking to save money. It includes a hand holding part and a metal shield net. Regarding technical specs, the BM-800 comes with a frequency range from 20 Hz to 20,000 Hz, which means that you can count on a decent range of sound quality. Just keep in mind you’ll need at least 48 volts of phantom power, which doesn’t come in the box. Nothing too eye-popping here, but we love this one for those who don’t want to spend an arm and a leg on their microphone and external gear.

View prices\reviews of the BM-800: US | UK

CAD U37

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Clik here to view.The CAD U37 mic is an excellent solution, and it surely qualifies for consideration as the best microphone under 100 bucks for those wanting a USB mic on the cheaper side of our targeting price-point. It can be used with all computers, and its technical capabilities (considering the price) make it a solid choice for some vocal recording, band or (a few) instrument recording, conference calls, Skype, podcasts, gaming, etc. With this microphone you are getting condenser capsules that enable a cardioid pick-up pattern that will minimize noise from the background. Another thing that could make this microphone the best microphone under $100 is its wide frequency response from 20Hz to 20,000 Hz as well as -10dB overload-protection. With this microphone you will definitely get studio quality of recording for all your different audio recordings for a super cheap price.

Check pricing\reviews of the U37: US | UK

Samson Go Mic

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Clik here to view.The Samson Go Mic is a versatile condenser USB microphone that will function equally well for different types of amateur usage, which definitely puts it in the running for a place in the list. This one comes with the option to choose between omnidirectional or cardioid polar patterns, which will enable you to adjust recordings to a concrete type of recording and to isolate background noise. This is also excellent for VoIP recording, and its wide frequency range from 20 Hz to 18,000 Hz additionally underlines its versatility. All these features put this mic on the list of the best microphone under 100 dollars in the market right now. It has been manufactured with a compact design for easy and simple attaching to a computer or laptop. Those who travel and need to do some conference calls, vlogging or recording of any kind on-the-go will love this thing — it folds into a wallet-sized little gadget to accompany your other gadgets at the airport in the car.

Read reviews\prices of the Go Mic: US | UK

Behringer B-1

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Clik here to view.Don’t forget to checkout the Behringer B-1 if you wanted a solid condenser microphone that connects via XLR by one of our favorite budget-friendly brands out there at the moment. This under $100 mic presents an excellent ratio between quality and the price you are paying for it. It comes with a pretty big diaphragm and offers lower-end home-studio recording quality. Like the others, we have a cardioid pattern that will enable you to get excellent quality of isolated recordings of different types: audio, instrumental, band music, etc. It isn’t a multiple-hundred dollar studio mic at all, but it is equipped with a 1” capsule and transducers that will definitely reduce background noise (we do of course recommend recording in an isolated area). Another element that makes this microphone potentially the best microphone under $100 is its overall construction (XLR that is plated in a gold and will ensure sturdy transmission of signal). Just another option to check out here, especially if you’re a Behringer fan and wanted a condenser mic by them.

View reviews\prices of the B-1: US | UK

Sound Tech CM-1000USB

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Clik here to view.Lastly, the Sound Tech CM-1000USB is definitely one of those microphones that we want to name as the best since it comes in a different shape and size many wouldn’t really associate with a mic. It comes with an omnidirectional polar pattern and convenient USB connectivity for easy access and usage of your recordings on Windows and Mac computers. It’s relatively low frequency range from 10 Hz to 10,000 Hz may turn you off but it still gets the job done for simpler applications. The CM-1000 is a USB mic that comes in a package together with a stand and USB cable that will allow you to start right away with recording mostly online chats or VoIP. Everything is produced with decent sound quality, which surely qualifies this mic as an option for those needing something shaped flat to fit into their existing setup. Who knows, it may be exactly what you were looking for. The user reviews aren’t too bad, either.

Check pricing\reviews of the CM-1000USB: US | UK

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Clik here to view.The best small-diaphragm condenser microphones bring us into a pretty niche-specific type of mic to review today. As we’ve seen microphones come in different shapes, sizes, aesthetics and personalities, today we’ve got some great solutions for recording and performing those bright and sharp overtones. Although it will ultimately depend on your budget, exact intended use, and your preferred brand (at least for some), we’ve chosen a few of our favorites to give you some options. But first, what exactly is a small-diaphragm mic?

What is a small-diaphragm condenser microphone?

As seen in our condenser microphones guide, these types of microphones are superb for recording a wide variety of instruments, sounds, voices, and more. However, although you’ve come to the conclusion a condenser mic is best for you, there are a few other subcategories of these things you’ll have to figure out before you choose the best for you. This large vs. small diaphragm article spells it out a bit more in-depth, however to summarize — as compared to large-diaphragm (1″ or more), small-diaphragm condensers (1/2″ or less) have lower sensitivity, more self-noise, less limited frequency range, better sound-pressure handling (SPL), a higher dynamic range, and easy positioning (due to their smaller size). What’s even better is a lot of these come in pairs when sold on the internet, since many people grab a few to record their instruments from different angles to capture it more efficiently.

In sum, and to simplify it a bit, due to their super-specific capabilities, small-diaphragm condenser mics are most used for the following applications: acoustic guitars, hi-hats, harp, drum overheads (not kick drums), or really any instrument with sharp transients (high amplitude, short-duration sounds) and overtones. We’ve even heard of many using it for film making, too.

The best small-diaphragm condenser mics

Rode NT5

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Clik here to view.Up first we have the Rode NT5, otherwise known by many as a “pencil mic,” which is known to be one the best small diaphragm condenser microphones if you’re looking to record acoustic instruments, drum overheads, cymbals and live performances. If you haven’t noticed, Rode is one of the best around, and this particular NT model is featured with a gold sputtered 1/2″ capsule and an active J-FET impedance converter with bipolar output buffer for low noise and a full range frequency response (20Hz – 20kHz). It’s externally biased condenser has a tight cardioid pickup pattern, which picks up audio from the front and sides, rejecting audio from the rear, making it also ideal for using as an indoor dialogue microphone for film making on a mic stand. The NT5 has a durable satin nickel finish to it so you don’t have to worry about scratching or harming it when you have to take it from place-to-place between your jam sessions. The Rode blends together a compact design and very solid reliability for the price, making it one of the best condenser microphones with a small diaphragm which sits on the middle price point of this guide to start our list off strong.

Check prices of the NT5: US | UK

Behringer C-2

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Clik here to view.Typically coming in packs of two, the Behringer C-2’s are one of the best small diaphragm condenser microphones if you’re looking for some great value, as they come in a pair and sit on the lowest price point we’ve seen in this category. The 2 matched condenser microphones are ideal for a stereo recording of a piano recital, choir performance, or any acoustic sound source for that matter. Coming in a pair, it allows you to be a little more versatile with the C2’s – rigging one on the drum overhead to capture your percussion and putting the other on your guitar to record your acoustics. The C2’s feature a rugged construction with a metal die-cast body, and a gold-plated 3-pin XLR connector for the most sensitive signal integrity. They also come with a maximum sound pressure level of 140dB — again, very solid for the price you are paying! If you’re looking something quick and budget-friendly, or perhaps you’re a novice to recording, then grab the very price-friendly Behringer C-2.

See pricing\reviews of the C-2: US | UK

AKG P170

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Clik here to view.Moving onto our next model in our guide, we have the AKG P170, which is one of the best small diaphragm condenser microphones that work well with everything from drum overheads to acoustic instruments, and is considered by us a bargain at its price point. This cardioid-pattern mic comes with a 1/2” diaphragm that has a maximum output impedance of 200 ohms. It supplies up 135dB of maximum sound pressure levels (SPLs), and also includes a 20dB (making it 155 dB of maximum SPL) pad that will aid in capturing accurate, crisp sound. The AKG P170 has a heavy-duty, all-metal design so that it is rugged enough to take with you if you are an on-the-go type performer. At the price of this model, you are also able to pick up a pair of these boys without having to empty your savings account – using a pair is ideal for stereo miking applications. AKG has a reputation for quality on top of it all.

Read reviews\price of the P170: US | UK

Shure KSM 137

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Clik here to view.Next, we have the Shure KSM 137 which is shurely (see what we did there?) one of the best condenser microphone with a small diaphragm that can be adequately used on virtually all live applications. The KSM 137 is an end-address condenser microphone with a single cardioid polar pattern designed for studio use, yet durable enough for live applications. This one is versatile  – commonly used for applications such as acoustic, wind, and low-frequency instruments, while also being useful for your overhead miking, your ensembles, or any room ambiance you’re looking to pick-up. It features a very thin, 2.5 micron, low mass Mylar diaphragm for solid transient response, and a Class A preamplifier for transparency, no crossover distortion, and minimal harmonic distortion. The 137 also comes with a 3-position switchable pad (0 dB, 15 dB, and 25 dB) for handling all different types of SPLs. Now, if you have a little more money to play with, the KSM137 might be the best condenser microphone with a small diaphragm for you.

Check prices\reviews of the KSM 137: US

Neumann KM 184

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Clik here to view.The Neumann KM 184 is one of the best small diaphragm condenser microphones which is specifically designed for your overhead drum miking. The Neumann sits on the on the higher price point in this guide (they’re the luxury brand for mics — for a reason, of course), so if your pockets are deep you should definitely look into investing in this miniature mic. It comes equipped with a pressure gradient transducer which features a very smooth full-range frequency response, not only for the 0 axis, but also for the off-axis (lateral) sound incidence. With the KM 184’s self-noise reduction and transformerless circuitry, this model is able to handle sound pressure levels of up to 138 dB. One of the key characteristics of the KM 184 is that the output is balanced and phantom (48V) powered, therefore, the Neumann will operate without any problems, even if the input of following equipment happens to be unbalanced. As said above, this model is for your percussion junkies and is a little on heavier on the wallet, but if money is not an issue, then you will be pleased with KM 184.

View pricing\reviews of the KM 184: US | UK

Audio-Technica Pro 37

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Clik here to view.We now look at the Audio-Technica PRO 37, which is ideal for acoustic guitars, overheads, piano and group vocals – excelling most with SPL applications. With the PRO 37’s versatility, it serves as one of the best condenser microphones with a small diaphragm for studio recording and/or live performances. This model has a low-mass element for very solid transient response (30-15,000 Hz) and a low-profile design for mic placement when recording in the studio or jammin’ at a gig. It also comes featured with a cardioid polar pattern design which reduces any ambience coming from the sides and rear, enhancing isolation of the sound source. The rugged design and structure of the PRO 37 makes for reliable performance and solid mobility when breakin’ down and traveling between your gigs. The Audio-Technica sits in the middle price point of our guide, and if you need something to amplify your shows, then don’t hesitate to grab this stud.

See reviews\prices of the Pro 37: US | UK

Rode M3

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Clik here to view.If you’re looking for something with a heavy-duty body that is designed for the stage (or even studio), then the Rode M3 is the best small condenser microphones with a diaphragm for you. It is also fitting to use as an instrument microphone for guitars, percussions, or even vocals. This model has an internally shock mounted ½” condenser capsule mounted for end-address, while being powered by either an internal 9V battery, or via P48 phantom power. The M3 also supplies a -10dB and -20dB level pad, which is selectable from within the battery compartment that allows you to record your really loud instrumental sources like guitar amplifiers or snare drums. What’s neat about the Rode M3 is that it has a high-pass filter selectable on the mic power switch that introduces a filter at 80Hz to manage any noise and reduce low-frequency sounds. This model also sits in the middle price point of our best small diaphragm condenser microphones guide if you need something with a heavy-duty body for your on-stage performances then you will be pleased with the Rode M3.

Check reviews\price of the M3: US | UK

MXL V67N

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Clik here to view.Here we feel one of the best small diaphragm condenser microphones for your bright instruments, such as the acoustic guitars or violins, the MXL V67N. Like the previous NT5, this model is also referred to as a ‘pencil mic,’ which gives instruments a balanced sound. The MXL features a 6-micron gold-sputtered diaphragm and a .87” capsule – both pretty impressive for the price. It also comes with two interchangeable capsules for all kinds of recording, and supplying a SPL (sound pressure level) of up to 148 dB at maximum output. The hand-crafted components and transformer-balanced output deliver a clear bottom end and exposed top, making it suitable for applications such as guitars, drums, piano, or even choirs. The V67N has a flat response that leaves recordings feeling like they are natural or pure – ideal for intricate acoustics. This model also sits in the middle price point of our guide, and will have you feelin’ like a king once you hear the soft, yet robust sounds this mic captures.

See prices\reviews of the V67N: US | UK

sE Electronics SE5

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Clik here to view.Almost to the end of our guide we take a look at the sE Electronics sE5, which has a hand-crafted true condenser and a 23mm diaphragm. With a smooth full-range frequency response and solid transient handling, the sE5 is one of the best small condenser microphones with a diaphragm ideally used for recording drums, percussion, pianos or any stringed instrument. The capsule in this model delivers a clean and crisp on-axis response, with off-axis (lateral) rejection that is necessary when recording the source amongst unwanted ambiance, or even sounds from other instruments. The sE5 also comes with a 100Hz bass cut filter that can be applied to decrease the level of proximity effect, which is used to isolate from low-frequency rumble via other sources. Featuring a -10dB and -20dB pad, the sE5 can miked up to loud sound sources such as drums or guitar cabinets, and the pads will reduce the level output from the mic to the source, ensuring a balanced output. The sE5 is a little more highly priced in the market, but if you have a little money to splurge, then don’t afraid to grab this sleekly designed mic.

Read reviews\pricing of the SE5: US | UK

Sennheiser MKH 50

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Clik here to view.Finally, we look at one of our more advanced models, the Sennheiser MKH 50, which is a super-cardioid microphone that offers a higher reduction of surrounding sound than the standard cardioid microphones. It is one of the best small diaphragm condenser microphones for soloists, or using it as a spot microphone for applications that require a high degree of lateral sound muting and feedback rejection. With low inherent self-noise and symmetrical transducer technology (which helps you lower any noise distortion), the MKH 50 has a transformerless and balanced output. The black, light metal structure of the mic has a roll-off filter which may be switched in order to assist any proximity effects at any distance up to 0.5m, and a switchable pre-attenuation pad. The MK50 also comes equipped with the MZS40 shock mount and a MZW 41 windshield for enhancing the experience. If money is not an issue and you’re searching for something a little more cutting-edge, then look into the MKH 50.

Check price\reviews of the MKH 50: US | UK